My Oscars Predictions 2024

Hi Readers,

I am going to talk through my 2024 Academy Awards Predictions for every category. I have tried my best to watch as many films that are available to me and at least one from each category. Unfortunately most of the short animated films and documentary features I have not been able to watch so I will have to use previous award ceremonies/critics voices to make my prediction.

Blue highlight means I have seen the film that the nominee worked on.

ACTOR IN A LEADING ROLE

BRADLEY COOPER – Maestro
COLMAN DOMINGO – Rustin
PAUL GIAMATTI – The Holdovers
CILLIAN MURPHY – Oppenheimer
JEFFREY WRIGHT – American Fiction

I think this category is a tie between Paul Giamatti and Cillian Murphy looking at the BAFTA and Golden Globes wins. Colman Domingo has made history with his nomination as the first Afro-Latino in the category but unfortunately has not managed to secure a win yet for his outstanding performance in Rustin. Bradley Cooper was good as Leonard Bernstein but I think his directing made the film what it was. Personally I think either Domingo or Giamatti deserve it the most for their performances.

My prediction is Paul Giamatti for The Holdovers

ACTOR IN A SUPPORTING ROLE

STERLING K. BROWN – American Fiction
ROBERT DE NIRO – Killers of the Flower Moon
ROBERT DOWNEY JR. – Oppenheimer
RYAN GOSLING – Barbie
MARK RUFFALO – Poor Things

There is a strong contrast in this category between the serious historical tales of Killers of the Flower Moon, Oppenheimer and then Barbie. Both Robert De Niro and Robert Downey Jr. gave dramatic performances but with no room in the plot for comedy. On the other hand, Ryan Gosling’s Ken in Barbie was a comedy character used to portray male ideals about patriarchy and so on. From how Awards Season has been unfolding, this award is looking like a shoe-in for Robert Downey Jr. but you never know what can happen.

My prediction is Robert Downey Jr. for Oppenheimer

ACTRESS IN A LEADING ROLE

ANNETTE BENING – Nyad
LILY GLADSTONE – Killers of the Flower Moon
SANDRA HÜLLER – Anatomy of a Fall
CAREY MULLIGAN – Maestro
EMMA STONE – Poor Things

In my own opinion, I think Annette Bening had a very strong performance in Nyad. The award has been a hand-off between Emma Stone and Lily Gladstone so far. I personally wasn’t sure Lily gave an Oscar winning performance. Carey Mulligan also gave a very strong performance but she is in a very strong year.

My prediction is Lily Gladstone for Killers of the Flower Moon

ACTRESS IN A SUPPORTING ROLE

EMILY BLUNT – Oppenheimer
DANIELLE BROOKS – The Color Purple
AMERICA FERRERA – Barbie
JODIE FOSTER – Nyad
DA’VINE JOY RANDOLPH – The Holdovers

I would love America to win for Barbie but with other strong performances in this category I am not sure she can secure it. Jodie Foster gave a very strong performance while Emily’s was nothing noteworthy to me. Da’Vine Joy Randolph has been sweeping the awards but after seeing the Holdovers, I am not sure what she did was more award-worthy than her fellow nominees.

My prediction is Da’Vine Joy Randolph for the Holdovers.

ANIMATED FEATURE FILM

THE BOY AND THE HERON – Hayao Miyazaki and Toshio Suzuki
ELEMENTAL – Peter Sohn and Denise Ream
NIMONA – Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
ROBOT DREAMS – Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
SPIDER-MAN: ACROSS THE SPIDER-VERSE – Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

I think animation is an often underappreciated category because every shot in the film has to be crafted by people and can take weeks if not months of back and forth. Out of the films I saw, each had a very different animation style so it is hard to compare them with each other. All of them had shots full of detail. I did love Spider-Man but if we’re going off original stories that do not already have a fan base, then I think Nimona and Elemental did well to create whole new worlds. Of course Elemental has had the budget and backing from Disney and their film is an allegory about immigration to the United States which I am sure many people voting in the Academy can relate. Nimona took a leap from the classic medieval tales we know and brought it into a new era with a diverse range of characters. This was based on a graphic novel but is not as well known as Marvel/Disney.

From what I have heard, the Boy and the Heron is a great film. Studio Ghibli always produce high quality work and it is thought this is to be Director Hayao Miyazaki’s last film so I think this one is a very strong contender for best animated feature film.

My prediction is The Boy and the Heron -Hayao Miyazaki and Toshio Suzuki

CINEMATOGRAPHY

EL CONDE – Edward Lachman
KILLERS OF THE FLOWER MOON – Rodrigo Prieto
MAESTRO – Matthew Libatique
OPPENHEIMER – Hoyte van Hoytema
POOR THINGS – Robbie Ryan

I must say when watching the films in this category, the cinematography was not my main focus. Looking back I think the cinematography from Maestro and Oppenheimer stood out from the others. El Conde, the plot was very confusing so even though there were some interesting shots, I couldn’t fully appreciate them. For me, Killers of the Flower Moon was more about the actors and the story line. It was a very long film so my main focus became the plot towards the end. The nominations also match those of the American Society of Cinematography where Oppenheimer prevailed this year.

My prediction is Hoyte van Hoytema for Oppenheimer.

COSTUME DESIGN

BARBIE – Jacqueline Durran
KILLERS OF THE FLOWER MOON – Jacqueline West
NAPOLEON – Janty Yates and Dave Crossman
OPPENHEIMER – Ellen Mirojnick
POOR THINGS – Holly Waddington

I personally thought that the costumes in Barbie were amazing and for such a large cast with a huge number of outfits, the costume team made everyone look impeccable. All of the other films are period pieces so the costumes differ from the bright colours of Barbie. I don’t think Oppenheimer’s costumes were very imaginative or impressive bar Florence Pugh’s looks but nothing had to be made for purpose. The outfits in Napoleon were very intricate and there were a lot of extras that had to be fitted in period dress as well as the many outfits for Josephine. Both Barbie and Poor Things won big at their industry awards but with Poor Things being awarded the BAFTA, they might have closed the deal.

My prediction is Poor Things – Holly Waddington

DIRECTING

ANATOMY OF A FALL – Justine Triet
KILLERS OF THE FLOWER MOON – Martin Scorsese
OPPENHEIMER – Christopher Nolan
POOR THINGS – Yorgos Lanthimos
THE ZONE OF INTEREST – Jonathan Glazer

I’ve only seen two of the nominees from this category. It’s great to see a woman and two films in foreign languages nominated. Martin Scorsese and Christopher Nolan are both very accomplished and Academy praised directors so I think the award is well within their reaches.

My prediction is Christopher Nolan for Oppenheimer

DOCUMENTARY FEATURE FILM

BOBI WINE: THE PEOPLE’S PRESIDENT – Moses Bwayo, Christopher Sharp and John Battsek
THE ETERNAL MEMORY
FOUR DAUGHTERS-Kaouther Ben Hania and Nadim Cheikhrouha
TO KILL A TIGER-Nisha Pahuja, Cornelia Principe and David Oppenheim
20 DAYS IN MARIUPOL- Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

I have only been able to watch one of the nominees in this category as many have not yet been released in the UK. I am pleased that all the films are non-American this year as there are so many events/topics around the world that do not get the promotion or airtime that they need. From chatter online and watching the BAFTA awards, 20 Days in Mariupol is the favourite this year. I did enjoy the Bobi Wine documentary as much as one could given the topic but with the stance that he has taken on gay rights in the past, I don’t think this film is a strong contender in this climate. I don’t support his or Uganda’s views in general but seeing the way the population are treated, I think he has been brave to go against the regime.

