Christopher Nolan – Film Fanatic

Awards Season Recap: Who actually won the Statues?

Hello Readers,

With Awards Season drawing to a close, I am looking back on this year’s most popular films in nominations to see what awards they actually walked away with from the big ceremonies. There were a few surprises this year including Emma Stone winning Best Actress for her role in Poor Things at the Academy Awards and I’m Just Ken from Barbie winning over Billie’s song at the Critics Choice Awards.

Unfortunately, many of the winners this season are from films featuring straight white characters in English. I have chosen the main American/British ceremonies as my markers but the films with POC/queer characters or not in English did not do as well in these categories. Napoleon is the exception, I believe it was widely panned due to its historical inaccuracies and confusing story line.

Oppenheimer (2023)

Oscars: 13 nominations and 7 wins

BAFTAs: 13 nominations and 7 wins

Critics Choice Awards: 13 nominations and 8 wins

Golden Globes: 8 nominations and 5 wins

SAG Awards: 4 nominations and 3 wins

Oppenheimer did about as well as expected winning over half its nominations at all the ceremonies. It is an America-centric film with the cast, crew and funding coming from the US featuring an important American event and invention. Christoper Nolan is a well-respected director in the film industry and along with his production team, has been responsible for some of the most visually interesting and complex films of recent years including Inception (2010), Interstellar (2014) and Tenet (2020). Robert Downey Jr won all of his nominations for the film along with the editing, score and director nominees sweeping their categories. Personally, I think there were other films that deserved some of these awards but I am pleased for the team particularly Emma Thomas winning the Oscar alongside Nolan for Best Picture.

Barbie (2023)

Oscars: 8 nominations and 1 win

BAFTAs: 5 nominations and 0 wins

Critics Choice Awards: 18 nominations and 6 wins

Golden Globes: 9 nominations and 2 wins

SAG Awards: 4 nominations and 0 wins

Unfortunately Barbie was largely panned at most of the awards. It managed to secure decent nominations and a whopping 18 at the Critics Choice Awards but did not deliver in terms of wins. I believe where Critics were concerned, it was a hit but with such a strong year, other films appealed to a wider range of voters. I believe this to be the case at the Oscars and Globes. Barbie was a well-produced film with so many details but with being marketed towards women and starring a toy doll that was mostly successful in the US, I don’t think this film quite had the reach. Ironically, Oppenheimer with an American plot, largely white cast and upsetting plot details did rather well. Take that as you will about the state of the country.

The Holdovers (2023)

Oscars: 5 nominations and 1 win

BAFTAs: 7 nominations and 2 wins

Critics Choice Awards: 8 nominations and 3 wins

Golden Globes: 3 nominations and 2 wins

SAG Awards: 2 nominations and 1 win

This film did well in chosen areas such as acting but was largely ignored in others. The core cast really brought the humour and raw emotion of the film to life. This film was also set in an elite part of American society on the East Coast with mainly white characters but perhaps the boarding school element was just not as much of a hit among the voters. The inclusion of Mary as a main character despite her lower status as the school cook was a well-meaning attempt to connect with other elements of society but I am not sure it 100% worked. I did enjoy the film and the story but I think it appealed more to my demographic. In another weaker year, I think this film could have taken home more. It certainly would have done well in a less diverse voting pool.

American Fiction (2023)

Oscars: 5 nominations and 1 win

BAFTAs: 1 nomination and 1 win

Critics Choice Awards: 5 nominations and 1 win

Golden Globes: 2 nominations and 0 wins

SAG Awards: 3 nominations and 0 wins

Many people have declared this film an important piece of cinema due to the themes of the plot. Perhaps white and non-black voters just could not relate to the concepts that this film was trying to portray. It was certainly punchier in its themes of blackness and racial divide than the Holdovers but brought humour to it. The film was very interesting and although the book/film featured was over the top it was trying to demonstrate how people want to hear black voices. It was maybe this metaphor that people did not pick up on and took the film at face value. To me, this film was one of the biggest snubs on the list due to its important ideas and complex characters. I am glad its wins were for the script as that is what made the film shine.

