Awards Season Recap: Who actually won the Statues?

Hello Readers,

With Awards Season drawing to a close, I am looking back on this year’s most popular films in nominations to see what awards they actually walked away with from the big ceremonies. There were a few surprises this year including Emma Stone winning Best Actress for her role in Poor Things at the Academy Awards and I’m Just Ken from Barbie winning over Billie’s song at the Critics Choice Awards.

Unfortunately, many of the winners this season are from films featuring straight white characters in English. I have chosen the main American/British ceremonies as my markers but the films with POC/queer characters or not in English did not do as well in these categories. Napoleon is the exception, I believe it was widely panned due to its historical inaccuracies and confusing story line.

Oppenheimer (2023)

Oscars: 13 nominations and 7 wins

BAFTAs: 13 nominations and 7 wins

Critics Choice Awards: 13 nominations and 8 wins

Golden Globes: 8 nominations and 5 wins

SAG Awards: 4 nominations and 3 wins

Oppenheimer did about as well as expected winning over half its nominations at all the ceremonies. It is an America-centric film with the cast, crew and funding coming from the US featuring an important American event and invention. Christoper Nolan is a well-respected director in the film industry and along with his production team, has been responsible for some of the most visually interesting and complex films of recent years including Inception (2010), Interstellar (2014) and Tenet (2020). Robert Downey Jr won all of his nominations for the film along with the editing, score and director nominees sweeping their categories. Personally, I think there were other films that deserved some of these awards but I am pleased for the team particularly Emma Thomas winning the Oscar alongside Nolan for Best Picture.

Barbie (2023)

Oscars: 8 nominations and 1 win

BAFTAs: 5 nominations and 0 wins

Critics Choice Awards: 18 nominations and 6 wins

Golden Globes: 9 nominations and 2 wins

SAG Awards: 4 nominations and 0 wins

Unfortunately Barbie was largely panned at most of the awards. It managed to secure decent nominations and a whopping 18 at the Critics Choice Awards but did not deliver in terms of wins. I believe where Critics were concerned, it was a hit but with such a strong year, other films appealed to a wider range of voters. I believe this to be the case at the Oscars and Globes. Barbie was a well-produced film with so many details but with being marketed towards women and starring a toy doll that was mostly successful in the US, I don’t think this film quite had the reach. Ironically, Oppenheimer with an American plot, largely white cast and upsetting plot details did rather well. Take that as you will about the state of the country.

The Holdovers (2023)

Oscars: 5 nominations and 1 win

BAFTAs: 7 nominations and 2 wins

Critics Choice Awards: 8 nominations and 3 wins

Golden Globes: 3 nominations and 2 wins

SAG Awards: 2 nominations and 1 win

This film did well in chosen areas such as acting but was largely ignored in others. The core cast really brought the humour and raw emotion of the film to life. This film was also set in an elite part of American society on the East Coast with mainly white characters but perhaps the boarding school element was just not as much of a hit among the voters. The inclusion of Mary as a main character despite her lower status as the school cook was a well-meaning attempt to connect with other elements of society but I am not sure it 100% worked. I did enjoy the film and the story but I think it appealed more to my demographic. In another weaker year, I think this film could have taken home more. It certainly would have done well in a less diverse voting pool.

American Fiction (2023)

Oscars: 5 nominations and 1 win

BAFTAs: 1 nomination and 1 win

Critics Choice Awards: 5 nominations and 1 win

Golden Globes: 2 nominations and 0 wins

SAG Awards: 3 nominations and 0 wins

Many people have declared this film an important piece of cinema due to the themes of the plot. Perhaps white and non-black voters just could not relate to the concepts that this film was trying to portray. It was certainly punchier in its themes of blackness and racial divide than the Holdovers but brought humour to it. The film was very interesting and although the book/film featured was over the top it was trying to demonstrate how people want to hear black voices. It was maybe this metaphor that people did not pick up on and took the film at face value. To me, this film was one of the biggest snubs on the list due to its important ideas and complex characters. I am glad its wins were for the script as that is what made the film shine.

Poor Things (2023)

Oscars: 11 nominations and 4 wins

BAFTAs: 11 nominations and 5 wins

Critics Choice Awards: 13 nominations and 1 win

Golden Globes: 7 nominations and 2 wins

SAG Awards: 2 nominations and 0 wins

I still have yet to watch Poor Things despite it being available on streaming and its award record can possibly show why. It made a big splash in nominations but has lacked in terms of wins. Most awards have been for Emma Stone’s portrayal of Bella Baxter and the design teams (costumes, production, hair and makeup and VFX). The plot or film overall has not had much success. Without having seen it myself, I cannot judge too much but the strong and graphic sex scenes may have something to do with it. I believe Americans to still be prudish when it comes to sex on screen, never rewarding films with an R rating highly at awards shows. Brits maybe equally as so with the BAFTAs all being for the design teams. It had good reviews when it came out but only winning one award at the Critics Choice Awards demonstrates its reception among the experts.

Past Lives (2023)

Oscars: 2 nominations and 0 wins

BAFTAs: 3 nominations and 0 wins

Critics Choice Awards: 3 nominations and 0 wins

Golden Globes: 5 nominations and 0 wins

SAG Awards: 0 nominations/wins

This film did not manage to pick up an award in the award shows I have chosen to highlight but was successful at others. This film was very much about relationships and characters rather than visually stunning VFX or exciting action sequences. It was also told in a mix of Korean and English which may have put some people off. I personally liked the film but I wouldn’t be voting it over others in its categories. Again, being such a strong year especially for foreign language cinema was a downfall of this film. It was great to see female stories be told with Celine Song directing and Greta Lee starring.