My prediction is 20 Days in Mariupol – Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

DOCUMENTARY SHORT FILM

THE ABCS OF BOOK BANNING – Sheila Nevins and Trish Adlesic
THE BARBER OF LITTLE ROCK – John Hoffman and Christine Turner
ISLAND IN BETWEEN – S. Leo Chiang and Jean Tsien
THE LAST REPAIR SHOP – Ben Proudfoot and Kris Bowers
NǍI NAI & WÀI PÓ – Sean Wang and Sam Davis

There are surprisingly two films made in Taiwan in this category: Island in Between about Taiwan and China’s relationship and Kinmen Islands caught in the middle and Nǎi Nai & Wài Pó about the filmmaker’s two grandmothers and their feelings about life. I thought Nǎi Nai & Wài Pó was very sweet filled with joy about dancing but also discussing the hardships of life and death. Island in Between took on a more serious tone but was still interesting and the footage captured really painted a picture. The Barber of Little Rock showed one man’s effort towards helping his community and how it really made a difference but ultimately my favourite out of the ones I saw was the Last Repair Shop. It was very emotional showing the group of people fixing the instruments for over 80,000 children and helping to provide them with a better life away from crime and their personal obstacles. The pacing and interviews with the employees were very well done and brilliantly tapped into human emotion. The buzz online is talking about The Last Repair Shop and Nǎi Nai & Wài Pó due to the directors’ other works being the front-runners in this category.

My prediction is Nǎi Nai & Wài Pó – Sean Wang and Sam Davis

FILM EDITING

ANATOMY OF A FALL – Laurent Sénéchal
THE HOLDOVERS – Kevin Tent
KILLERS OF THE FLOWER MOON – Thelma Schoonmaker
OPPENHEIMER – Jennifer Lame
POOR THINGS – Yorgos Mavropsaridis

Editing is often an unsung hero of the film world with a good cut often making or breaking the reception of a film. From the films I have seen, The Holdovers had good pacing and was also more digestible at just over 2 hours as opposed to 3 hours plus for the other two. It had great scenery shots cut with the actors and the look and feel of the film including the colour made it feel of the times. I know Nolan likes to shoot on film but the quality of Oppenheimer and Killers of the Flower Moon was sharp but did not blend with the story in the same way as the Holdovers.

My prediction is Jennifer Lame for Oppenheimer

INTERNATIONAL FEATURE FILM

IO CAPITANO – Italy
PERFECT DAYS – Japan
SOCIETY OF THE SNOW – Spain
THE TEACHERS’ LOUNGE – Germany
THE ZONE OF INTEREST – United Kingdom

I have not seen as much discourse for this category online with many award shows not even having a best International Film category. Given its nomination for Best Picture, The Zone of Interest is a high contender for the win but I really enjoyed Society of the Snow and have written a blog post on it. It was an incredible true story about humanity and survival and I barely noticed it was in Spanish as the emotions and subtitles linked together in my mind. This film has the benefit of being the only one available on streaming so that could help secure it the win.

My prediction is The Zone of Interest

MAKEUP AND HAIRSTYLING

GOLDA – Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
MAESTRO – Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
OPPENHEIMER – Luisa Abel
POOR THINGS – Nadia Stacey, Mark Coulier and Josh Weston
SOCIETY OF THE SNOW – Ana López-Puigcerver, David Martí and Montse Ribé

Again Society of the Snow did a great job in this category, transforming the actors into survivalists with sunburn and wild hair growth. There are stronger contenders in this category and while Maestro has some great prosthetics on Bradley Cooper and won in its industry awards, I think Poor Things winning the BAFTA is more influential.

My prediction is Poor Things – Nadia Stacey, Mark Coulier and Josh Weston

MUSIC (ORIGINAL SCORE)

AMERICAN FICTION – Laura Karpman
INDIANA JONES AND THE DIAL OF DESTINY – John Williams
KILLERS OF THE FLOWER MOON – Robbie Robertson
OPPENHEIMER – Ludwig Göransson
POOR THINGS – Jerskin Fendrix

It is great to see 92 year old John Williams nominated for the final Indiana Jones film which is one of the franchises that he is most known for. Ludwig Göransson has won the BAFTA and Golden Globe and is generally well known in the music and film score circles. He has had previous nominations in the music categories at the Oscars as well.

My prediction is Ludwig Göransson for Oppenheimer

MUSIC (ORIGINAL SONG)

THE FIRE INSIDE – from Flamin’ Hot; Music and Lyric by Diane Warren
I’M JUST KEN – from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt
IT NEVER WENT AWAY – from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson
WAHZHAZHE (A SONG FOR MY PEOPLE) – from Killers of the Flower Moon; Music and Lyric by Scott George
WHAT WAS I MADE FOR? – from Barbie; Music and Lyric by Billie Eilish and Finneas O’Connell

I am not a big music person but I just re-listened to all the songs and they all have their own strengths. Dianne Warren who composed The Fire Inside is a seasoned nominee in this category having been nominated the last 8 years in a row. Jon Batiste’s song was very emotionally powerful; after watching the documentary, I can understand what he has been going through. Both the songs from Barbie have different tones, I’m Just Ken is playful and a metaphor for the reverse sexism in Barbieland. Billie Eilish’s song has so much heart and when you listen the lyrics it relates to how Barbie feels but also how everyone can feel non-existent and without a purpose. The song from Killers of the Flower Moon is important to the story but as its in a different language it personally didn’t impact me as much as the others. It has a steady rhythm but nothing stands out.

My prediction is Billie Eilish & Finneas O’Connell with What Was I Made For? from Barbie

BEST PICTURE

AMERICAN FICTION – Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
ANATOMY OF A FALL – Marie-Ange Luciani and David Thion, Producers
BARBIE – David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
THE HOLDOVERS – Mark Johnson, Producer
KILLERS OF THE FLOWER MOON – Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
MAESTRO – Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
OPPENHEIMER – Emma Thomas, Charles Roven and Christopher Nolan, Producers
PAST LIVES – David Hinojosa, Christine Vachon and Pamela Koffler, Producers
POOR THINGS – Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
THE ZONE OF INTEREST – James Wilson, Producer

This is the most sought after prize in Hollywood. With Asian led films winning in the last few years (Parasite, Everything Everywhere All At Once) along with Chloe Zhao’s Nomadland and then a deaf cast leading CODA last year, it seems this category is awarding diversity and ambition. American Fiction and Past Lives fit this mould with diverse casts along with Anatomy of a Fall and The Zone of Interest being non-English. This category is not really represented in the same way at other award shows. The BAFTAs have best British/International film, the Globes split by genre so there is always a lot of discourse around who will receive the prize this year. Personally I think Barbie, The Holdovers and Maestro were produced very well creating a real world for the characters and telling interesting stories. These films did all have white protagonists and were in English so it would be great to see something more diverse lead the way.

My prediction is Oppenheimer as it has been a well-loved film this year and Christopher Nolan is a very well-respected director.

PRODUCTION DESIGN

BARBIE – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
KILLERS OF THE FLOWER MOON – Production Design: Jack Fisk; Set Decoration: Adam Willis
NAPOLEON – Production Design: Arthur Max; Set Decoration: Elli Griff
OPPENHEIMER – Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
POOR THINGS – Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

With the same nominees for Production Design as Costume, its clear that these films made an impact visually on audiences. Barbie famously created a giant Barbieland set, causing a global pink paint shortage along the way. I think the scale and locations of Napoleon have been underestimated as its currently predicted last to win. Poor Things once again won the BAFTA and is the top prediction. Oppenheimer built a lot of its sets including a quickly put together Oval Office and a desert town.

My prediction is Poor Things – Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

ANIMATED SHORT FILM

LETTER TO A PIG – Tal Kantor and Amit R. Gicelter
NINETY-FIVE SENSES – Jerusha Hess and Jared Hess
OUR UNIFORM – Yegane Moghaddam
PACHYDERME – Stéphanie Clément and Marc Rius
WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO – Dave Mullins and Brad Booker

Unfortunately I was only able to find one of these films to watch so I can’t use my own thoughts too much here. From what I have read online War is Over! has the biggest backing being produced by Yoko and Sean Ono Lennon and the animation being done by Weta FX, known for Avatar. Many people, myself included still mourn John Lennon and he was especially well loved in America so I think this has a good chance. The theme of the film I saw, Ninety-Five Senses was powerful but it was not a relatable story with the main character having committed a crime out of frustration.