Poor Things (2023)

Oscars: 11 nominations and 4 wins

BAFTAs: 11 nominations and 5 wins

Critics Choice Awards: 13 nominations and 1 win

Golden Globes: 7 nominations and 2 wins

SAG Awards: 2 nominations and 0 wins

I still have yet to watch Poor Things despite it being available on streaming and its award record can possibly show why. It made a big splash in nominations but has lacked in terms of wins. Most awards have been for Emma Stone’s portrayal of Bella Baxter and the design teams (costumes, production, hair and makeup and VFX). The plot or film overall has not had much success. Without having seen it myself, I cannot judge too much but the strong and graphic sex scenes may have something to do with it. I believe Americans to still be prudish when it comes to sex on screen, never rewarding films with an R rating highly at awards shows. Brits maybe equally as so with the BAFTAs all being for the design teams. It had good reviews when it came out but only winning one award at the Critics Choice Awards demonstrates its reception among the experts.

Past Lives (2023)

Oscars: 2 nominations and 0 wins

BAFTAs: 3 nominations and 0 wins

Critics Choice Awards: 3 nominations and 0 wins

Golden Globes: 5 nominations and 0 wins

SAG Awards: 0 nominations/wins

This film did not manage to pick up an award in the award shows I have chosen to highlight but was successful at others. This film was very much about relationships and characters rather than visually stunning VFX or exciting action sequences. It was also told in a mix of Korean and English which may have put some people off. I personally liked the film but I wouldn’t be voting it over others in its categories. Again, being such a strong year especially for foreign language cinema was a downfall of this film. It was great to see female stories be told with Celine Song directing and Greta Lee starring.

Anatomy of a Fall (2023)

Oscars: 5 nominations and 1 win

BAFTAs: 7 nominations and 1 win

Critics Choice Awards: 3 nominations and 1 win

Golden Globes: 4 nominations and 2 wins

SAG Awards: 0 nominations/wins

I have recently watched this film and I did enjoy it. The plot was pacy with the court room scenes framing the relationship between Sandra and her husband. Being mostly in French and again with no big action scenes/VFX, the film was largely panned. It was awarded for its screenplay though and being written by a husband and wife duo was probably the reason. Sandra Hüller in the lead was a very strong choice but she did not show emotions in the traditional ways which was one of the arguments she had with her husband before his death. The film was left open ended in terms of whether he died by suicide or other means but it was right to show that this was not important at the end of the day.

The Zone of Interest (2023)

Oscars: 5 nominations and 2 wins

BAFTAs: 9 nominations and 3 wins

Critics Choice Awards: 1 nomination and 0 wins

Golden Globes: 3 nominations and 0 wins

SAG Awards: 0 nominations/wins

This film was also largely ignored at this years awards picking up awards for its sound and best foreign language film. The fact that it was filmed in Poland in German with the Nazis at the centre probably had a lot to do with it. There are a lot of Jewish Americans in Hollywood but whether the film was a painful reminder or simply didn’t appeal to other voters, I am not sure. With the Israel/Palestine conflict going on at the moment, a film showing the oppression of Jewish people maybe didn’t hit the mark. It has to be said that the director and producers of the film are Jewish and gave a very strong speech about war at the Oscars. I have not yet seen the film and I would not say that I am particularly excited to, given its content.

Napoleon (2023)

Oscars: 3 nominations and 0 wins

BAFTAs: 4 nominations and 0 wins

Critics Choice Awards: 1 nomination and 0 wins

Golden Globes: 0 nominations/wins

SAG Awards: 0 nominations/wins

As mentioned above, this was the most surprising pan of the awards given its director and historical story. Ridley Scott is not usually an awards director but many of his films have been critically acclaimed and hailed by audiences as great cinema. Napoleon did not manage to do this. It angered the French with its British/American cast and great historical inaccuracies. I also found the plot confusing, jumping around different dates like it had somewhere to be. The relationship between Napoleon and Josephine was meant to be a strong point but they spent most of the film hating each other and all the sex scenes were rough and abusive. I think Vanessa Kirby did what she could with the script but I did not feel any warmth from Napoleon towards her even when he hadn’t left her for a younger, fertile woman. The scant nominations were for the costumes, production and VFX all of which looked great but unfortunately the plot/acting could not support it.