Anatomy of a Fall (2023)

Oscars: 5 nominations and 1 win

BAFTAs: 7 nominations and 1 win

Critics Choice Awards: 3 nominations and 1 win

Golden Globes: 4 nominations and 2 wins

SAG Awards: 0 nominations/wins

I have recently watched this film and I did enjoy it. The plot was pacy with the court room scenes framing the relationship between Sandra and her husband. Being mostly in French and again with no big action scenes/VFX, the film was largely panned. It was awarded for its screenplay though and being written by a husband and wife duo was probably the reason. Sandra Hüller in the lead was a very strong choice but she did not show emotions in the traditional ways which was one of the arguments she had with her husband before his death. The film was left open ended in terms of whether he died by suicide or other means but it was right to show that this was not important at the end of the day.

The Zone of Interest (2023)

Oscars: 5 nominations and 2 wins

BAFTAs: 9 nominations and 3 wins

Critics Choice Awards: 1 nomination and 0 wins

Golden Globes: 3 nominations and 0 wins

SAG Awards: 0 nominations/wins

This film was also largely ignored at this years awards picking up awards for its sound and best foreign language film. The fact that it was filmed in Poland in German with the Nazis at the centre probably had a lot to do with it. There are a lot of Jewish Americans in Hollywood but whether the film was a painful reminder or simply didn’t appeal to other voters, I am not sure. With the Israel/Palestine conflict going on at the moment, a film showing the oppression of Jewish people maybe didn’t hit the mark. It has to be said that the director and producers of the film are Jewish and gave a very strong speech about war at the Oscars. I have not yet seen the film and I would not say that I am particularly excited to, given its content.

Napoleon (2023)

Oscars: 3 nominations and 0 wins

BAFTAs: 4 nominations and 0 wins

Critics Choice Awards: 1 nomination and 0 wins

Golden Globes: 0 nominations/wins

SAG Awards: 0 nominations/wins

As mentioned above, this was the most surprising pan of the awards given its director and historical story. Ridley Scott is not usually an awards director but many of his films have been critically acclaimed and hailed by audiences as great cinema. Napoleon did not manage to do this. It angered the French with its British/American cast and great historical inaccuracies. I also found the plot confusing, jumping around different dates like it had somewhere to be. The relationship between Napoleon and Josephine was meant to be a strong point but they spent most of the film hating each other and all the sex scenes were rough and abusive. I think Vanessa Kirby did what she could with the script but I did not feel any warmth from Napoleon towards her even when he hadn’t left her for a younger, fertile woman. The scant nominations were for the costumes, production and VFX all of which looked great but unfortunately the plot/acting could not support it.

Maestro (2023)

Oscars: 7 nominations and 0 wins

BAFTAs: 7 nominations and 0 wins

Critics Choice Awards: 8 nominations and 0 wins

Golden Globes: 4 nominations and 0 wins

SAG Awards: 2 nominations and 0 wins

In nominations, Maestro did respectably well but did not manage to pick up an award. It was a very strong year but I think that Leonard Bernstein being bisexual/into men and women was not well received with voters and particularly cheating on his wife in their later years. There was a controversy about the prosthetic used to give Bradley Cooper a more Jewish looking nose but it was approved by the family. Personally I think Bradley looked more like Leonard with his own nose. The film was a good watch, I saw it at the London Film Festival last year and while an enjoyable film, I have not reached to watch it again on streaming. Carey Mulligan was strong as always but she got drowned out by other stronger performances in her categories from Da’Vine Joy Randolph and America Ferrera. An enjoyable film but it couldn’t hold its own this year.

Killers of the Flower Moon (2023)

Oscars: 10 nominations and 0 wins

BAFTAs: 9 nominations and 0 wins

Critics Choice Awards: 12 nominations and 0 wins

Golden Globes: 7 nominations and 1 win

SAG Awards: 3 nominations and 1 win

I am almost surprised at the panning that this film received given its powerhouse combo of Martin Scorsese, Leonardo DiCaprio and Robert De Niro. In the past this trio would have swept prizes but with the topic of the murder of Native Americans, they couldn’t make the leap. The only awards came for Lily Gladstone as Best Actress. While she was good, I am not sure her performance in the film was actually enough to secure the win. There may have been white guilt at play for the treatment of Native Americans or just an inability to relate to the culture. The film itself could have been done better in my eyes with too many characters to keep track of and most of the focus being on the few white male characters. If this film had been directed by a female Native American with Scorsese producing, I think there could have been a different result. It would have also made more sense as a limited series.

Happy Watching,

Robyn

My Oscars Predictions 2024

Hi Readers,

I am going to talk through my 2024 Academy Awards Predictions for every category. I have tried my best to watch as many films that are available to me and at least one from each category. Unfortunately most of the short animated films and documentary features I have not been able to watch so I will have to use previous award ceremonies/critics voices to make my prediction.

Blue highlight means I have seen the film that the nominee worked on.

ACTOR IN A LEADING ROLE

BRADLEY COOPER – Maestro
COLMAN DOMINGO – Rustin
PAUL GIAMATTI – The Holdovers
CILLIAN MURPHY – Oppenheimer
JEFFREY WRIGHT – American Fiction

I think this category is a tie between Paul Giamatti and Cillian Murphy looking at the BAFTA and Golden Globes wins. Colman Domingo has made history with his nomination as the first Afro-Latino in the category but unfortunately has not managed to secure a win yet for his outstanding performance in Rustin. Bradley Cooper was good as Leonard Bernstein but I think his directing made the film what it was. Personally I think either Domingo or Giamatti deserve it the most for their performances.