My prediction is War is Over! Inspired by the music of John & Yoko – Dave Mullins and Brad Booker

LIVE ACTION SHORT FILM

THE AFTER – Misan Harriman and Nicky Bentham
INVINCIBLE – Vincent René-Lortie and Samuel Caron
KNIGHT OF FORTUNE – Lasse Lyskjær Noer and Christian Norlyk
RED, WHITE AND BLUE – Nazrin Choudhury and Sara McFarlane
THE WONDERFUL STORY OF HENRY SUGAR – Wes Anderson and Steven Rales

I have seen most of these short films and all have interesting stories. I thought The Wonderful Story of Henry Sugar was entertaining and Wes Anderson is certainly a great storyteller but its message was not as powerful or emotive as the other films. I think The After was very well-produced and has the power of Netflix behind it; Red White and Blue had the most evocative story I think and was a topic that is being hotly debated in America right now. Invincible wasn’t in English and seemed like a personal story rather than one that will appeal to everyone.

My prediction is The After – Misan Harriman and Nicky Bentham

SOUND

THE CREATOR – Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
MAESTRO – Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE – Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
OPPENHEIMER – Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
THE ZONE OF INTEREST – Tarn Willers and Johnnie Burn

From what I have read Oppenheimer is leading the charge for the Sound category. It has won awards at its own industry ceremonies and the people involved have all been highly commended in past projects. I personally thought The Creator had great sound in the film and combined with the VFX and other elements it truly expressed the vastness yet familial intimacy of the film. Top Gun featuring Tom Cruise was a winner last year so his involvement in Mission Impossible could secure another win.

My prediction is Oppenheimer – Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

VISUAL EFFECTS

THE CREATOR – Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
GODZILLA MINUS ONE – Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
GUARDIANS OF THE GALAXY VOL. 3 – Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE – Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
NAPOLEON – Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

From what I have read online, the award could go to either The Creator or Godzilla Minus One. The Creator won big at the VES Awards taking home five prizes but Godzilla Minus One with just a team of 35 artists (allegedly) and the director acting as VFX Supervisor managed to make the most popular box office hit of the Godzilla franchise and the third-highest grossing foreign language film in the US. Poor Things won the BAFTA but with no Oscar nomination, anything could happen. Mission: Impossible had some great Visual Effects combined with the stunts to create some never before seen shots – memorably the motorbike-parachuting off the cliff. Guardians of the Galaxy had a lot of CGI characters including Rocket the Raccoon who had a bigger role this film in addition with all the green screens to create outer space.

I personally think The Creator deserves the award as after learning what their budget was, the film was such high quality and it featured some very exceptional futuristic technology that blended seamlessly with the Asian scenery.

My prediction is Godzilla Minus One – Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

WRITING (ADAPTED SCREENPLAY)

AMERICAN FICTION – Written for the screen by Cord Jefferson
BARBIE – Written by Greta Gerwig & Noah Baumbach
OPPENHEIMER – Written for the screen by Christopher Nolan
POOR THINGS – Screenplay by Tony McNamara
THE ZONE OF INTEREST – Written by Jonathan Glazer

Personally I am not sure what existing story the Barbie screenplay was nominated for is but it looks like the two butting heads are American Fiction and Oppenheimer. American Fiction has won at the BAFTAs and Critics Choice Awards so far with Oppenheimer winning at lesser ceremonies but sweeping the board in other categories. With the Oscars splitting into two categories, Globe winner Anatomy of a Fall has been taken out of the running here. Personally I think the Barbie script was great and encompassed all the different parts of being a woman whilst also funny and serious.

My prediction is American Fiction – Cord Jefferson

WRITING (ORIGINAL SCREENPLAY)

ANATOMY OF A FALL – Screenplay – Justine Triet and Arthur Harari
THE HOLDOVERS – Written by David Hemingson
MAESTRO – Written by Bradley Cooper & Josh Singer
MAY DECEMBER – Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
PAST LIVES – Written by Celine Song

I was only able to watch three of the films this year but the chatter I have seen and based on previous awards, the top contenders are Anatomy of a Fall and May December. Anatomy of a Fall has won big at the BAFTAs and the Golden Globes, both shows big indicators for who will take home the Academy Award. Whilst watching The Holdovers, I think the words were chosen carefully to curate the tone and emotion that the film wanted to portray whereas in Past Lives, the words were almost secondary to the emotions and were more regular. Maestro was a good script with many phrases referring to life but to me this film was brought alive by the acting and the music.

My prediction is Anatomy of a Fall – Justine Triet and Arthur Harari

That concludes my predictions for the Academy Awards 2024. I am planning to do a round up of which films were honoured this Awards Season so I will talk through the winners there.

Happy Watching,

Robyn

Film Review: Anyone But You: Theme Song and based on Shakespeare? The RomCom is back

Hi Readers,

If you are unfamiliar with the 2000s romcom then you may be confused by my title but those who know, will know. Popular romantic comedies of the time such as 10 Things I Hate About You (1999), She’s the Man (2006) were loosely based on Shakespeare plays and even cult hit, Clueless (1995) is based on Jane Austen’s Emma.

Many romcoms had their own iconic songs that served as a motif/title track for the film: I Love You Baby from the famous scene where Heath Ledger’s Patrick sings it with the marching band to Kat (Julia Stiles) in 10 Things I Hate About You; Emma Stone’s Olive in Easy A (2011, honorary 00s) singing I’ve Got A Pocketful of Sunshine while getting ready; Katherine Heigl and James Marsden singing Bennie and the Jets while dancing on the bar in 27 Dresses (2008); the montage in which Renée Zellweger decides to be an Independent Woman is to the song I’m Every Woman in Bridget Jones’ Diary (2001).

Anyone But You takes these two ingredients and adds in the dream wedding destination – Australia; an enemies to lovers arc and a group of well-meaning yet meddling family plus a fun cast and produces a hit romcom. It has exceeded $200m at the box office which with two leads who have not yet reached A list status is a real triumph.

Anyone But You (2023)

The story starts unusually for a film in this genre with an unsuccessful meet-cute. Bea (Sydney Sweeney) is helped by handsome stranger Ben (Glen Powell) at a cafe and, after a potentially disastrous bathroom trip, they spend the evening together. A misunderstanding leads them to thinking the other was not so keen. Fast forward six months and Ben’s childhood friend Claudia (Alexandra Shipp) is marrying Bea’s sister, Hallie (Hadley Robinson). So it’s off to Sydney, Aus to Claudia’s stepdad’s mansion for a close-knit wedding.

Ben and Bea quickly descend into petty bickering but when the family starts pushing them together, they play along to show their exes that they are a hot commodity. Of course along the way, real feelings start to reveal themselves and they may not be quite so hateful towards each other.

I liked the pacing and plot of the film. It had a few classic comedy moments such as falling into the Sydney Harbour, a spider in the underwear for Ben and some poor fake acting from well-meaning friends. I didn’t feel anything was too over the top or unbelievable as in some romcoms. The tone was sincere but as this was a 15 there was a bit of nudity and swearing but nothing gratuitous, just enough to say this is for older teenagers.

The chemistry between the leads Powell and Sweeney was electric and their bickering seemed to come from a place of genuine connection despite an age gap which was playfully referred to. In films of the past, this would not have been mentioned at all so it was good to see.

The film was based on the Shakespeare play, Much Ado About Nothing and apart from the main couples names: Ben and Bea (Benedick and Beatrice), Claudia and Hallie (Claudio and Hero), I don’t think there is as much similarity as other romcoms and their classic counterparts.

The iconic theme song for this film was Natasha Bedingfield’s Unwritten from 2004 which starts as Ben’s ‘serenity’ song that he listens to on the plane to the wedding. Bea overhears this when attempting to steal his cookie and when they are being airlifted out of Sydney Harbour she starts singing it to calm Ben down. It pops up again at the wedding and during the credits, the cast sing it in the various locations from the film. This is another popular comedy trope and can be seen in films such as Chalet Girl (2009); Paddington 2 (2017) and Slumdog Millionaire (2008).