Maestro (2023)

Oscars: 7 nominations and 0 wins

BAFTAs: 7 nominations and 0 wins

Critics Choice Awards: 8 nominations and 0 wins

Golden Globes: 4 nominations and 0 wins

SAG Awards: 2 nominations and 0 wins

In nominations, Maestro did respectably well but did not manage to pick up an award. It was a very strong year but I think that Leonard Bernstein being bisexual/into men and women was not well received with voters and particularly cheating on his wife in their later years. There was a controversy about the prosthetic used to give Bradley Cooper a more Jewish looking nose but it was approved by the family. Personally I think Bradley looked more like Leonard with his own nose. The film was a good watch, I saw it at the London Film Festival last year and while an enjoyable film, I have not reached to watch it again on streaming. Carey Mulligan was strong as always but she got drowned out by other stronger performances in her categories from Da’Vine Joy Randolph and America Ferrera. An enjoyable film but it couldn’t hold its own this year.

Killers of the Flower Moon (2023)

Oscars: 10 nominations and 0 wins

BAFTAs: 9 nominations and 0 wins

Critics Choice Awards: 12 nominations and 0 wins

Golden Globes: 7 nominations and 1 win

SAG Awards: 3 nominations and 1 win

I am almost surprised at the panning that this film received given its powerhouse combo of Martin Scorsese, Leonardo DiCaprio and Robert De Niro. In the past this trio would have swept prizes but with the topic of the murder of Native Americans, they couldn’t make the leap. The only awards came for Lily Gladstone as Best Actress. While she was good, I am not sure her performance in the film was actually enough to secure the win. There may have been white guilt at play for the treatment of Native Americans or just an inability to relate to the culture. The film itself could have been done better in my eyes with too many characters to keep track of and most of the focus being on the few white male characters. If this film had been directed by a female Native American with Scorsese producing, I think there could have been a different result. It would have also made more sense as a limited series.

Happy Watching,

Robyn

2023: Summer of Cinema: Oppenheimer

In some of his films that are set in reality, Nolan claims to use no CGI. VFX is used to touch up the shots and are not always used to create computer generated elements but in this case, over 100 visual effects artists (about 80%) were not credited for working on Oppenheimer. As someone working in VFX, I see this often enough but to not credit people is to not support fellow workers in the industry.

Hello readers,

The day has come and gone for ‘Barbenheimer’ to hit the screens and according to Rotten Tomatoes, Oppenheimer is currently pulling ahead in terms of reviews, however Barbie is winning in terms of box office. This could be because Barbie is a 12A meaning children under 12 can attend with an adult and Oppenheimer is a 15 but there are also huge differences in runtimes, directorial style and plot.

I chose to see Oppenheimer second on the Monday and I did see it at an IMAX screening as the director Christopher Nolan intended it. I didn’t quite stretch to a 70mm screening as to tell the truth, it was sold out. I am glad that I did not see both Barbie and Oppenheimer on one day as the 3 hour long film did send me to sleep a little.

Oppenheimer (2023)

I will start off the review by saying that the film was objectively good. The story was something not many people know in depth; the cast were Hollywood A-List: Cillian Murphy, Matt Damon, Robert Downey Jr, Emily Blunt, Florence Pugh and even the supporting cast of lesser knowns were great. The overall look with the costumes, production design and the inclusion of physics really helped set the stage and the use of lighting, composition and colour made the film look visually appealing.

As a former film student, these facts are all clear to me but personally I did not enjoy the film as much as I had hoped. I found it too long and it did not keep my interest after about one and a half hours. The female characters were only there to serve the male plotlines and even Oppenheimer’s wife, Kitty (Emily Blunt) who was featured in a lot of scenes did not really say or do much apart from seem mentally unstable or supportive of her husband. Along with Jean (Florence Pugh) having a mental breakdown and Oppenheimer’s sister-in-law, Jackie (Emma Dumont) being blacklisted as a communist, there were not any positive depictions of the women in the story.

For a female audience or even a younger audience who have grown up with men and women being more equally represented on screen to enjoy the film, there should have been more depth to the only two leading female characters: Kitty and Jean. Florence was severely underused and every scene she appeared in involved sex. The sex scenes themselves were weirdly portrayed as a conversation and sex was a secondary element which to me shows that no one needed to be naked for the scene to happen. There was a lot of pointless female nudity that was not replicated for the male counterpart.

There was also a lack of female scientists. The only speaking woman who was involved in the Manhattan Project was relegated to secretary and only got that position as a biologist. In real life, there were more women assisting Oppenheimer and his team with creating the Atomic Bomb and that just wasn’t shown in the film which was a shame. Similar stories such as the space race in Hidden Figures (2016) or the building of the Enigma machine in The Imitation Game (2014) did not shy away from including the stories of real women that helped with these scientific/mathematic projects.