My prediction is Paul Giamatti for The Holdovers

ACTOR IN A SUPPORTING ROLE

STERLING K. BROWN – American Fiction
ROBERT DE NIRO – Killers of the Flower Moon
ROBERT DOWNEY JR. – Oppenheimer
RYAN GOSLING – Barbie
MARK RUFFALO – Poor Things

There is a strong contrast in this category between the serious historical tales of Killers of the Flower Moon, Oppenheimer and then Barbie. Both Robert De Niro and Robert Downey Jr. gave dramatic performances but with no room in the plot for comedy. On the other hand, Ryan Gosling’s Ken in Barbie was a comedy character used to portray male ideals about patriarchy and so on. From how Awards Season has been unfolding, this award is looking like a shoe-in for Robert Downey Jr. but you never know what can happen.

My prediction is Robert Downey Jr. for Oppenheimer

ACTRESS IN A LEADING ROLE

ANNETTE BENING – Nyad
LILY GLADSTONE – Killers of the Flower Moon
SANDRA HÜLLER – Anatomy of a Fall
CAREY MULLIGAN – Maestro
EMMA STONE – Poor Things

In my own opinion, I think Annette Bening had a very strong performance in Nyad. The award has been a hand-off between Emma Stone and Lily Gladstone so far. I personally wasn’t sure Lily gave an Oscar winning performance. Carey Mulligan also gave a very strong performance but she is in a very strong year.

My prediction is Lily Gladstone for Killers of the Flower Moon

ACTRESS IN A SUPPORTING ROLE

EMILY BLUNT – Oppenheimer
DANIELLE BROOKS – The Color Purple
AMERICA FERRERA – Barbie
JODIE FOSTER – Nyad
DA’VINE JOY RANDOLPH – The Holdovers

I would love America to win for Barbie but with other strong performances in this category I am not sure she can secure it. Jodie Foster gave a very strong performance while Emily’s was nothing noteworthy to me. Da’Vine Joy Randolph has been sweeping the awards but after seeing the Holdovers, I am not sure what she did was more award-worthy than her fellow nominees.

My prediction is Da’Vine Joy Randolph for the Holdovers.

ANIMATED FEATURE FILM

THE BOY AND THE HERON – Hayao Miyazaki and Toshio Suzuki
ELEMENTAL – Peter Sohn and Denise Ream
NIMONA – Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
ROBOT DREAMS – Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
SPIDER-MAN: ACROSS THE SPIDER-VERSE – Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

I think animation is an often underappreciated category because every shot in the film has to be crafted by people and can take weeks if not months of back and forth. Out of the films I saw, each had a very different animation style so it is hard to compare them with each other. All of them had shots full of detail. I did love Spider-Man but if we’re going off original stories that do not already have a fan base, then I think Nimona and Elemental did well to create whole new worlds. Of course Elemental has had the budget and backing from Disney and their film is an allegory about immigration to the United States which I am sure many people voting in the Academy can relate. Nimona took a leap from the classic medieval tales we know and brought it into a new era with a diverse range of characters. This was based on a graphic novel but is not as well known as Marvel/Disney.

From what I have heard, the Boy and the Heron is a great film. Studio Ghibli always produce high quality work and it is thought this is to be Director Hayao Miyazaki’s last film so I think this one is a very strong contender for best animated feature film.

My prediction is The Boy and the Heron -Hayao Miyazaki and Toshio Suzuki

CINEMATOGRAPHY

EL CONDE – Edward Lachman
KILLERS OF THE FLOWER MOON – Rodrigo Prieto
MAESTRO – Matthew Libatique
OPPENHEIMER – Hoyte van Hoytema
POOR THINGS – Robbie Ryan

I must say when watching the films in this category, the cinematography was not my main focus. Looking back I think the cinematography from Maestro and Oppenheimer stood out from the others. El Conde, the plot was very confusing so even though there were some interesting shots, I couldn’t fully appreciate them. For me, Killers of the Flower Moon was more about the actors and the story line. It was a very long film so my main focus became the plot towards the end. The nominations also match those of the American Society of Cinematography where Oppenheimer prevailed this year.

My prediction is Hoyte van Hoytema for Oppenheimer.

COSTUME DESIGN

BARBIE – Jacqueline Durran
KILLERS OF THE FLOWER MOON – Jacqueline West
NAPOLEON – Janty Yates and Dave Crossman
OPPENHEIMER – Ellen Mirojnick
POOR THINGS – Holly Waddington

I personally thought that the costumes in Barbie were amazing and for such a large cast with a huge number of outfits, the costume team made everyone look impeccable. All of the other films are period pieces so the costumes differ from the bright colours of Barbie. I don’t think Oppenheimer’s costumes were very imaginative or impressive bar Florence Pugh’s looks but nothing had to be made for purpose. The outfits in Napoleon were very intricate and there were a lot of extras that had to be fitted in period dress as well as the many outfits for Josephine. Both Barbie and Poor Things won big at their industry awards but with Poor Things being awarded the BAFTA, they might have closed the deal.

My prediction is Poor Things – Holly Waddington

DIRECTING

ANATOMY OF A FALL – Justine Triet
KILLERS OF THE FLOWER MOON – Martin Scorsese
OPPENHEIMER – Christopher Nolan
POOR THINGS – Yorgos Lanthimos
THE ZONE OF INTEREST – Jonathan Glazer

I’ve only seen two of the nominees from this category. It’s great to see a woman and two films in foreign languages nominated. Martin Scorsese and Christopher Nolan are both very accomplished and Academy praised directors so I think the award is well within their reaches.

My prediction is Christopher Nolan for Oppenheimer

DOCUMENTARY FEATURE FILM

BOBI WINE: THE PEOPLE’S PRESIDENT – Moses Bwayo, Christopher Sharp and John Battsek
THE ETERNAL MEMORY
FOUR DAUGHTERS-Kaouther Ben Hania and Nadim Cheikhrouha
TO KILL A TIGER-Nisha Pahuja, Cornelia Principe and David Oppenheim
20 DAYS IN MARIUPOL- Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

I have only been able to watch one of the nominees in this category as many have not yet been released in the UK. I am pleased that all the films are non-American this year as there are so many events/topics around the world that do not get the promotion or airtime that they need. From chatter online and watching the BAFTA awards, 20 Days in Mariupol is the favourite this year. I did enjoy the Bobi Wine documentary as much as one could given the topic but with the stance that he has taken on gay rights in the past, I don’t think this film is a strong contender in this climate. I don’t support his or Uganda’s views in general but seeing the way the population are treated, I think he has been brave to go against the regime.