I watched the film recently after it was re-released as a Valentine’s Encore with an extra intro and ending from Glen Powell and Sydney Sweeney as well as some behind the scenes. This was a lovely gesture and made the re-release more noteworthy as opposed to just putting the same thing into cinemas.

Many elements brought together made this film a great romcom and as many are calling it, the return to the classics of the past. I would happily go and watch this again and eagerly await its release onto streaming, even just to sing along to ‘Unwritten’ in the comfort of my own living room.

Overall I give this film 5/5.

Happy Watching,

Robyn 

Film Review: Wonka – a phizz-whizzing, wondercump watch

Hello readers,

You may be wondering about the words in the title and that is because they are from the plethora of words that author Roald Dahl invented and used in his books, one of which was the original tale for Wonka. In Charlie and the Chocolate Factory we see the grown-up Willy Wonka with his factory and army of Oompa-Loompas entertain an unsuspecting group of children.

But, did you ever wonder how Wonka became the splendiferous inventor that Charlie and his Grandpa Joe encounter? This new film from the producers of Paddington and Harry Potter featuring an amazing cast can show you.

Wonka (2023)

The thing about doing another reboot/sequel or something based on known characters is that it has to be original and interesting. The small childhood flashback we see of Willy Wonka in the 2005 film which depicts him as a sad child stuck in a head brace with a chocolate-hating dentist for a father is not much of a back story.

This film has flipped that narrative on its head and provided Willy with a loving mother who taught him the chocolate basics and let him lick the spoon. At the beginning of the story he sets foot back in an unspecified European town after 7 years aboard finding weird and wonderful new ingredients for his chocolate.

His dream of opening a shop at the Galeries Gourmet is quickly met with uproar from the other three chocolatiers who hatch a plan to bring him down with the help of the Chief of Police and Mrs Scrubitt, the laundrette owner.

Things start off well with Willy showing the public his chocolates that can make you float but when he gets stuck paying his debts at the laundrette along with Noodle and other unfortunate souls, he hatches a plan to free them and take down the chocolate mafia.

At the heart of this film is a story about Willy Wonka missing his mother and seeing that same longing in Noodle who does not know her parents. He wants to make her proud and believes that she will return to him when he has achieved success.

Timothée Chalamet made a great Wonka, basing his performance on that of Gene Wilder in the 1971 adaptation, dressing in his iconic purple coat and hat. He demonstrated Wonka’s classic wacky humour but a little more subdued than it is when he meets Charlie Bucket. I was pleasantly surprised by the singing and dancing in the film but I thought that Timothée brought a great musicality to the role. He commanded the screen and had great chemistry with his on-screen pals.

The supporting cast features a range of British and American heavyweights with newcomer Calah Lane as Noodle alongside names such as Olivia Colman, Hugh Grant, Rowan Atkinson, Paterson Joseph, Jim Carter, Keegan-Michael Key and Matt Lucas.

Fans of Ghosts and Horrible Histories will be able to spot some favourites in there as well as Paddington alumni Tom Davis and Sally Hawkins. There was a large ensemble cast with a few cameos but I felt that everyone had their moment and no one was overlooked in their storyline. Even a character with a few lines got a happy ending on screen.

Of course, no film based around Willy Wonka would be complete without his marvellous inventions. We see his Mary Poppinsesque hat and never-ending suitcase with a delightful range of ingredients including giraffe milk and Oompa-Loompa cocoa beans for which Wonka is pursued. He creates a number of fun treats in the film including a chocolate that allows you to see a silver lining, edible shopping bags and candyfloss clouds.

I think this was a lovely, creative prequel to Willy Wonka with a cosy British feeling similar to Paddington and Matilda (another recent Roald Dahl musical) and I will happily be watching again when it comes to streaming.

I give this film 5/5.

Happy Watching,

Robyn

2023: Summer of Cinema: Theater Camp

The theatre world has always been an inclusive place for outsiders and people that don’t feel that they fit into society or at least at school to find a home. Making the teachers the focus of the film was something I have not really seen before but it really honed in on the phrase ‘those that can’t do, teach’.

Hello readers,

Despite the sun coming back again for another heatwave, the summer cinema offerings are starting to wind down. Today’s post is the last one in my 2023: Summer of Cinema series and I will be looking at different topics including television and streaming shows together with some larger scale analysis.

For today, I turn my attention to Theater Camp, a funny, dry mockumentary celebrating the theatre camps of America particularly around New York. The camp in this film is run by the much loved Joan and a collection of other eccentric teachers that have not been able to find permanent roles in the theatre world.

Theater Camp (2023)

The film opens with Joan (Amy Sedaris) and Rita (Caroline Aaron) recruiting potential kids for the camp. In true mockumentary style, we get talking heads from the cast telling us their feelings and just giving extra details that they haven’t said in the scene.

When Joan unfortunately is stunned into a coma by a child’s performance in Bye Bye Birdie; her son Troy (Jimmy Tatro) with no experience and little appreciation for the theatre is replaced as camp leader. He quickly starts to make some changes but the teachers and students barrel on with their usual mayhem regardless.

The most closely followed teachers are Rebecca-Diane (Molly Gordon – also co-director) and Amos (Ben Platt) and their co-dependent dynamic. They were students at the camp and with no success in the business, they have committed their lives to being theatre camp counsellors and nurturing the next generation.

Among the other teachers there is Glenn (Noah Galvin) who covers all things stage management but maybe wants a chance at the spotlight; Clive, a traditionalist with a passion for dance; Gigi with the fashion know-how and Janet (Ayo Edebiri), a new hire with a forged CV trying to bluff her way through stage combat and mask work.

A complication to this little society comes when Troy finds out the financial issues that the camp is facing. He tries several methods of raising money, all more outlandish than the next. There is also the rivalry with another local camp and tension between long-time best friends and co-producers, Rebecca-Diane and Amos as they attempt to write Joan, Still: an original play celebrating the colourful life of their comatose camp director.

I have dabbled myself in musical theatre but the theatre camps of America really take the drama to the next level. This film highlights the great things about camp: making friends for life, learning great skills for future careers, gaining confidence and the delightful chaos of being part of something bigger than yourself. The film also has the ability to poke fun at the sort of personalities that this environment attracts and not just with the teachers.

The child actors were all great, effortlessly playing up to the stereotype that their character was given: the reluctant male star; the one with actual experience; the unexpected talent and the larger than life presence.

This film made me laugh out loud many times. The way they play scenes as serious whilst being highly unusual really made the humour funnier and the improvisational nature of the script meant that you never really knew what someone would say and do.

The theatre world has always been an inclusive place for outsiders and people that don’t feel that they fit into society or at least at school to find a home. Making the teachers the focus of the film was something I have not really seen before but it really honed in on the phrase ‘those that can’t do, teach’.

I thought this film was a fun venture into the land of the theatre camp and it would be great to see more films with this production team as they managed to make the humour look effortless and clearly cultivated a great safe space for the actors to try new things. I give it 4.5/5.

Happy Watching,

Robyn

2023: Summer of Cinema: Asteroid City

I think the colours, costumes, props and deadpan delivery are what make a Wes Anderson film so unique and distinctive and while it does not always pay off in my eyes, I think Asteroid City was a great addition to his filmography. The over saturation of characters does not always work but it did for this film, where a whole community is created.

Hello readers,

Today I will be talking through the new Wes Anderson film, Asteroid City. I saw this in a new cinema, closer to the edge than I normally sit but this did not take away from the experience.

Wes Anderson has been back in conversation because of this film but also because of AI. Many creators have been using AI software to create Wes Anderson style photos such as Harry Potter, Star Wars, Avengers and Batman. The director has said that he does not enjoy people using his unique filmmaking methods in this way but it has certainly created a hype for his colourful and symmetric settings.