I will say that for me, Robert Downey Jr was the standout performance of the film and for his first big role since Iron Man’s story ended, he really embodied his character: Admiral Strauss. I liked the beginning of the film where we saw Oppenheimer’s background and how he got selected for the Manhattan Project but I think the film loosened after the actual explosion happened. Moving backwards and forwards through time was also a little confusing as black and white was used for present day and colour used for flashbacks.

The general tone of the film, particularly after the bomb was not of regret for making the bomb and using it on innocent civilians but rather Americans trying to excuse themselves for making and using the bomb. Oppenheimer himself was barely affected with two weak aftermath images and no one else seemed that bothered. There was a whole scene of people cheering after hearing of the bombing which felt like patriotic propaganda. Many American people would not have agreed with its use or war in general; when the Vietnam War started there were a lot of protests.

Part of what held my interest was the appearance of many actors in small cameo roles such as Gary Oldman as President Truman; Casey Affleck; Rami Malek; Jack Quaid; Josh Peck; Devon Bostick and Alex Wolff.

Overall, I think I was not the right audience of the film but I have seen other film critics agree with my thoughts so not everyone enjoyed it. I think Nolan is a good director, I have enjoyed other films of his: Interstellar, Inception, The Prestige, Dunkirk and Memento but on this occasion, the film just didn’t grab me. As always these are just my opinions and I would encourage everyone to see the film for themselves and form their own opinions. I give the film 3/5.

Happy Watching,
Robyn

Cannes Film Festival 2018: My Experience

Hello readers,

Today I will talking about my time at the Cannes Film Festival a few weeks ago. It was an honour and a pleasure to go and my friends and I had a marvellous experience.

We all had the Cannes Cinephiles passes which didn’t let us in to many films but I managed to see a dozen or so, some of which I will be reviewing below as well as the festival as a whole.

Cannes Film Festival:

The festival itself was a amazing experience. Luckily we had great weather until the last two days where it rained very hard and I didn’t have an umbrella. The promenade where the festival was held was easy to navigate and there were many souvenir shops and kiosks selling reasonably priced food. The atmosphere was really lively and many people just came to walk around or hang out on the beach, soaking in the sun. Everyone I encountered was really friendly and helpful and I met some really interesting people in the film industry. The bars and food places were very expensive so we tended to eat in our apartment but the places we did go were very good quality.

The buildings and theatres where the films were screened are very spacious and great places to watch films. The Grand Theatre Lumiere was the biggest theatre and where the most prestigious films and premieres were held. I was lucky enough to go to a few films in this theatre and it was breathtaking. The Salle Buñuel was also a lovely 400 seat theatre where I saw other films.

If you ever get a chance as a filmmaker to go to Cannes Film Festival I would highly recommend it. The only downside was the fact that my pass didn’t let me in to as much as I thought it would when I applied to go.

I give the Cannes Film Festival as a whole 4/5.

Le Grand Bain (Sink or Swim):

One of my favourite films, I saw this film in the Grand Theatre Lumiere and it was really touching. It was about a man struggling with depression in his 40s and trying not to disappoint his wife and kids. On a whim he joins a male synchronised swim team and finds a reason to live again. Although there are some tough themes in this film such as mental illness, there are many comedy elements and I left the film feeling uplifted. Essentially, it’s about working as a team and finding joy in unexpected places.

It is in French but I didn’t find it too hard to follow along with the subtitles. The director, Gilles Lellouche, who is also an actor, had a great style and really focused on the back stories of all the characters which made me sympathise with them more.

The main cast are Mathieu Amalric (Barbara, Tournée) who plays the protagonist, Bertrand; Jean-Hugues Anglade (Betty Blue, Nikita); Leïla Bekhti (Paris, je t’aime; A Prophet); Guillaume Canet (The Beach, Rock’n Roll); Virginie Efira (Elle, Victoria); Philippe Katerine (The Truth About Charlie, Opium).

I give Le Grand Bain 5/5.

Leto:

This film that I also saw in the Grand Theatre Lumiere had a very different feel from Le Grand Bain but I really enjoyed it. It was also the first film I saw at the festival. The story depicted 1980s rock bands in Russia, based on the wife of a successful musician. It was shown in black and white which really enhanced the sad points of the film.