My prediction is 20 Days in Mariupol – Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

DOCUMENTARY SHORT FILM

THE ABCS OF BOOK BANNING – Sheila Nevins and Trish Adlesic
THE BARBER OF LITTLE ROCK – John Hoffman and Christine Turner
ISLAND IN BETWEEN – S. Leo Chiang and Jean Tsien
THE LAST REPAIR SHOP – Ben Proudfoot and Kris Bowers
NǍI NAI & WÀI PÓ – Sean Wang and Sam Davis

There are surprisingly two films made in Taiwan in this category: Island in Between about Taiwan and China’s relationship and Kinmen Islands caught in the middle and Nǎi Nai & Wài Pó about the filmmaker’s two grandmothers and their feelings about life. I thought Nǎi Nai & Wài Pó was very sweet filled with joy about dancing but also discussing the hardships of life and death. Island in Between took on a more serious tone but was still interesting and the footage captured really painted a picture. The Barber of Little Rock showed one man’s effort towards helping his community and how it really made a difference but ultimately my favourite out of the ones I saw was the Last Repair Shop. It was very emotional showing the group of people fixing the instruments for over 80,000 children and helping to provide them with a better life away from crime and their personal obstacles. The pacing and interviews with the employees were very well done and brilliantly tapped into human emotion. The buzz online is talking about The Last Repair Shop and Nǎi Nai & Wài Pó due to the directors’ other works being the front-runners in this category.

My prediction is Nǎi Nai & Wài Pó – Sean Wang and Sam Davis

FILM EDITING

ANATOMY OF A FALL – Laurent Sénéchal
THE HOLDOVERS – Kevin Tent
KILLERS OF THE FLOWER MOON – Thelma Schoonmaker
OPPENHEIMER – Jennifer Lame
POOR THINGS – Yorgos Mavropsaridis

Editing is often an unsung hero of the film world with a good cut often making or breaking the reception of a film. From the films I have seen, The Holdovers had good pacing and was also more digestible at just over 2 hours as opposed to 3 hours plus for the other two. It had great scenery shots cut with the actors and the look and feel of the film including the colour made it feel of the times. I know Nolan likes to shoot on film but the quality of Oppenheimer and Killers of the Flower Moon was sharp but did not blend with the story in the same way as the Holdovers.

My prediction is Jennifer Lame for Oppenheimer

INTERNATIONAL FEATURE FILM

IO CAPITANO – Italy
PERFECT DAYS – Japan
SOCIETY OF THE SNOW – Spain
THE TEACHERS’ LOUNGE – Germany
THE ZONE OF INTEREST – United Kingdom

I have not seen as much discourse for this category online with many award shows not even having a best International Film category. Given its nomination for Best Picture, The Zone of Interest is a high contender for the win but I really enjoyed Society of the Snow and have written a blog post on it. It was an incredible true story about humanity and survival and I barely noticed it was in Spanish as the emotions and subtitles linked together in my mind. This film has the benefit of being the only one available on streaming so that could help secure it the win.

My prediction is The Zone of Interest

MAKEUP AND HAIRSTYLING

GOLDA – Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
MAESTRO – Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
OPPENHEIMER – Luisa Abel
POOR THINGS – Nadia Stacey, Mark Coulier and Josh Weston
SOCIETY OF THE SNOW – Ana López-Puigcerver, David Martí and Montse Ribé

Again Society of the Snow did a great job in this category, transforming the actors into survivalists with sunburn and wild hair growth. There are stronger contenders in this category and while Maestro has some great prosthetics on Bradley Cooper and won in its industry awards, I think Poor Things winning the BAFTA is more influential.

My prediction is Poor Things – Nadia Stacey, Mark Coulier and Josh Weston

MUSIC (ORIGINAL SCORE)

AMERICAN FICTION – Laura Karpman
INDIANA JONES AND THE DIAL OF DESTINY – John Williams
KILLERS OF THE FLOWER MOON – Robbie Robertson
OPPENHEIMER – Ludwig Göransson
POOR THINGS – Jerskin Fendrix

It is great to see 92 year old John Williams nominated for the final Indiana Jones film which is one of the franchises that he is most known for. Ludwig Göransson has won the BAFTA and Golden Globe and is generally well known in the music and film score circles. He has had previous nominations in the music categories at the Oscars as well.

My prediction is Ludwig Göransson for Oppenheimer

MUSIC (ORIGINAL SONG)

THE FIRE INSIDE – from Flamin’ Hot; Music and Lyric by Diane Warren
I’M JUST KEN – from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt
IT NEVER WENT AWAY – from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson
WAHZHAZHE (A SONG FOR MY PEOPLE) – from Killers of the Flower Moon; Music and Lyric by Scott George
WHAT WAS I MADE FOR? – from Barbie; Music and Lyric by Billie Eilish and Finneas O’Connell

I am not a big music person but I just re-listened to all the songs and they all have their own strengths. Dianne Warren who composed The Fire Inside is a seasoned nominee in this category having been nominated the last 8 years in a row. Jon Batiste’s song was very emotionally powerful; after watching the documentary, I can understand what he has been going through. Both the songs from Barbie have different tones, I’m Just Ken is playful and a metaphor for the reverse sexism in Barbieland. Billie Eilish’s song has so much heart and when you listen the lyrics it relates to how Barbie feels but also how everyone can feel non-existent and without a purpose. The song from Killers of the Flower Moon is important to the story but as its in a different language it personally didn’t impact me as much as the others. It has a steady rhythm but nothing stands out.

