2023: Summer of Cinema: Theater Camp

The theatre world has always been an inclusive place for outsiders and people that don’t feel that they fit into society or at least at school to find a home. Making the teachers the focus of the film was something I have not really seen before but it really honed in on the phrase ‘those that can’t do, teach’.

Hello readers,

Despite the sun coming back again for another heatwave, the summer cinema offerings are starting to wind down. Today’s post is the last one in my 2023: Summer of Cinema series and I will be looking at different topics including television and streaming shows together with some larger scale analysis.

For today, I turn my attention to Theater Camp, a funny, dry mockumentary celebrating the theatre camps of America particularly around New York. The camp in this film is run by the much loved Joan and a collection of other eccentric teachers that have not been able to find permanent roles in the theatre world.

Theater Camp (2023)

The film opens with Joan (Amy Sedaris) and Rita (Caroline Aaron) recruiting potential kids for the camp. In true mockumentary style, we get talking heads from the cast telling us their feelings and just giving extra details that they haven’t said in the scene.

When Joan unfortunately is stunned into a coma by a child’s performance in Bye Bye Birdie; her son Troy (Jimmy Tatro) with no experience and little appreciation for the theatre is replaced as camp leader. He quickly starts to make some changes but the teachers and students barrel on with their usual mayhem regardless.

The most closely followed teachers are Rebecca-Diane (Molly Gordon – also co-director) and Amos (Ben Platt) and their co-dependent dynamic. They were students at the camp and with no success in the business, they have committed their lives to being theatre camp counsellors and nurturing the next generation.

Among the other teachers there is Glenn (Noah Galvin) who covers all things stage management but maybe wants a chance at the spotlight; Clive, a traditionalist with a passion for dance; Gigi with the fashion know-how and Janet (Ayo Edebiri), a new hire with a forged CV trying to bluff her way through stage combat and mask work.

A complication to this little society comes when Troy finds out the financial issues that the camp is facing. He tries several methods of raising money, all more outlandish than the next. There is also the rivalry with another local camp and tension between long-time best friends and co-producers, Rebecca-Diane and Amos as they attempt to write Joan, Still: an original play celebrating the colourful life of their comatose camp director.

I have dabbled myself in musical theatre but the theatre camps of America really take the drama to the next level. This film highlights the great things about camp: making friends for life, learning great skills for future careers, gaining confidence and the delightful chaos of being part of something bigger than yourself. The film also has the ability to poke fun at the sort of personalities that this environment attracts and not just with the teachers.

The child actors were all great, effortlessly playing up to the stereotype that their character was given: the reluctant male star; the one with actual experience; the unexpected talent and the larger than life presence.

This film made me laugh out loud many times. The way they play scenes as serious whilst being highly unusual really made the humour funnier and the improvisational nature of the script meant that you never really knew what someone would say and do.

The theatre world has always been an inclusive place for outsiders and people that don’t feel that they fit into society or at least at school to find a home. Making the teachers the focus of the film was something I have not really seen before but it really honed in on the phrase ‘those that can’t do, teach’.

I thought this film was a fun venture into the land of the theatre camp and it would be great to see more films with this production team as they managed to make the humour look effortless and clearly cultivated a great safe space for the actors to try new things. I give it 4.5/5.

Happy Watching,

Robyn

2023: Summer of Cinema: Gran Turismo

It was amazing to me that this was also a true story as it seems impossible that someone can become a racer without training in real cars and not coming from a wealthy background. Jann learned all the right instincts from playing the video game and used things he has learned to his advantage in the real race such as overtaking. Jack was very doubtful at first but even he came to realise that Jann was born to race. I am pleased that there were women in the Academy too as racing has traditionally been a very male dominated sport with no female equivalent at the top level.

Hello readers,

With Barbenheimer out of the way, you may think Summer of Cinema is over but there are still a few films on my list and today’s one is all about racing. I grew up watching Formula One with my family so I’ve always enjoyed racing and subsequently racing films but the plot of this one was a little more unusual.

Gran Turismo (2023)

The film centres around Jann Mardenborough, a university dropout living at home and playing the video game, Gran Turismo on PlayStation. He has not found much passion for a career and spends all his free time and money towards the game in his room or at the local game centre. His father is not very supportive and as an ex-footballer is more interested in his youngest son’s blossoming football career.