Communism at the time didn’t allow people to play rock music so the bands played at a club set up by the main character, Mayk (pronounced ‘Mike’). The audience was small compared to rock bands of the time in Europe and America but they were all enjoying the shows enthusiastically.

The director, Kirill Serebrennikov, used lots of close ups and at some points had a camera crew filming the band and their entourage. The only colour shots were footage of the camera.

The music of the film really helped tell the story, and the titular song written by the real Viktor Tsoy, Leto was my favourite.

The characters listened to American and European rock such as David Bowie, Iggy Pop and Blondie. The songs the bands played on stage were great rock music and showed the emotions of the characters.

This was also one of my favourite films and as a fan of 80s rock music it really appealed to me. Even if you aren’t a fan of this genre of music, the story alone is full of emotion and tells the age old tale of love and loss.

The main stars are Teo Yoo (Equals, Day Night Day Night) as Viktor Tsoy, a young musician being coached by Mayk; Irina Starshenbaum (Attraction, Ice) as Natasha whose memoirs the film was based upon and Roman Bilyk in his first acting role as Mayk.

I give Leto 5/5

The House that Jack Built:

This film is one of the most disturbing films I have ever. seen It is about five incidents committed by a serial killer with OCD. A big draw for the film is Uma Thurman but she only has a minor role. The serial killer Jack, played by Matt Dillon, has an obsession with killing that he doesn’t want to stop. The film shows many horrific and terrifying scenes in close and graphic detail so definitely only watch if you are over 18 and have a strong stomach for horror. Despite the shocking and twisted scenes depicted in the film, at it’s core, it showed an emotionally unavailable man, trying to build a house and who cannot form any relationships whatsoever.

The cinematography was very well done with beautiful countryside shots interspersed with the more disturbing images. The director, Lars Von Trier, who had a seven year ban from Cannes for jokingly declaring himself a Nazi, has an impressive body of work and has won many prizes at Cannes in the past. When I saw the film at its premiere, as soon as he walked in, he had a standing ovation. The film also received a ten minute standing ovation and sparked a mass walkout by at least 100 people.

The acting in the film was outstanding, especially Matt Dillon. I don’t think I will be able to watch him in anything else without seeing him as the serial killer.

The main cast were Matt Dillon (There’s Something About Mary, Crash); Bruno Ganz (Downfall, Wings of Desire); Uma Thurman (Pulp Fiction, Kill Bill: Vol.1 and 2); Riley Keough (Mad Max: Fury Road, American Honey).

I give The House that Jack Built 3/5

Fahrenheit 451:

I saw this film at it’s midnight premiere and I was lucky enough to see the stars as they walked into the theatre, five feet away from me.

I enjoyed this film and stayed awake until two am watching it, when in some day time films I fell asleep. It played like a young adult adaptation and is a remake of a film based on a popular 1950s book by Ray Bradbury.

It portrays the idea that knowledge is dangerous and all books must be burned. Firemen work to destroy all books and punish those harbouring them. One fireman, Montag working his way to General, begins questioning why he’s burning books after he meets an influential woman.

My only issue with the film was the ending and as I don’t want to spoil it, I will not say why. The cast were good and I liked the graphics and story but there was something missing. I have not seen the original film but a friend said it was one of her favourite films.

The cast of Fahrenheit 451 are Michael B. Jordan (Creed, Black Panther) as the hero, Montag; Michael Shannon (The Shape of Water, Midnight Special) as his boss; Sofia Boutella (Star Trek Beyond, Kingsman: The Secret Service) as Clarisse, who shows Montag a new way of living.

I give Fahrenheit 451 a rating of 4/5.

Jane Fonda in Five Acts:

This documentary moved me and it was really entertaining. I like Jane Fonda as an actress and I knew she was an activist in the 1960s and 1970s but I didn’t realise the extent of her life.

The documentary was about two hours long and split into five acts – Henry (her father), Roger (her first husband), Tom (her second husband), Ted (her third husband) and Jane. It told of her beginnings as Henry Fonda’s daughter and her mother’s mental health issues through her three husbands, notable film roles such as Barbarella (1968), Klute (1971), On Golden Pond (1981), her activism and controversy around her. It concludes with her return to acting in 2005 and her unmarried life. Many people from her life, including 2 of her husbands, Paula Weinstein, Robert Redford and Lily Tomlin give their thoughts and opinions about Jane.