My prediction is Billie Eilish & Finneas O’Connell with What Was I Made For? from Barbie

BEST PICTURE

AMERICAN FICTION – Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
ANATOMY OF A FALL – Marie-Ange Luciani and David Thion, Producers
BARBIE – David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
THE HOLDOVERS – Mark Johnson, Producer
KILLERS OF THE FLOWER MOON – Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
MAESTRO – Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
OPPENHEIMER – Emma Thomas, Charles Roven and Christopher Nolan, Producers
PAST LIVES – David Hinojosa, Christine Vachon and Pamela Koffler, Producers
POOR THINGS – Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
THE ZONE OF INTEREST – James Wilson, Producer

This is the most sought after prize in Hollywood. With Asian led films winning in the last few years (Parasite, Everything Everywhere All At Once) along with Chloe Zhao’s Nomadland and then a deaf cast leading CODA last year, it seems this category is awarding diversity and ambition. American Fiction and Past Lives fit this mould with diverse casts along with Anatomy of a Fall and The Zone of Interest being non-English. This category is not really represented in the same way at other award shows. The BAFTAs have best British/International film, the Globes split by genre so there is always a lot of discourse around who will receive the prize this year. Personally I think Barbie, The Holdovers and Maestro were produced very well creating a real world for the characters and telling interesting stories. These films did all have white protagonists and were in English so it would be great to see something more diverse lead the way.

My prediction is Oppenheimer as it has been a well-loved film this year and Christopher Nolan is a very well-respected director.

PRODUCTION DESIGN

BARBIE – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
KILLERS OF THE FLOWER MOON – Production Design: Jack Fisk; Set Decoration: Adam Willis
NAPOLEON – Production Design: Arthur Max; Set Decoration: Elli Griff
OPPENHEIMER – Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
POOR THINGS – Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

With the same nominees for Production Design as Costume, its clear that these films made an impact visually on audiences. Barbie famously created a giant Barbieland set, causing a global pink paint shortage along the way. I think the scale and locations of Napoleon have been underestimated as its currently predicted last to win. Poor Things once again won the BAFTA and is the top prediction. Oppenheimer built a lot of its sets including a quickly put together Oval Office and a desert town.

My prediction is Poor Things – Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

ANIMATED SHORT FILM

LETTER TO A PIG – Tal Kantor and Amit R. Gicelter
NINETY-FIVE SENSES – Jerusha Hess and Jared Hess
OUR UNIFORM – Yegane Moghaddam
PACHYDERME – Stéphanie Clément and Marc Rius
WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO – Dave Mullins and Brad Booker

Unfortunately I was only able to find one of these films to watch so I can’t use my own thoughts too much here. From what I have read online War is Over! has the biggest backing being produced by Yoko and Sean Ono Lennon and the animation being done by Weta FX, known for Avatar. Many people, myself included still mourn John Lennon and he was especially well loved in America so I think this has a good chance. The theme of the film I saw, Ninety-Five Senses was powerful but it was not a relatable story with the main character having committed a crime out of frustration.

My prediction is War is Over! Inspired by the music of John & Yoko – Dave Mullins and Brad Booker

LIVE ACTION SHORT FILM

THE AFTER – Misan Harriman and Nicky Bentham
INVINCIBLE – Vincent René-Lortie and Samuel Caron
KNIGHT OF FORTUNE – Lasse Lyskjær Noer and Christian Norlyk
RED, WHITE AND BLUE – Nazrin Choudhury and Sara McFarlane
THE WONDERFUL STORY OF HENRY SUGAR – Wes Anderson and Steven Rales

I have seen most of these short films and all have interesting stories. I thought The Wonderful Story of Henry Sugar was entertaining and Wes Anderson is certainly a great storyteller but its message was not as powerful or emotive as the other films. I think The After was very well-produced and has the power of Netflix behind it; Red White and Blue had the most evocative story I think and was a topic that is being hotly debated in America right now. Invincible wasn’t in English and seemed like a personal story rather than one that will appeal to everyone.

My prediction is The After – Misan Harriman and Nicky Bentham

SOUND

THE CREATOR – Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
MAESTRO – Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE – Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
OPPENHEIMER – Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
THE ZONE OF INTEREST – Tarn Willers and Johnnie Burn

From what I have read Oppenheimer is leading the charge for the Sound category. It has won awards at its own industry ceremonies and the people involved have all been highly commended in past projects. I personally thought The Creator had great sound in the film and combined with the VFX and other elements it truly expressed the vastness yet familial intimacy of the film. Top Gun featuring Tom Cruise was a winner last year so his involvement in Mission Impossible could secure another win.

My prediction is Oppenheimer – Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

VISUAL EFFECTS

THE CREATOR – Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
GODZILLA MINUS ONE – Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
GUARDIANS OF THE GALAXY VOL. 3 – Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE – Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
NAPOLEON – Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

From what I have read online, the award could go to either The Creator or Godzilla Minus One. The Creator won big at the VES Awards taking home five prizes but Godzilla Minus One with just a team of 35 artists (allegedly) and the director acting as VFX Supervisor managed to make the most popular box office hit of the Godzilla franchise and the third-highest grossing foreign language film in the US. Poor Things won the BAFTA but with no Oscar nomination, anything could happen. Mission: Impossible had some great Visual Effects combined with the stunts to create some never before seen shots – memorably the motorbike-parachuting off the cliff. Guardians of the Galaxy had a lot of CGI characters including Rocket the Raccoon who had a bigger role this film in addition with all the green screens to create outer space.

I personally think The Creator deserves the award as after learning what their budget was, the film was such high quality and it featured some very exceptional futuristic technology that blended seamlessly with the Asian scenery.