When a unique opportunity comes from Nissan to find a driver with virtual experience rather than racing in real cars, Jann realises that he may have a chance to fulfil his dreams of being a racing driver after all. The team made up of Danny (Orlando Bloom) and ex-racer Jack (David Harbour) find the ten best sim players and put them through their paces. Among the drivers are Matty, Jann’s cocksure rival (Darren Barnet – Never Have I Ever); Antonio; Leah and Klaus (Maximilian Mundt – How to Sell Drugs Online Fast).

Jann has amazing instincts with the car and knowing all its parts which proves to Jack that maybe a sim driver could become a real racer. After winning the competition, Jann signs to Team Nissan and begins his career on the tracks. For me, the first half of the film did not have as much intrigue or emotion, particularly as they dived into the Academy scenes with a montage sequence but it really picked up when Jann started driving in actual races. I thought that Archie Madekwe who played Jann was well cast and in his driving scenes, you could see the emotion on his face. David Harbour was also good, leaning into his protective father figure character that we have seen in Stranger Things and Black Widow.

I thought the effects combined with the stunts made the races thrilling and exciting and they did not weigh them down with explanations of the types of cars or how many laps they did. I have never really seen this type of racing before but I didn’t feel lost or confused and just focused on the drivers.

It was amazing to me that this was also a true story as it seems impossible that someone can become a racer without training in real cars and not coming from a wealthy background. Jann learned all the right instincts from playing the video game and used things he has learned to his advantage in the real race such as overtaking. Jack was very doubtful at first but even he came to realise that Jann was born to race. I am pleased that there were women in the Academy too as racing has traditionally been a very male dominated sport with no female equivalent at the top level.

Racing fans or even Spice Girls fans will be surprised to see Geri Halliwell Horner make an appearance as Jann’s mother, Lesley. Many will know her as Ginger Spice but she is also married to Christian Horner, Team Principle of Red Bull for Formula One.

Overall, I enjoyed the film even though it was a little documentary like at first. Once you got to the racing part, everything started to fall into place. I give it 4/5.

Happy Watching,
Robyn

2023: Summer of Cinema: Oppenheimer

In some of his films that are set in reality, Nolan claims to use no CGI. VFX is used to touch up the shots and are not always used to create computer generated elements but in this case, over 100 visual effects artists (about 80%) were not credited for working on Oppenheimer. As someone working in VFX, I see this often enough but to not credit people is to not support fellow workers in the industry.

Hello readers,

The day has come and gone for ‘Barbenheimer’ to hit the screens and according to Rotten Tomatoes, Oppenheimer is currently pulling ahead in terms of reviews, however Barbie is winning in terms of box office. This could be because Barbie is a 12A meaning children under 12 can attend with an adult and Oppenheimer is a 15 but there are also huge differences in runtimes, directorial style and plot.

I chose to see Oppenheimer second on the Monday and I did see it at an IMAX screening as the director Christopher Nolan intended it. I didn’t quite stretch to a 70mm screening as to tell the truth, it was sold out. I am glad that I did not see both Barbie and Oppenheimer on one day as the 3 hour long film did send me to sleep a little.

Oppenheimer (2023)

I will start off the review by saying that the film was objectively good. The story was something not many people know in depth; the cast were Hollywood A-List: Cillian Murphy, Matt Damon, Robert Downey Jr, Emily Blunt, Florence Pugh and even the supporting cast of lesser knowns were great. The overall look with the costumes, production design and the inclusion of physics really helped set the stage and the use of lighting, composition and colour made the film look visually appealing.

As a former film student, these facts are all clear to me but personally I did not enjoy the film as much as I had hoped. I found it too long and it did not keep my interest after about one and a half hours. The female characters were only there to serve the male plotlines and even Oppenheimer’s wife, Kitty (Emily Blunt) who was featured in a lot of scenes did not really say or do much apart from seem mentally unstable or supportive of her husband. Along with Jean (Florence Pugh) having a mental breakdown and Oppenheimer’s sister-in-law, Jackie (Emma Dumont) being blacklisted as a communist, there were not any positive depictions of the women in the story.