Asteroid City (2023)

The film starts with a narrative device not revealed in the trailers, a play within a play. While the events at Asteroid City play out in a rich toned desert with picture perfect 50s amenities (gas station, motel, diner); the writer (Edward Norton) and cast are seen on sets while Bryan Cranston narrates their thoughts.

In the desert we are quickly introduced to a cast of characters: Augie Steenbeck (Jason Schwartzman) with son, Woodrow (Jake Ryan) and three ‘witchy’ celestial-named daughters; Midge Campbell (Scarlett Johansson) famous actress and her daughter Dinah; Montana (Rupert Friend) and his band of cowboys along with school teacher June (Maya Hawke) and her class.

The characters have all gathered at Asteroid City to attend the Junior Stargazer’s event in which Woodrow, Dinah and others including Shelley (Sophia Lillis) are participants. In the town, there is a wide and deep crater made by an asteroid after which the town was named.

There are many interesting citizens of the town including the motel owner (Steve Carell); scientist Dr Hickenlooper (Tilda Swinton); General Gibson (Jeffrey Wright) and the mechanic (Matt Dillon). We also get a few cameos by the likes of Margot Robbie, Tom Hanks, Adrien Brody, Jeff Goldblum and Willem Dafoe.

The story focuses mostly on Augie and his family along with Midge. They stay opposite each other in the motel and start up a scintillating friendship. Their children, Woodrow and Dinah also become close along with the other smart kids.

I won’t reveal the catalyst of the film but let’s say that they all end up getting to know each other well. I enjoyed the comedic tone of the film with some real heartbreak in there, tied in with the asides in black and white from the ‘real’ people. Wes Anderson has his favourites that have appeared in many of his films but he always makes room for new faces.

I think the colours, costumes, props and deadpan delivery are what make a Wes Anderson film so unique and distinctive and while it does not always pay off in my eyes, I think Asteroid City was a great addition to his filmography. The over saturation of characters does not always work but it did for this film, where a whole community is created.

The Royal Tenenbaums may still be my favourite but Asteroid City is certainly up there and one of the best films I have seen this year.

If you live in London there is also an exhibition on with the sets from Asteroid City running until 8th July. I will be going there tomorrow myself.

Overall, I think this film had a great structure, didn’t feel too long and kept me engaged from start to finish. I give it 5/5.

Happy Watching,
Robyn

A Bad Moms Christmas – 9th December

This Christmas sequel to the first Bad Moms film is definitely one to watch without any kids as the jokes are quite explicit. I really like this film and will hopefully be watching it again this season. The original is something I hadn’t seen before as the film focused on three mothers not wanting to be responsible and have some R-rated fun for once. They agree to be Bad Moms which is where the title comes from. This is quite unusual for a Hollywood film as mothers are usually portrayed as rule-following and not wanting to have that sort of fun. I think it’s important to show that just because women are mothers, doesn’t mean they have to sacrifice their personalities.

In this Christmas edition, the three main characters have their mothers come to stay for the holidays. Amy (Mila Kunis) is the main mother and in the last film, she was feeling under-appreciated after her divorce and then met Jessie (Jay Hernandez) who also has a daughter. Her mother, Ruth (Christine Baranski) is the perfectionist type and tries to upstage Amy’s quiet family Christmas with the full works.

Kiki (Kristen Bell) has a few young kids and her husband relies on her too much. Her mother, Sandy (Cheryl Hines) has boundary issues and tries to be as near to her as possible. She gets the same haircut as Kiki and suggests moving in the house next door.

The third mother is Carla (Kathryn Hahn) who is much looser than the other two and always the first to suggest partying. She works at a beauty parlour, waxing but as her son is much older, she has a bit more freedom. Her mother is even more free-spirited than Carla. Isis (Susan Sarandon) wears lots of leather and is always ready to get into trouble for a little fun.

This ensemble cast really gels together and along with the great acting quality and fun story, this Christmas comedy is one to watch when you need to laugh aloud. The scene at the Trampoline park is particularly fun as is the dynamic between Kiki and her mother in therapy. Some surprising heart but with a heavy focus on comedy, it’s time women got a turn at the raunchy comedies. Overall 5/5.

Who I think should have won at the Golden Globes 2019

Hello readers,

For my first post of 2019, I’m sharing my personal opinions on who should have won at the Golden Globes this year. There were some unexpected winners and losers for me so I thought I would discuss these and what I thought of some of the films that won. I’m only going to talk about categories in which I have seen at least 3 of the films.

Bohemian Rhapsody – Best Motion Picture – Drama

I was very excited about this film as I am a long time fan of Freddie Mercury and Queen. The film certainly didn’t disappoint and it is one of my favourite films of the year. I found out more about one of my favourite bands and the hardships and joy they experienced in the early days of their success. I’m also really pleased for the cast as they all worked really hard on the film and press tour. I follow them on Instagram and the posts they make featuring each other have really kept the spirit of the film alive.

The category this year had 3 films featuring black actors which is historic in itself as awards ceremonies in Hollywood have been accused of unfair treatment in previous years. The fact that Black Panther, BlacKkKlansman and If Beale Street Could Talk were nominated is a big step towards racial equality. I have seen both Black Panther at the cinema and the Cannes Film Festival in May and BlacKkKlansman at the cinema back in September. Both films were amazing and would have been worthy winners of this award. A Star is Born was one of my best films of the year and it’s one award was disappointing but in this category I think it faced tough competition.

Rami Malek for Bohemian Rhapsody – Best Performance by an Actor in a Motion Picture – Drama

Rami Malek was the perfect Freddie Mercury in this film and got Freddie’s movements and mannerisms down to a T. I loved him as the lead singer of Queen and his performance brought the film to amazing heights. I also admire Malek for his roles in Need for Speed and the Night at the Museum franchise.

Bradley Cooper did an amazing job in A Star is Born as I have mentioned in a previous post and John David Washington as Ron Stallworth was powerful and iconic. Ron Stallworth becomes the first black cop in Colorado Springs and he engineers an infiltration into a branch of the Ku Klux Klan. The film by Spike Lee had a lot of powerful imagery and showed how awful and traumatising racism has been and continues to be. I have not seen At Eternity’s Gate or Boy Erased but Willem Dafoe and Lucas Hedges are both worthy nominees.

Alfonso Cuarón for Roma – Best Director – Motion Picture

I personally did not enjoy this film. It didn’t have enough plot or dialogue to follow to be able to empathise or relate to the characters. It was a pretty film to look at but as a drama it did nothing for me. I was disappointed with this winner and I thought the other nominees were more deserving.

Spike Lee and Bradley Cooper both did great jobs with their films and I would have preferred if one of them had won. I love Bradley Cooper as an actor and to be nominated for his directorial debut is a credit to his talents. Spike Lee knows how to tell a powerful tale and this was evident in BlacKkKlansman. Some of the dialogue and events really stuck with me. I haven’t seen Green Book or Vice so I don’t know how good the directing is.

Justin Hurwitz for First Man – Best Original Score – Motion Picture

The score for First Man really enhanced the breathtaking images of the film. When Neil Armstrong is going into space at the beginning the score helped me feel as though I was in the rocket with him. I think this score and composer are worthy winners in a tough category. Marco Beltrami did an amazing job with A Quiet Place, a film with minimal dialogue but the score creates great tension and suspense. I was on the edge of my seat for most of this film. Alexandre Desplat also did an amazing job with Isle of Dogs; another great film of 2018. Directed by Wes Anderson and told as an animation with Japanese and English dialogue, Isle of Dogs was a lovely story about the love between an owner and their dog. Like the Quiet Place, the score for Isle of Dogs helped enhance the story and build tension.

Black Panther’s score was also award worthy and it’s amazing to see a Marvel film nominated for so many awards at the Globes. Ludwig Göransson did a brilliant job and paired with the soundtrack by Kendrick Lamar, the sound is one of the major factors that has made Black Panther one of the best films in recent years. I have not yet seen Mary Poppins Returns but have heard wonderful things about the film.