My prediction is Godzilla Minus One – Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

WRITING (ADAPTED SCREENPLAY)

AMERICAN FICTION – Written for the screen by Cord Jefferson
BARBIE – Written by Greta Gerwig & Noah Baumbach
OPPENHEIMER – Written for the screen by Christopher Nolan
POOR THINGS – Screenplay by Tony McNamara
THE ZONE OF INTEREST – Written by Jonathan Glazer

Personally I am not sure what existing story the Barbie screenplay was nominated for is but it looks like the two butting heads are American Fiction and Oppenheimer. American Fiction has won at the BAFTAs and Critics Choice Awards so far with Oppenheimer winning at lesser ceremonies but sweeping the board in other categories. With the Oscars splitting into two categories, Globe winner Anatomy of a Fall has been taken out of the running here. Personally I think the Barbie script was great and encompassed all the different parts of being a woman whilst also funny and serious.

My prediction is American Fiction – Cord Jefferson

WRITING (ORIGINAL SCREENPLAY)

ANATOMY OF A FALL – Screenplay – Justine Triet and Arthur Harari
THE HOLDOVERS – Written by David Hemingson
MAESTRO – Written by Bradley Cooper & Josh Singer
MAY DECEMBER – Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
PAST LIVES – Written by Celine Song

I was only able to watch three of the films this year but the chatter I have seen and based on previous awards, the top contenders are Anatomy of a Fall and May December. Anatomy of a Fall has won big at the BAFTAs and the Golden Globes, both shows big indicators for who will take home the Academy Award. Whilst watching The Holdovers, I think the words were chosen carefully to curate the tone and emotion that the film wanted to portray whereas in Past Lives, the words were almost secondary to the emotions and were more regular. Maestro was a good script with many phrases referring to life but to me this film was brought alive by the acting and the music.

My prediction is Anatomy of a Fall – Justine Triet and Arthur Harari

That concludes my predictions for the Academy Awards 2024. I am planning to do a round up of which films were honoured this Awards Season so I will talk through the winners there.

Happy Watching,

Robyn

Oscar Hopefuls 2020

The biggest award of the night if of course Best Picture. There is stiff competition this year with every film in the category gaining multiple nominations. I have not yet seen Joker, Parasite or 1917 so I am discounting those. My pick would be Little Women. It is a much needed film for women and everyone else. It is beautiful to watch, the script is powerful and the acting brought the well-loved and well-done characters a breath of fresh air. Performances were noticed due to the two nominations but sadly Greta Gerwig was not recognised for a project that she made happen. She wrote and directed it and put so much love and care into the story. This film moved me more than the other nominations and to see a film called Little Women with four female leads in a game that is usually about men is amazing. Many people say that equally between the genders has been achieved but as most of the nominations that are for both genders contain male nominees, this is not the case.

I was just chatting to someone and talking through who I would like to win the Oscar in each category and thought why not make it into a blog post? As the Oscars will be gracing our screens tomorrow and into the night for the UK audience, I am going to go through my favourites for this year. Hopefuls and Predictions are different: there are those you would like to win and those that probably will. I will not be doing any categories where I have only seen one film or zero as that is not fair.

The biggest award of the night is of course Best Picture. There is stiff competition this year with every film in the category gaining multiple nominations. I have not yet seen Joker, Parasite or 1917 so I am discounting those. My pick would be Little Women. It is a much needed film for women and for everyone. It is beautiful to watch, the script is powerful and the acting brought the well-loved and well-acted characters a breath of fresh air. Performances were noticed due to the two nominations but sadly Greta Gerwig was not recognised for a project that she made happen. She wrote and directed it and put so much love and care into the story. This film moved me more than the other nominations and to see a film called Little Women with four female leads in a game that is usually about men is amazing. Many people say that equality between the genders has been achieved but as most of the nominations that are for both genders contain male nominees, this is not the case.

If Little Women did not win, I would not mind Jojo Rabbit or Ford vs Ferrari as both were enjoyable with so much hard work being put into them.

Actor in a Leading Role is not a particularly diverse category this year with many familiar players from other award shows present. It is great that Antonio Banderas has been included as he has not been recognised elsewhere. My pick would be Jonathan Pryce as I feel his role was more a stretch as an actor than Driver or DiCaprio. His role as the Pope brought such emotion and depth to the story (The Two Popes). He has also never won before and is such a talented actor that it would be a great ending to his career.

Actress in a Leading Role also contains people that have been picked out in other areas and again not much diversity with the exception of Cynthia Erivo for her role as titular Harriet. Considering this is only her third film role in 2 years and she has been nominated for an Oscar, she has done remarkably well. I loved her performance and the film Harriet really stayed with me hours after watching. I am disappointed it has only been picked up for 2 nominations as the film was so powerful. My pick for Actress in a Leading Role would be Saoirse Ronan. This is her 4th nomination and she is only in her mid 20s. She brought such independence, power, spirit and strength to her role as Jo March in Little Women. I love her as an actress and I hope that this will be her year.

Actor in a Supporting Role is tricky as all of these actors are established Hollywood greats. Brad Pitt has won the SAG, BAFTA and Golden Globe for this role so if he won this one it would be the set. I think however that his performance was not as inspiring as others we have seen this year. Tom Hanks also another great actor has been nominated but as I have not seen his film I cannot comment. My Pick would be Anthony Hopkins for his role as former Pope Benedict. Like Jonathan Pryce, his role brought such emotion to the film and I am not surprised that they have both been nominated.