For a female audience or even a younger audience who have grown up with men and women being more equally represented on screen to enjoy the film, there should have been more depth to the only two leading female characters: Kitty and Jean. Florence was severely underused and every scene she appeared in involved sex. The sex scenes themselves were weirdly portrayed as a conversation and sex was a secondary element which to me shows that no one needed to be naked for the scene to happen. There was a lot of pointless female nudity that was not replicated for the male counterpart.

There was also a lack of female scientists. The only speaking woman who was involved in the Manhattan Project was relegated to secretary and only got that position as a biologist. In real life, there were more women assisting Oppenheimer and his team with creating the Atomic Bomb and that just wasn’t shown in the film which was a shame. Similar stories such as the space race in Hidden Figures (2016) or the building of the Enigma machine in The Imitation Game (2014) did not shy away from including the stories of real women that helped with these scientific/mathematic projects.

In some of his films that are set in reality, Nolan claims to use no CGI. VFX is used to touch up the shots and are not always used to create computer generated elements but in this case, over 100 visual effects artists (about 80%) were not credited for working on Oppenheimer. As someone working in VFX, I see this often enough but to not credit people is to not support fellow workers in the industry.

I will say that for me, Robert Downey Jr was the standout performance of the film and for his first big role since Iron Man’s story ended, he really embodied his character: Admiral Strauss. I liked the beginning of the film where we saw Oppenheimer’s background and how he got selected for the Manhattan Project but I think the film loosened after the actual explosion happened. Moving backwards and forwards through time was also a little confusing as black and white was used for present day and colour used for flashbacks.

The general tone of the film, particularly after the bomb was not of regret for making the bomb and using it on innocent civilians but rather Americans trying to excuse themselves for making and using the bomb. Oppenheimer himself was barely affected with two weak aftermath images and no one else seemed that bothered. There was a whole scene of people cheering after hearing of the bombing which felt like patriotic propaganda. Many American people would not have agreed with its use or war in general; when the Vietnam War started there were a lot of protests.

Part of what held my interest was the appearance of many actors in small cameo roles such as Gary Oldman as President Truman; Casey Affleck; Rami Malek; Jack Quaid; Josh Peck; Devon Bostick and Alex Wolff.

Overall, I think I was not the right audience of the film but I have seen other film critics agree with my thoughts so not everyone enjoyed it. I think Nolan is a good director, I have enjoyed other films of his: Interstellar, Inception, The Prestige, Dunkirk and Memento but on this occasion, the film just didn’t grab me. As always these are just my opinions and I would encourage everyone to see the film for themselves and form their own opinions. I give the film 3/5.

Happy Watching,
Robyn

2023: Summer of Cinema: Barbie

The film uses all of these controversies in their plot and makes sure that we know that they do not condone Barbie’s unrealistic body but rather celebrate her achievements. We start with the 2001: Space Odyssey opener that has been teased, letting us know that Barbie was the first adult doll manufactured for girls that did not just teach them to be mothers. We see stereotypical Barbie (Margot Robbie) wake up in her dream house and have the perfect day. All her fellow Barbie’s have success in their careers, winning Nobel Prizes, being the President, driving an ambulance and generally having a great time.

Hello readers,

The most anticipated film of the year has finally arrived: Barbie! There has been a lot of hype around this film thanks to the amazing marketing team and the enormous cast featured in the film, not forgetting legendary director Greta Gerwig. I myself have been eagerly awaiting this film and to sum it up, it did not disappoint.

I was able to see some of the Barbie European Premiere in London as they erected a giant screen for those who did not manage to get in. I will be posting some images on my instagram @film_fanatic00

While many clips of the film were released, little was known about the overall plot and I was pleasantly surprised when I sat down to watch. I thought I knew everything about the film due to the sheer volume of content on social media but they really kept the main story hidden. This will be spoiler free as I know some people have not yet had the chance to see the film.

Barbie (2023)

Barbie’s have always been a controversial topic: on one hand they promote feminism as Barbie has her own car, house, career without the help of a man. Her boyfriend Ken is a background character with no job/house/car of his own. The dolls were released at a time when women in America couldn’t even have their own bank accounts and most had the job of housewife so little girls seeing Barbie as a lawyer, doctor, author, scientist or homeowner, empowered generations.