Shallow from A Star is Born – Best Original Song – Motion Picture

I think this song really deserved to win. It’s a powerful song and sung by Lady Gaga in the film, it tells the story and feelings of her character, Ally perfectly. Bradley Cooper also sings the song very well but I think it is Lady Gaga that truly owns it. I have listened to on repeat for months and it still moves me and empowers me at the same time. The sheer power of Lady Gaga’s voice singing it in A Star is Born gave me goosebumps the first time I heard it in the film. I’m glad that A Star is Born won in this category.

It did have tough competition though as I think every song in this category was award worthy. All the Stars by Kendrick Lamar and SZA from Black Panther has a great beat that is perfect for the film and Girl in the Movies from Dumplin’ by Dolly Parton is a great theme song for the film. It’s uplifting in the same way as the message in the film. I have just listened to Requiem for A Private War and it was a beautiful song but I haven’t seen the film that it was written for. Revelation from Boy Erased is another powerful song that would have been a worthy winner.

The Americans – Best Television Series – Drama

I haven’t watched the recent seasons of The Americans but I have seen it before and I think it’s a good show but this year there were more worthy winners. I think that Bodyguard or Killing Eve should have won. I enjoyed both these series and think they were great television dramas. Bodyguard about the British Home Secretary having an affair with her personal bodyguard. It seem fairly simple but there is so much more to this drama. Plenty of action and romance and the last episode is one of the most intense pieces of television I have ever seen. Killing Eve had more of a cat and mouse element with Eve who works for MI6 trying to track down a female assassin all over Europe. It was a great female lead drama and the drama was more long played than in Bodyguard. Great plot twists and acting. I haven’t seen Pose or Homecoming but I have heard great things.

Rachel Brosnahan for The Marvelous Mrs Maisel – Best Performance by an Actress in a Television Series – Musical or Comedy

I think that Rachel Brosnahan is an amazing actress and this is the role that she is born to play. I can’t see anyone else even attempting to play Mrs Maisel. I love this show and have seen both seasons. It is about an upper class Jewish woman in New York City. At the beginning of the show, Mrs Maisel’s husband leaves her for his secretary and to cope she turns to stand up comedy. It is set in the late 1950s when women were not very well received in comedy. The whole cast of the show are amazing and I would highly recommend watching it.

GLOW is an amazing series about female wrestlers in the 1980s and Alison Brie does a great performance as Ruth. I love this show and have seen both series and I cannot wait for the next season. Kristen Bell is also great as Eleanor Shellstrop in the Good Place, a comedy about going to the afterlife. The show while being up to date on pop culture also helps the audience to understand concepts of philosophy and make sense of what happens to us after death. I was really glad that Kristen Bell was nominated. Will & Grace and Murphy Brown are shows that I haven’t seen but have heard good things about.

I would also like to give a special mention to Ben Whishaw who won the award for Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture made for Television. His role as Norman Scott in A Very English Scandal was great and he was worthy of the award. I have however not seen any other nominations in his category so it wouldn’t be fair to say he is the best, not having anything to compare it to. I watched all of A Very English Scandal last night and it was such a powerful and almost unbelievable true story. It tells the tale of Norman Scott having a gay affair with powerful politician Jeremy Thorpe in the 1960s and then being targeted for murder by Thorpe. Hugh Grant as Jeremy Thorpe was also great and a role we rarely see him play, the bad guy.

I know I only gave my opinions on a few of the categories but I didn’t feel it was right to judge categories in which I hadn’t seen more than 3 of the nominations.

I hope to write on many new and different topics in 2019.

Keep Watching,

Robyn

Venom and Johnny English Strikes Again Review

Hello readers,

I know that this is my first post in over a month but due to going back to university, I haven’t been to the cinema that much. A couple of weeks ago, I did however see the highly anticipated anti-hero film Venom and the third instalment of the Johnny English films. I remember seeing the second one in the cinema when I was 12 so I thought it would only be right to see this one in the cinema too.

Venom

Tom Hardy in Venom (2018)

This new anti-hero film has changed the game for the superhero genre. Eddie Brock a journalist whose life goes downhill after investigating a laboratory trying to harness the power of symbiotes. He accidentally joins with an alien called Venom and gains immense skills and strength.

Set in San Francisco made a refreshing change from the Avengers setting of New York. The humanisation of Venom talking through Eddie adds a comedy element to the film. Tom Hardy plays the ‘bad boy’ character very well as was evident in Legend (2015) but his resistance to Venom killing and hurting people shows that Eddie does have heart. He also tries working with Venom instead of rejecting him completely.

Many critics wrote off the film but as a fan of Marvel and comic book films, I really enjoyed it. It had the right amount of action, comedy, special effects, rebellion against evil corporations and romance. As the superhero genre had really taken off in the past few years, perhaps critics are getting annoyed at reviewing films that won’t win any high profile awards.

I liked the romance between Eddie and Anne, it added a softness to a pretty intense film. When she leaves Eddie, it truly breaks his heart and is motive for his revenge on Carlton Drake’s empire.

Overall I think this film is great for any Tom Hardy or superhero movie fans but not one to watch if you like something clever. 4/5.

Cast:

Tom Hardy (Inception) as Eddie Brock / Venom

Michelle Williams (Blue Valentine) as Anne Weying

Riz Ahmed (Rogue One) as Carlton Drake / Riot

Scott Haze (Child of God) as Security Chief Roland Treece

Jenny Slate (Zootropolis) as Dr. Dora Skirth

Peggy Lu (Awkward) as Mrs Chen

Johnny English Strikes Again

Rowan Atkinson in Johnny English Strikes Again (2018)

The third instalment of the Johnny English trilogy picks up years later when Johnny has retired from the world of espionage to become a geography teacher. He however has not taught his students much geography. The film starts with Mr English teaching all his young students how to be a spy.

When all the identities of all the MI7 agents are revealed to the public, the Prime Minister reluctantly recruits English to investigate. Reunited with his sidekick Bough, English travels to the South of France to find the source of the hackers.

Meanwhile, tech genius Jason is proposing an update for the British Government’s systems but is actually the bad guy and is trying to disable the country’s internet.

Johnny English of course would not be complete without laugh out loud gags and scenarios. Some of the best ones in this film include English setting a French restaurant on fire attempting to cook prawns, dancing for a whole night non stop, using virtual reality and accidentally throwing someone off an open top bus and wearing a full knight’s armour.

Rowan Atkinson is hilarious as always and the addition of Emma Thompson as the Prime Minister means their scenes together are comedy gold.

Overall a great family film with a laugh a minute. Comedy films don’t really include much slapstick and visual gags anymore so a reminder of the old days is welcome with Johnny English.

Cast:

Rowan Atkinson (Bean) as Johnny English

Olga Kurylenko (Quantum of Solace) as Ophelia

Emma Thompson (Sense and Sensibility) as Prime Minister

Jake Lacy (Carol) as Jason

Ben Miller (Paddington 2) as Bough

Adam James (Doctor Foster) as Pegasus

Other films I have enjoyed recently are American Animals (2018) starring Evan Peters, Heathers (1989) starring Winona Ryder, The Social Network (2010) starring Jesse Eisenberg and BlacKkKlansman (2018) starring John David Washington.

Happy Watching

Robyn 🙂

Review: The Post and Oscar Nominations

Hello readers,

I recently saw The Post starring Tom Hanks and Meryl Streep so I am going to write my review and talk a bit about the context of the film and what it means in today’s climate in the USA. Also I am going to share my opinions on some of the Oscar nominations.

The Post (2017)

The Post is set in 1971 and tells the story of the Washington Post trying to print the Pentagon Papers – around 7,000 pages of government secrets about the relations between the United States and Vietnam for over 20 years. The information was kept quiet by the government to protect themselves until Dan Ellsberg, who worked for the Department of Defence, leaked the papers to the New York Times. The paper was told not to print any more of the secret documents unless they wanted to be taken to court by the US government. The Washington Post who wanted to be taken seriously as a national newspaper, found the source and decided to also print the Pentagon Papers. They all have to face decisions between obeying federal law and avoiding jail or fighting for the freedom of information and letting the public know what their government had been doing.