It was a very emotional documentary and I cried when it revealed that her mother committed suicide in a mental institution. Now, knowing about Jane Fonda’s whole life, I respect her much more as an actress and human being. I think she is a role model to her own and every generation.

I was also very pleased when Jane Fonda herself made an appearance along with the director Susan Lacy. Jane gave a great speech about being proud of yourself and standing up for others.

I give Jane Fonda in Five Acts 5/5.

Driving Miss Daisy:

Driving Miss Daisy is a timeless classic from 1989 and was played in the Cannes Classics section. I had never seen it before and I really enjoyed. It had a lovely ending and was a really enjoyable film. I didn’t fall asleep in this one either!

The story tells of a friendship between an old Jewish woman and her black driver set in the South of the US. It starts in the 1950s and spans 25 years. It started as an Off-Broadway play but was adapted to an Academy Award Winning film. The film was nominated for ten Oscars and won four of them – Best Picture, Best Actress – Jessica Tandy, Best Makeup and Best Adapted Screenplay.

The film deals with many themes; racism, ageing, Judaism and anti-semitism, class and many others.

The film stars Jessica Tandy (Fried Green Tomatoes at the Whistlestop Cafe, *batteries not included) as Miss Daisy, Morgan Freeman (Se7en, Invictus), who starred in the original play in the same role as Hoke, Miss Daisy’s driver and friend; Dan Aykroyd (Blues Brothers, Ghostbusters) as Miss Daisy’s well-meaning son.

I really enjoyed this film and would definitely recommend giving it a watch.

I give Driving Miss Daisy 5/5

Black Panther:

This film was screened on the beach with an introduction by the director, Ryan Coogler. I am a massive Marvel fan so I had already seen the film when it came out this February. It was great to watch it again and amazing to see Ryan Coogler in person.

For anyone who hasn’t seen Black Panther, it tells the origin story of the comic book hero Black Panther. T’Challa is crowned as the King of Wakanda, a fictional African country that has hidden from the world, after the death of his father, King T’Chaka in a previous Marvel film – Captain America: Civil War (2016). He tackles villain Ulysses Klaue and an American soldier, Erik Killmonger, who turns out not to be who we think he is.

The film is told in typical comic book adaptation way with a good vs. evil vibe but it was also thoroughly enjoyable and a big change for Hollywood as it was the first film to have a budget of over $100 million and feature a predominately black cast. It featured humour especially from Shuri, T’Challa’s tech wiz sister; drama, action, plot twists and some great fight and car chase sequences. The CGI was also breathtaking especially when the real Wakanda is revealed.

The film stars many great Hollywood actors and actresses: Chadwick Boseman (Get on Up, Marshall) as T’Challa/Black Panther; Michael B. Jordan (Creed, Fantastic Four) as Killmonger; Lupita Nyong’o (12 Years a Slave, Star Wars: The Force Awakens) as Nakia, T’Challa’s ex-girlfriend and undercover spy; Danai Gurira (The Walking Dead, The Visitor) as T’Challa’s bodyguard and friend, Okoye; Letitia Wright (Black Mirror, The Commuter) as Shuri; Winston Duke (Person of Interest, Avengers: Infinity War) as M’Baku, a rival leader of another tribe in Wakanda.

Martin Freeman (The Hobbit, Sherlock) as Everett Ross, a government agent who joins the fight to help old friend, T’Challa; Daniel Kaluuya (Get Out, Sicario) W’Kabi, T’Challa’s friend and Okoye’s love interest; Angela Bassett (Strange Days, Olympus Has Fallen) as Ramonda, T’Challa’s mother; Sterling K. Brown (This is Us, Army Wives) as N’Jobu, T’Challa’s uncle; Forest Whitaker ( The Last King of Scotland, Rogue One) as Zuri, T’Challa’s adviser and Andy Serkis (Lord of the Rings, Rise of the Planet of the Apes) as Ulysses Klaue.

I think Black Panther is one of the best Marvel films and I give it 5/5.