Actress in a Supporting Role again doesn’t have any diversity other than nationality: American, British and Australian nominees. I am glad there is no double nomination for Margot Robbie as there was at the BAFTAs. I think nominating the same person twice in the same category is too much. I am not very happy with Scarlett Johansson’s double nomination either but at least she had seminal roles in both films whereas as Sharon Tate in Once Upon a Time in… Hollywood, Robbie barely had any lines. My pick would be Florence Pugh as this is her first nomination and she did an amazing job as Amy March in Little Women. She has only been acting on screen for 6 years and her progression to being nominated so early is amazing. Saoirse was also nominated early in her career so this could be the start for Florence.

For Animated Feature Film, I have only seen Klaus and Toy Story 4. Both very different films with different animation styles. My pick would be Toy Story 4 for nostalgia reasons. Watching the film, I felt a strong connection to my inner child and even shed a few tears near the end. Klaus was very moving and a beautiful story but it did not elicit the same response.

In the Cinematography category I have only seen two of the nominations and with both I did not particularly notice the cinematography. I would have to go with Once Upon a Time in Hollywood as some of the shots were interesting whereas with the Irishman, nothing noteworthy springs to mind.

Costume Design is a strange category this year. There are a few nominations that confuse me such as Joker and The Irishman. The other three are worthy nominees and my pick would be Little Women due to the detail Jacqueline Durran put into each characters costume. I’ve heard Greta Gerwig explain all her choices and I think so much thought and care went into the costumes that it is a worthy winner.

Directing again is all male nominees which is so disappointing as there were some amazing female led films this year such as Little Women, Harriet, Blinded by the Light, Honey Boy, Queen and Slim and Breakthrough. Out of the selection I would pick Bong Joon Ho even though I have not seen Parasite due to the fact that is not a white man. All the other directors have been recognised many times in their career.

For Film Editing, most of the nominations surprised me as the editing again was not particularly noteworthy apart from Ford vs Ferrari which I think would be a worthy winner. The editing of the Les Mans scenes made the film feel exciting and really highlighted the achievement of Ken Miles.

For the Make Up and Hairstyling award, I would like Bombshell to win as the three main actresses and John Lithgow looked very much the part. I have only seen one other nominee, Judy and while Renée Zellweger was made to look like Judy Garland, I think the effect in Bombshell was more impressive.

For the Original Score, I would like Joker to win as Hildur Guðnadóttir is making waves for female composers but as I have not seen the film, my pick would be Little Women as the score added so much to the film and Alexandre Desplat is an amazing composer.

For Original Song, I am pleased that Rocketman – (I’m Gonna) Love Me Again is nominated and I wold love if this song wins as represents such a pinnacle moment in the film and Elton John’s life. Stand Up from Harriet is also a worthy nominee but I did’t think the song was the best element of the film.

For Production Design I would chose Once Upon a Time in… Hollywood or Jojo Rabbit as both had amazing design that really contributed to the film. The 60s vibes of Tarantino’s Hollywood spectacle were the best part of the film. Jojo Rabbit was also a historical setting but with a more satirical view of Germany in the war.

Sound Editing is a tricky category for me as I am not much of an expert on sound editing but I would like Ford vs Ferrari to win as the sound very much added to the adrenaline of the racing. Star Wars: The Rise of Skywalker is also a worthy nominee as the sound is a big part of any Star Wars film.

Ad Astra would be my pick for Sound Mixing as I haven’t seen all the nominees but this film had beautiful sounds. The setting was also amazing but this is nominated for sound mixing not production design.

Visual Effects is a tie category for me as I think Avengers Endgame and The Lion King both had great visual effects. Avengers Endgame means more to me as a big fan of the Marvel Cinematic Universe. The Lion King looked amazing also but I prefer the 1994 original.

I would love if Greta Gerwig won Adapted Screenplay for Little Women as she has been snubbed in the Directing category. Her interpretation of Louisa May Alcott’s story was so different to other versions of the story. Starting with the girls when they were older was a great new idea. The lines were so strong and meant a lot to me as a woman. It was also relatable and funny in places.

My pick for Original Screenplay would be Knives Out as the script was very different to many of the films going around and a great take on the murder mystery film. I have seen this film twice and it was great to see all the hints and red herrings when you know the ending. Marriage Story was strong but didn’t impress me as much.

Thanks for reading and I hope everyone enjoys the Oscars this year.

Robyn

Little Women

After hearing the announcement of the cast featuring Saoirse Ronan, Timotheé Chalamet, Laura Dern, Emma Watson, Florence Pugh and Meryl Streep I became very excited. The director Greta Gerwig is one of the only female directors to be nominated for an Oscar for Lady Bird. That was a film I also absolutely loved and it also starred Saoirse and Timotheé. As Laurie and Jo, the pair were just stunning. Every little movement and look heightened the possibility of a love story between the two.

This film really means a lot to me for a number of reasons so this review was always going to be a love letter to Little Women but after seeing the film yesterday, I was truly moved and surprised by the version I saw. This will contain spoilers as it has been out for a while so turn back now if you want to watch in the future although the story has been around for 150 years.

Years ago I tried to read the book of Little Women but gave up due to the complex language. However, after seeing the BBC adaptation at Christmas, a couple of years ago starring Maya Hawke, Kathryn Newton and Michael Gambon, I fell in love with the story. The strength in all of the sisters living in the times they did but managing to be such strong characters was something I really cherished. The fact that it was published in the 1860s in a time when women were not particularly valued as authors really shows the power of the little women.

After hearing the announcement of the cast featuring Saoirse Ronan, Timothée Chalamet, Laura Dern, Emma Watson, Florence Pugh and Meryl Streep I became very excited. The director Greta Gerwig is one of only a few female directors to be nominated for an Oscar for Lady Bird. That was a film I also absolutely loved and it also starred Saoirse and Timothée. As Laurie and Jo, the pair were just stunning. Every little movement and look heightened the possibility of a love story between the two.