On the other hand, Barbie’s have always kept a very slim, totally unrealistic body type. They have feet always ready to wear high heels, waists smaller than their heads and lipstick and mascara on their faces. While Barbie has been released as different ethnicities, she has not had a realistic figure and it wasn’t until 2019 that a Barbie in a wheelchair was put on the market permanently.

The film uses all of these controversies in their plot and makes sure that we know that they do not condone Barbie’s unrealistic body but rather celebrate her achievements. We start with the 2001: Space Odyssey opener that has been teased, letting us know that Barbie was the first adult doll manufactured for girls that did not just teach them to be mothers. We see stereotypical Barbie (Margot Robbie) wake up in her dream house and have the perfect day. All her fellow Barbie’s have success in their careers, winning Nobel Prizes, being the President, driving an ambulance and generally having a great time.

Barbie starts having some troubling thoughts and her feet lose their natural heel so she is sent to Weird Barbie (Kate McKinnon) for help. She tells her to go to the Real World to find the girl playing with her as she must be passing on her depressing thoughts. Ken, who up until this point has been side-lined by Barbie in favour of hanging with the girls and sleepovers, decides to join her on the trip.

The chaos ensues from there and we meet the humans Gloria and Sasha who assist Barbie in her quest towards the end of the film. I thought it was a great idea to incorporate Mattel into the film and shows maturity that they allowed Greta and Noah Baumbach (co-writer) to poke fun at them. Barbie also discovers that the Real World is not as perfect as Barbieland and that women are not in charge. Ken discovers the patriarchy and things start unravelling when he brings this revelation to the other Kens and Barbies (and Allan).

This film was a lovely celebration of female power and how women are always expected to be two things at once, for example they have to be decisive but not bossy, dress nicely but not too sexy and so on.

Barbieland itself was a wonderful playground filled with all the accessories one could want but I am glad we got to see the Real World too as that grounded the story for me. All of the costumes were amazing and there were so many details nodding to discontinued Barbie’s such as her sister Skipper and Midge, the pregnant doll.

Margot Robbie was amazing as Barbie, balancing human emotions perfectly but Ryan Gosling as Ken was a real standout. His comic timing and facial expressions were right on point and I would like to see him do more comedy.

Overall the film was a joyful over-the-top celebration of humanity, especially women and made you think about what makes us human. Beneath the pink and the costumes and excellent soundtrack, the film had real heart and emotion that Greta always injects into her films. I will most certainly be watching the film again ad I encourage everyone to go along to the cinema to see Barbie in action. As the film campaign has said: ‘It’s a film for everyone who likes Barbie and everyone who hates Barbie’. I give the film 5/5.

Happy Watching,
Robyn

2023: Summer of Cinema: Mission: Impossible – Dead Reckoning Part One

The stunts were really amazing and the motorcycle/parachute jump that has been shared already was a real spectacle. I must say that I thought the story was a little weaker than past films maybe not helped by this being a Part One. It was still an enjoyable film but I think I will need to see Part Two before I fully make up my mind.

Hello readers,

This review is hot off the press as at the time of writing, I saw the latest Mission Impossible film last night and I am here to give my thoughts. First of all I want to say that it was a great film and everyone that worked on it should be proud. It had everything you need for a classic Tom Cruise outing complete with death-defying stunts, some romantic tension and of course bad guys.

This film has had a lot of hype, particularly as it was meant to be released last year. Bringing it forward to clash with Oppenheimer (and Barbie) was probably a decision to boost its box office figures or maybe to tweak those epic fight scenes. This review will be spoiler free for those looking forward to seeing it.

Mission: Impossible – Dead Reckoning Part One (2023)

The film starts with a seemingly irrelevant scene on a submarine but soon we see that it is setting up the main plot. There is a key in two halves that unlocks some unknown item that is the link to stopping the Entity, a sentient AI taking over all of the digital space.

AI has always been a good villain: faceless, nameless and nationless but a distant possibility. With the recent introduction of AI to create images and scripts, that is not so far away. I think it was interesting to go for something threatening the collective secret services rather than a threat to civilian life as it is a more underground but personal mission.