Bergman: A Year in a Life:

This documentary narrated and directed by Jane Magnusson (Cupcake, The Swimsuit Issue) tells of Ingmar Bergman’s life in the year 1957, the most chaotic of his career. Bergman is a revolutionary Swedish writer-director whose films are masterpieces, telling stories of the human condition. He has been nominated for nine Oscars and won the Irving G. Thalberg Memorial Award in 1971. His many films include: Summer with Monika(1953), Wild Strawberries (1957), The Seventh Seal (1957) (which I saw at Cannes), Persona (1966), Hour of the Wolf (1968), Scenes from a Marriage (1974) and Fanny and Alexander (1982).

The documentary featured archive footage of Bergman on talk shows and photos from 1957. Many people were interviewed for the documentary including Lena Endre, Thorsten Flinck, Elliott Gould, Barbra Streisand, Liv Ullman and Lars Von Trier.

Bergman’s story was very interesting but also tragic. He suffered very painful stomach ulcers his whole life and mental illness which he was often hospitalised for. In recuperation, he wrote many of his films.

I had heard of Bergman before Cannes but this documentary introduced me to his life and I would really like to watch more of his films.

I give Bergman: A Year in a Life 5/5.

Awards:

Grand Prix – BlacKkKlansman

From what I have heard of this film, it deserved to win the Grand Prix. Unfortunately, I didn’t get to see it but I have seen the trailer and it features some excellent actors and actresses.

Palme d’Or – Shoplifters

I didn’t see this film either but my friends did and said it was their favourite film. The director, Hirokazu Koreeda is known for his films: Nobody Knows (2004), Still Walking (2008), Like Father, Like Son (2013) and The Third Murder (2017).

What I wish I had seen:

BlacKkKlansman:

This film directed by Spike Lee (Malcolm X) and produced by Jordan Peele (Get Out) tells the story of an African-American police officer infiltrating the Ku Klux Klan and managed to become the head of the local chapter.

It stars John David Washington (Malcolm X, Monster) as police officer, Ron Stallworth; Adam Driver (Star Wars: The Force Awakens, Logan Lucky) as Flip Zimmerman; Topher Grace (Spider-Man 3, That ’70s Show) as David Duke; Laura Harrier (Spider-Man: Homecoming, The Last Five Years) as Patrice and Alec Baldwin (The Departed, It’s Complicated) as Actor.

As it won the Grand Prix this year, I think I will be seeing it in cinemas.

Pope Francis: A Man of His Word:

This documentary on the Pope sounds really interesting especially as it directed by the legend Wim Wenders (Wings of Desire; Paris, Texas).

I did queue for this film but it filled up before I got a seat.

Ryan Coogler and Christopher Nolan masterclass

I am disappointed that I missed these. My friends went to the Ryan Coogler masterclass and said it was really interesting. They were both very popular.

Solo: A Star Wars Story:

I am not a big Star Wars but I wanted to see this. It tells the Han Solo origin story, however it was screened after we left the festival.

It stars Alden Ehrenreich (Hail, Caesar!, Stoker) as Han Solo; Woody Harrelson (Three Billboards outside Ebbing, Missouri, Now You See Me) as Beckett; Emilia Clarke (Me Before You, Game of Thrones) as Qi’ra; Donald Glover (Atlanta, Community) as Lando Calrissian; Thandie Newton (Westworld, 2012) as Val; Phoebe Waller-Bridge (Fleabag, Crashing) as L3-37 and Paul Bettany (Avengers: Age of Ultron, Journey’s End) as Dryden Vos.

It appears to be very popular and I may see it in the cinema.

Thanks for reading this long and overdue post.

Happy Watching

Robyn 🙂

Review: The Post and Oscar Nominations

Hello readers,

I recently saw The Post starring Tom Hanks and Meryl Streep so I am going to write my review and talk a bit about the context of the film and what it means in today’s climate in the USA. Also I am going to share my opinions on some of the Oscar nominations.

The Post (2017)

The Post is set in 1971 and tells the story of the Washington Post trying to print the Pentagon Papers – around 7,000 pages of government secrets about the relations between the United States and Vietnam for over 20 years. The information was kept quiet by the government to protect themselves until Dan Ellsberg, who worked for the Department of Defence, leaked the papers to the New York Times. The paper was told not to print any more of the secret documents unless they wanted to be taken to court by the US government. The Washington Post who wanted to be taken seriously as a national newspaper, found the source and decided to also print the Pentagon Papers. They all have to face decisions between obeying federal law and avoiding jail or fighting for the freedom of information and letting the public know what their government had been doing.