The Vietnam War had many casualties including over 50,000 American soldiers. 100,000 men were sent to fight by President Kennedy. Four US Presidents from Eisenhower to Nixon were involved in the Vietnam War and authorised thousands of troops being sent to fight in a war they knew they could not win.

Apart from Government secrets being kept from the people and freedom of the press, another issue addressed in The Post was sexism. Although Katharine Graham was the publisher of the Post, she still had to prove herself worthy enough of being on the board of the paper. She was the only woman on the Post’s board. For example, at an important meeting for the Post, when she was trying to get investors to back selling stocks for The Washington Post, Ms Graham had prepared her speech and another man next to her took over her speech. She did eventually manage to command the room and the decision to print the Pentagon Papers came down to her and not a man.

Overall I think the Post was a great film and very relevant to today’s US Government and the ideas of ‘fake news’ and the rigging of elections. I give the Post 5/5.

Also in other film news this week is the release of the Oscar nominations for this year’s awards. Many great films, actors, directors and other crew members were nominated.

Image result for oscars 2018

The biggest award of the night, Best Picture has many great contenders. I have only seen Call Me By Your Name (which I wrote about in November) and The Post but I hope to see a few more before the awards are handed out on March 4th. Personally, I think Call Me By Your Name was one of the best films of the year in terms of storyline, the actors, the setting, the director and the score. It has been nominated for 4 Oscars in total including Best Actor for Timothée Chalamet, Best Adapted Screenplay, James Ivory and Best Original Song – ‘Mystery of Love’ by Sufjan Stevens.

Armie Hammer and Timothée Chalamet in Call Me by Your Name (2017)

Other great films in the Best Picture category are Darkest Hour, about Winston Churchill and how he helped to win WWII; Dunkirk, about the famous battle of Dunkirk in WWII and the rescuing of over 300,000 troops from France; The Shape of Water which has a staggering 13 nominations and is about a woman connecting with an alien in the 1950s; and Get Out, a horror film about an interracial couple visiting the woman’s white parents for the weekend.

All of these films have received high praise so far, and have done well in other award shows. Darkest Hour directed by Joe Wright has a total of 6 Oscar nominations including Best Actor, Best Cinematography, Best Costume Design, Best Production Design and Best Make Up and Hairstyling. Gary Oldman has already won the Golden Globe and SAG Award for his role as Churchill. This year was the first time he has won any awards.

Gary Oldman, Kristin Scott Thomas, and Lily James in Darkest Hour (2017)

The war film Dunkirk directed by Christopher Nolan has 8 Oscar nominations including Best Sound Editing, Best Film Editing, Best Director, Best Sound Mixing and Best Original Score.  Starring in the film is Kenneth Branagh, Tom Hardy, James D’Arcy, Harry Styles and Mark Rylance. Christopher Nolan has also been nominated for the David Lean Award for Direction at the BAFTAs this year.

Fionn Whitehead in Dunkirk (2017)

The Shape of Water has nominations in many categories including Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Original Score and Screenplay, Best Sound Editing and Mixing and Best Cinematography. This comeback from Guillermo Del Toro, is set in the Cold War and stars women as the important characters.

Doug Jones and Sally Hawkins in The Shape of Water (2017)

Get Out has 4 Oscar nominations in total including Best Director and Best Actor for Daniel Kaluuya. Kaluuya has also been nominated for an EE Rising Star BAFTA Award for his breakthrough role.

Daniel Kaluuya in Get Out (2017)

The other Best Picture nominations are Lady Bird, Phantom Thread and Three Billboards Outside Ebbing, Missouri.

I hope that Timothée Chalamet wins Best Actor, but I predict that Gary Oldman will win as he has already won a Golden Globe and SAG Award for his outstanding portrayal of Winston Churchill.

I would like Margot Robbie or Meryl Streep to win Best Actress for their roles in I, Tonya and The Post. I think any of the nominees, also including Sally Hawkins, Saoirse Ronan and Frances McDormand could win.

For Best Director, I would like to see Greta Gerwig win as she is the only female nominee and her work is outstanding or Jordan Peele, for Get Out, his amazing debut. I feel like Christopher Nolan for Dunkirk or Guillermo Del Toro for The Shape of Water may win the Oscar.

The other awards are still important but I have picked a select few to comment on. If you feel inclined, please leave a comment below with who you want to win at this year’s Oscars.

Happy Watching,

Robyn 🙂

My Top Netflix Picks

Hello readers,

I have recently got a Netflix account so this post will be listing what I have been watching on the popular streaming service. I know I haven’t posted in a while but I was busy as I’m sure you all were over the Christmas/New Year Period. Hope you all had a great festive/ holiday season.

Unbreakable Kimmy Schmidt (2015)

I am currently on Season 2 out of 3 of this show and so far I am really enjoying it. Each episode is only 25 – 30 minutes so it is easy to binge watch which I have been doing.

The premise of the show is that Kimmy Schmidt and three other women were trapped in a bunker for 15 years from 2000 to present day. They are set free to live the lives they were robbed of by their cult leader, the evil Reverend. Kimmy is 29 and decides to live in New York City and create her new adult life there away from Dunsville, Indiana where she was held captive. She meets Lillian, a crazy lady who hates what hipsters are doing to the neighbourhood and Titus Andromedon, someone who also moved to New York City to pursue a dream: to be in the Broadway show, The Lion King. They all help Kimmy readjust to the modern world of mobile phones, the Internet and dating. She also gets a job working for Mrs Jacqueline Voorhees, a rich woman who can’t seem to do anything for herself.

This sitcom is definitely funny in its own unique way. The characters always seem to have a crisis but that’s life! Ellie Kemper (The Office, Bridesmaids) stars as Kimmy; Titus Burgess (30 Rock) as Titus Andromedon, Kimmy’s fabulous roommate; Carol Kane (Hester Street, Taxi, The Princess Bride) as Lillian, their wacky landlord and Jane Krakowski (30 Rock, Ally McBeal) as Jacqueline Voorhees, Kimmy’s self-centred boss.

This show is great if you are looking for something different and fun to binge watch as there are currently 3 seasons on Netflix. Also nominated for 16 Primetime Emmys and 4 SAG awards. The show is written by Tina Fey (30 Rock) and Robert Carlock (30 Rock, Friends).

Stranger Things (2016)

I know many people have seen this show, but I couldn’t not write about it. It is set in 1983 in the fictional mid-west small American town, Hawkins, Indiana. Four friends in middle school, Mike, Dustin, Lucas and Will gather in Mike’s basement to play Dungeons and Dragons. On the way home, Mike disappears. In his place appears a strange girl, Eleven who can move things with her mind. Mike’s sister, Nancy also investigates her friend, Barb who goes missing just like Will. Chief Jim Hopper is on the case, he thinks Hawkins Lab has something to do with the disappearances.

The acting and aesthetic of this show is really outstanding. You really believe it is set in 1983. The creators, the Duffer Brothers took inspiration from many 80s films like the Goonies, ET,Ghostbusters and many more. Each episode is 40 – 55 minutes and there are currently two seasons out but this show is also very binge-worthy. I am re-watching it for the second time because it is that good.

The ensemble cast are: Winona Ryder (Little Women, The Age of Innocence) as Will’s mum, Joyce Byers; David Harbour (Revolutionary Road, Suicide Squad) as Chief Jim Hopper; Finn Wolfhard (IT) as Mike Wheeler, the leader of the party; Gaten Matarazzo as Dustin Henderson, the goofy, knowledgeable one; Caleb McLaughlin as Lucas Sinclair, the practical one who brings the gadgets; Millie Bobby Brown as the mysterious Eleven; Natalia Dyer as Will’s sister, Nancy Wheeler; Charlie Heaton as Jonathan Byers, Will’s older brother; Joe Keery as Nancy’s boyfriend, Steve Harrington; Cara Buono as Mike’s mum, Karen Wheeler and Noah Schnapp as Will Byers.