We see Ethan Hunt reunite with his merry band of outcasts: Benji, Luther and Ilsa in a variety of locations but culminating in Rome in an epic car chase featuring a yellow Fiat 500. He also becomes entangled with a new associate, Grace (Hayley Atwell), master thief and someone living a step ahead of the law. They begin with a battle for the key but quickly team up to go against the Entity’s human representative, Gabriel and his henchwoman, Paris (Pom Klementieff).

I won’t say more about the plot but let’s say the train scene really kept my attention. I think the cast were great: Benji was his usual self, always worrying but being dragged along for the ride; Luther was calm and collected and started a side storyline that I hope we see more of in Part 2 and Ilsa was determined but becoming a team player. We see a return from The White Widow (Vanessa Kirby) trying to make a buck like usual by brokering a deal.

The stunts were really amazing and the motorcycle/parachute jump that has been shared already was a real spectacle. I must say that I thought the story was a little weaker than past films maybe not helped by this being a Part One. It was still an enjoyable film but I think I will need to see Part Two before I fully make up my mind.

Overall, I thought that this was a great film and a classic Mission: Impossible offering but the two parts may have weakened it a little. The stunts, car chases and end scene were stand outs. I give the film 3.5/5.

Happy Watching,
Robyn

2023: Summer of Cinema: Asteroid City

I think the colours, costumes, props and deadpan delivery are what make a Wes Anderson film so unique and distinctive and while it does not always pay off in my eyes, I think Asteroid City was a great addition to his filmography. The over saturation of characters does not always work but it did for this film, where a whole community is created.

Hello readers,

Today I will be talking through the new Wes Anderson film, Asteroid City. I saw this in a new cinema, closer to the edge than I normally sit but this did not take away from the experience.

Wes Anderson has been back in conversation because of this film but also because of AI. Many creators have been using AI software to create Wes Anderson style photos such as Harry Potter, Star Wars, Avengers and Batman. The director has said that he does not enjoy people using his unique filmmaking methods in this way but it has certainly created a hype for his colourful and symmetric settings.

Asteroid City (2023)

The film starts with a narrative device not revealed in the trailers, a play within a play. While the events at Asteroid City play out in a rich toned desert with picture perfect 50s amenities (gas station, motel, diner); the writer (Edward Norton) and cast are seen on sets while Bryan Cranston narrates their thoughts.

In the desert we are quickly introduced to a cast of characters: Augie Steenbeck (Jason Schwartzman) with son, Woodrow (Jake Ryan) and three ‘witchy’ celestial-named daughters; Midge Campbell (Scarlett Johansson) famous actress and her daughter Dinah; Montana (Rupert Friend) and his band of cowboys along with school teacher June (Maya Hawke) and her class.

The characters have all gathered at Asteroid City to attend the Junior Stargazer’s event in which Woodrow, Dinah and others including Shelley (Sophia Lillis) are participants. In the town, there is a wide and deep crater made by an asteroid after which the town was named.

There are many interesting citizens of the town including the motel owner (Steve Carell); scientist Dr Hickenlooper (Tilda Swinton); General Gibson (Jeffrey Wright) and the mechanic (Matt Dillon). We also get a few cameos by the likes of Margot Robbie, Tom Hanks, Adrien Brody, Jeff Goldblum and Willem Dafoe.

The story focuses mostly on Augie and his family along with Midge. They stay opposite each other in the motel and start up a scintillating friendship. Their children, Woodrow and Dinah also become close along with the other smart kids.

I won’t reveal the catalyst of the film but let’s say that they all end up getting to know each other well. I enjoyed the comedic tone of the film with some real heartbreak in there, tied in with the asides in black and white from the ‘real’ people. Wes Anderson has his favourites that have appeared in many of his films but he always makes room for new faces.

I think the colours, costumes, props and deadpan delivery are what make a Wes Anderson film so unique and distinctive and while it does not always pay off in my eyes, I think Asteroid City was a great addition to his filmography. The over saturation of characters does not always work but it did for this film, where a whole community is created.

The Royal Tenenbaums may still be my favourite but Asteroid City is certainly up there and one of the best films I have seen this year.

If you live in London there is also an exhibition on with the sets from Asteroid City running until 8th July. I will be going there tomorrow myself.

Overall, I think this film had a great structure, didn’t feel too long and kept me engaged from start to finish. I give it 5/5.

Happy Watching,
Robyn