The Vietnam War had many casualties including over 50,000 American soldiers. 100,000 men were sent to fight by President Kennedy. Four US Presidents from Eisenhower to Nixon were involved in the Vietnam War and authorised thousands of troops being sent to fight in a war they knew they could not win.

Apart from Government secrets being kept from the people and freedom of the press, another issue addressed in The Post was sexism. Although Katharine Graham was the publisher of the Post, she still had to prove herself worthy enough of being on the board of the paper. She was the only woman on the Post’s board. For example, at an important meeting for the Post, when she was trying to get investors to back selling stocks for The Washington Post, Ms Graham had prepared her speech and another man next to her took over her speech. She did eventually manage to command the room and the decision to print the Pentagon Papers came down to her and not a man.

Overall I think the Post was a great film and very relevant to today’s US Government and the ideas of ‘fake news’ and the rigging of elections. I give the Post 5/5.

Also in other film news this week is the release of the Oscar nominations for this year’s awards. Many great films, actors, directors and other crew members were nominated.

Image result for oscars 2018

The biggest award of the night, Best Picture has many great contenders. I have only seen Call Me By Your Name (which I wrote about in November) and The Post but I hope to see a few more before the awards are handed out on March 4th. Personally, I think Call Me By Your Name was one of the best films of the year in terms of storyline, the actors, the setting, the director and the score. It has been nominated for 4 Oscars in total including Best Actor for Timothée Chalamet, Best Adapted Screenplay, James Ivory and Best Original Song – ‘Mystery of Love’ by Sufjan Stevens.

Armie Hammer and Timothée Chalamet in Call Me by Your Name (2017)

Other great films in the Best Picture category are Darkest Hour, about Winston Churchill and how he helped to win WWII; Dunkirk, about the famous battle of Dunkirk in WWII and the rescuing of over 300,000 troops from France; The Shape of Water which has a staggering 13 nominations and is about a woman connecting with an alien in the 1950s; and Get Out, a horror film about an interracial couple visiting the woman’s white parents for the weekend.

All of these films have received high praise so far, and have done well in other award shows. Darkest Hour directed by Joe Wright has a total of 6 Oscar nominations including Best Actor, Best Cinematography, Best Costume Design, Best Production Design and Best Make Up and Hairstyling. Gary Oldman has already won the Golden Globe and SAG Award for his role as Churchill. This year was the first time he has won any awards.

Gary Oldman, Kristin Scott Thomas, and Lily James in Darkest Hour (2017)

The war film Dunkirk directed by Christopher Nolan has 8 Oscar nominations including Best Sound Editing, Best Film Editing, Best Director, Best Sound Mixing and Best Original Score. Starring in the film is Kenneth Branagh, Tom Hardy, James D’Arcy, Harry Styles and Mark Rylance. Christopher Nolan has also been nominated for the David Lean Award for Direction at the BAFTAs this year.

Fionn Whitehead in Dunkirk (2017)

The Shape of Water has nominations in many categories including Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Original Score and Screenplay, Best Sound Editing and Mixing and Best Cinematography. This comeback from Guillermo Del Toro, is set in the Cold War and stars women as the important characters.

Doug Jones and Sally Hawkins in The Shape of Water (2017)

Get Out has 4 Oscar nominations in total including Best Director and Best Actor for Daniel Kaluuya. Kaluuya has also been nominated for an EE Rising Star BAFTA Award for his breakthrough role.

Daniel Kaluuya in Get Out (2017)

The other Best Picture nominations are Lady Bird, Phantom Thread and Three Billboards Outside Ebbing, Missouri.

I hope that Timothée Chalamet wins Best Actor, but I predict that Gary Oldman will win as he has already won a Golden Globe and SAG Award for his outstanding portrayal of Winston Churchill.

I would like Margot Robbie or Meryl Streep to win Best Actress for their roles in I, Tonya and The Post. I think any of the nominees, also including Sally Hawkins, Saoirse Ronan and Frances McDormand could win.

For Best Director, I would like to see Greta Gerwig win as she is the only female nominee and her work is outstanding or Jordan Peele, for Get Out, his amazing debut. I feel like Christopher Nolan for Dunkirk or Guillermo Del Toro for The Shape of Water may win the Oscar.

The other awards are still important but I have picked a select few to comment on. If you feel inclined, please leave a comment below with who you want to win at this year’s Oscars.

Happy Watching,

Robyn 🙂