Above are the main cast for Season 1, there are some added cast members in Season 2 but I don’t want to give anything away.

This show is a drama/mystery/horror and once you start watching you will be hooked. It has also been nominated for 4 Golden Globes (including one win by David Harbour), 18 Primetime Emmys (including 5 wins), 4 Sag awards (1 win by the ensemble cast) and 1 BAFTA nomination.

The Good Place (2016)

This sitcom style show has a different vibe to most TV programmes you see these days. Yes it is funny, with a certain amount of drama with some well developed characters but everyone in it is dead. It takes place in somewhere called The Good Place, somewhere everyone who was really kind and generous on Earth go after death to live out eternity, like paradise. Only those who have dedicated their lives to others go there. Everyone else goes to the Bad Place to be tortured.

Eleanor Shellstrop goes to the Good Place, at first she thinks she earned it but when she finds out the architect of the neighbourhood, Michael thinks she is someone else, she knows she is in the Good Place by mistake. When the neighbour experiences problems and Eleanor realises she is causing them, she decides to try and earn a spot in the Good Place through her ‘soulmate’ teaching her ethics. Chidi is meant to be Eleanor’s soulmate but due to an error, they realise they are only destined to be friends. She also befriends her neighbours, Tahani and Jianyu, who are soulmates or are they?

The show stars Kristen Bell (Frozen, Veronica Mars) as Eleanor; Ted Danson (Cheers, Becker) as Michael; William Jackson Harper (Paterson, High Maintenance) as Chidi; Jameela Jamil (The Republic of Telly and The Great Comic Relief Bake Off – herself) as Tahani, someone who Eleanor finds condescending and is the only one with an accent; D’Arcy Carden (Broad City, Other People) as Janet, a computer program who looks like a person, Janet contains all the knowledge in the universe and Manny Jacinto (The Romeo Section, Once Upon a Time) as Jianyu, a Buddhist monk who took a vow of silence aged 8.

This comedy is something different and I would recommend to ages 12 and up. I have seen season 1 as that is all there is on Netflix but there is also a season 2. Very easy to watch as each episode is about 23 minutes. It also won a Critics Choice award for Most Exciting New Series.

Jack Whitehall: Travels with My Father (2017)

This documentary starring Jack Whitehall (Bad Education, Fresh Meat) an actor and comedian and his uptight and middle class father, Michael. In this 6 part series, father and son go on the gap year Jack never had around South East Asia. They visit Thailand, Cambodia, Vietnam and go to many spots that only the locals know about. Jack takes his father along for some well needed bonding time as the two are like chalk and cheese. I find Jack Whitehall entertaining and the funny dynamic with his father makes this travel show different from the rest. Good to watch if you enjoy Jack’s humour from his TV series’ or stand up. The filming of the scenery is very good and you see this part of the world from a bird’s eye view and more.

Easy to watch as each episode is only half an hour. I binged this series in a couple of days. It is funny but also informative particularly of the history of Cambodia and the suffering the people have endured in the past, something which I was unaware of previous to watching the show. I would say it is suitable for 15 years and up due to the complex and often rude language used.

The Crown (2016)

This show tells the story of Queen Elizabeth II and her husband, Prince Philip, the monarchy of the United Kingdom and the Commonwealth. It starts in 1947 when Elizabeth and Philip got married. It then depicts the history of the Crown from King George VI to it being passed down to his daughter. The show also features other members of the royal family from the 1950s, the Queen Mother, Queen Mary, Duke of Windsor, Princess Margaret and Prince Charles and Princess Anne as children. The show depicts the hardship and joys Elizabeth faced as a new queen whilst still trying to be a good wife and mother.

The audience is shown the emotions of the people behind the stories in the newspapers and how they dealt with each crisis. Many people view the Royal Family as having it easy, but there was a lot they weren’t allowed to do and they had virtually no privacy then.

Whilst the show portrays real life people and events that actually happened, we have no way of knowing if what the characters said to each other in private is correct or not. Nevertheless, I think that the show is excellent. The acting and set design make you believe that the actors actually are the people they are pretending to be.

Starring in the Crown created by Peter Morgan is Claire Foy (Breathe, Wolf Hall) as Queen Elizabeth II; Matt Smith (Doctor Who, Pride and Prejudice and Zombies) as Prince Philip; Vanessa Kirby (About Time, Everest) as Princess Margaret; Victoria Hamilton (Doctor Foster, Scoop) as the Queen Mother; Pip Torrens (Pride and Prejudice, Star Wars: Episode VII) as Tommy Lascelles, Private Secretary to King George and Queen Elizabeth and John Lithgow (Cliffhanger, Interstellar) as Sir Winston Churchill.

The show has won 2 Golden Globes (1 for Claire Foy), been nominated for another 3 (1 for Claire Foy and 1 for John Lithgow), won 3 Primetime Emmys (1 for John Lithgow), nominated for another 9 (1 for Claire Foy), won 2 BAFTAs, nominated for another 10 (1 for Claire Foy, Jared Harris (The Man from U.N.C.L.E., Lincoln) who played King George VI briefly in Series 1; John Lithgow and Vanessa Kirby).

The Crown has also won 2 SAG awards (1 for Claire Foy and 1 for John Lithgow), been nominated for another 3 (1 for Claire Foy), won a Critics Choice TV award for Best Supporting Actor – John Lithgow and been nominated for 2 more (1 for Jared Harris).

Clearly, the show is a success for Netflix and one of their most popular shows. There are currently 2 series out, I am half way through series 2 and I really love it. I didn’t know half of what happened in the Royal Family at the time and the acting, costumes and set really transport you there. Each episode is about 1 hour long but it is definitely worth watching.

Grace & Frankie (2015)

The premise of the show is quite simple, Grace and Frankie are told by their husbands, Sol and Robert that they both want a divorce because they want to marry each other. Turns out both Grace and Frankie’s 40 year long marriage was only real for half that time. Robert and Sol, who are partners in a law firm have been secretly gay and in a relationship for the last 20 years and want to get married as it is now legal.

Grace and Frankie have known each other for those 40 years but they are far from friends. Grace ran her own beauty business and believes appearance is everything. Grace teaches art to former convicts and is also a hippy who likes to take drugs and live wild and free. After their husbands leave them, they share their co-owned beach house and gradually begin to get along. Both have two children, Grace has feisty Brianna who now runs her business and Mallory who has 2 kids and a husband of her own who is more conventional and generous. Frankie has 2 boys, both adopted, Bud who is practical and a lawyer like his dad and Coyote who is a recovering drug addict searching for his purpose in life.

Together both families navigate their new and unexpected dynamic with hilarity and drama along the way. Starring in the show are Jane Fonda (Barbarella, 9 to 5) as Grace, Lily Tomlin (9 to 5, Grandma) as Frankie, Sam Waterston (Law and Order, The Great Gatsby, 1974) as Sol, Martin Sheen (The West Wing, Apocalypse Now) as Robert, Brooklyn Decker (Just Go With It, What to Expect When You’re Expecting) as Mallory, June Diane Raphael (The Disaster Artist, Forgetting Sarah Marshall) as Brianna, Ethan Embry (Sweet Home Alabama, That Thing You Do!) as Coyote and Baron Vaughn (Cloverfield, Black Dynamite) as Nwabudike ‘Bud’.

This comedy has been nominated for 1 Golden Globe for Lily Tomlin, 7 Primetime Emmys (2 for Lily Tomlin, 1 for Jane Fonda) and 4 SAG awards (2 for Lily Tomlin, 2 for Jane Fonda).

Each episode is around 25-30 minutes and there are currently 3 series with a fourth coming on Netflix very soon. I have just finished series 1 and I will definitely be continuing to watch it.

Recommendations I have received from friends are Gilmore Girls, Brooklyn 99, 13 Reasons Why, Black Mirror, How to Get Away with Murder and Orphan Black.

Hope any Netflix users find my review useful.

Happy Watching,

Robyn 🙂