The story of Little Women follows four sisters: Meg, Jo, Amy and Beth March in 1850s America. The Civil War is raging during their childhood with their father away fighting. They live in a modest house in Concord, Massachusetts with their mother, Marmee (Dern) and their maid, Hannah (Jayne Houdyshell). They are restricted by society at the time of how a woman should present herself and do with her life i.e. get married and have children. They often lament at being poor compared to their friends and others but are soon put in their place after helping out a local family with 5 young children living in one room.

Each sister has their own story, Jo is boyish and doesn’t want to marry. She loves writing and is constantly writing plays for her sisters to act in. Jo is also the main character of the story as it is mainly told from her perspective. Jo’s dream is to live in New York and become a novelist.

The next sister is Amy. She is younger than Jo and Meg and is annoyed at being treated as a baby all the time. For example, she is not allowed to go with Meg and Jo to a dance. She has aspirations of becoming an artist as she loves to paint. She is also cultured and is in ways the smartest sister. She is picked to go to Paris with Aunt March as she knows French and is a good companion.

The sister with perhaps more humble aspirations is Meg (Watson). We hear from Jo of her dreams to be an actress and Jo even suggests running away together but Meg corrects her that she wants to be a wife and live a quiet, happy life. Meg is the oldest sister and often goes to balls or dances which is required to hopefully meet an eligible rich man to marry.

The youngest and most fragile of the sisters is Beth (Eliza Scanlen). She is not interested in finding anyone and her biggest dream is for all of them to be together. She has skills at the piano and Mr Laurence (Chris Cooper) is taken to Beth and even gives her his grand piano. Beth is the kindest and least selfish sister. She even gets scarlet fever visiting the poor family when her sisters keep forgetting.

Laurie played by Timothée Chalamet is a character that interacts with every sister in a way. He lives next door to the March Family with his grandfather. From meeting Jo and Meg at a dance he is enamoured with Jo. She is bold and fierce and cares deeply. They become best friends but Jo never sees him that way. He becomes more relaxed and even angry when he meets Amy in Paris after being rejected by Jo. His nature is a caring one but has a temper that can match Amy’s. Not having any women in his life draws him to the March family and their business. There are many scenes where the sisters are all talking at once but understanding each other. Timothée and Saoirse have great chemistry from playing love interests in Lady Bird so it is not hard to imagine them together as Jo and Laurie which is needed as the audience need to believe in the potential of Jo and Laurie ending up together.

Marmee is a a character that encompasses all the sisters. Greta Gerwig said in an interview that a part of Marmee’s character went to each sister. Her anger at life to Jo, her caring nature to Beth, her desire to be a wife and mother to Meg and her boldness to Amy. Laura Dern is a very dynamic actress and I loved her portrayal of Marmee.

Meryl Streep was brilliant as Aunt March, her comic timing and straight talking brought an authority to Aunt March who acted as a role model to the girls especially Amy and Jo who often sat with their aunt. She never held back any thoughts which was unusual for a woman of the time and she also never married which was even more unusual. There’s a great part where Jo is trying to sell her novel to her publisher and he insists that if the main character is a woman she must be married or dead by the end. That was how society saw a woman’s place in that part of the world.

Greta’s interpretation of the story surprised me as it was not told traditionally. We started with the girls in their adulthood, Jo in New York, Meg married with children, Beth sick and Amy in Paris. The film then went back and forth between the glow of their childhood and the coldness of their adulthood. A few moments that really moved me were Beth’s death, Jo rejecting Laurie, Jo seeing her book ‘Little Women’ being printed, Meg getting married, Laurie finally choosing Amy and the ending where the sisters are all together at Aunt March’s house now turned into a school.

All of the actors were very good at their roles and two have been nominated for Oscars – Florence Pugh for her fierce and bold portrayal of Amy and Saoirse Ronan for her feisty and tempestuous role as Jo.

I think this film will become a classic in the days to come and a masterclass in how to take a well-known, well-portrayed tale and weave it into an emotional, dramatic performance that leaves you feeling like you have lived as a March sister in their house in Concord. Overall I give this film 5/5.

Bombshell

The catalyst of the film is when Gretchen meets with her lawyers to sue Roger Ailes (John Lithgow), the boss of Fox News for sexual assault. She claims that she was demoted for refusing to be with him sexually. When she decides to come forward publicly, more and more women come forward with stories about Roger and how he made them do awful things to progress their career. In the film, we see how Kayla is being groomed by Roger in her aim to be on TV. Megyn eventually admits to her own assault some 10 years previously. Although the majority of the assault claims focus on Ailes, other executives on the second floor also have allegations made against them.

I was privileged to see this film before the UK release date as I was abroad, in Turkey and the release date was much earlier. I thought I would post however on the UK release date to give potential watchers an idea of what the film entails.

I was not aware of this story before the film was announced but it only happened four years ago in 2016. I have heard of Fox News, the American news channel that broadcasts incorrect or speculative information. I had no idea of the size of this media giant with all of its news programmes and breakfast shows.

This scandal was right on the cusp of the #MeToo movement where many famous actors, sportspeople, finance workers and many other fields all came forward with stories of sexual abuse or assault. Bombshell is set in the lead up to the 2016 US Presidential Election. It is before the candidates have officially been announced so there isn’t necessarily a Trump v Clinton race going on but they are both present. The first major scandal of the film comes when Trump talks about Fox presenter Megyn Kelly on TV and refers to her menstruating as an excuse for her statements. This affects Megyn with Trump then tweeting harsh words about her. Even though this incident isn’t part of the main narrative it is certainly a warm up of what is to come.

The film focuses on three separate women working at Fox News. There is Gretchen (Nicole Kidman) who has just been demoted for trying to be more women-positive on her breakfast show. She was a top presenter transferred to a less popular show.

Megyn Kelly played by Charlize Theron is another of the main women. She goes on holiday for a week to avoid the controversy after the Trump incident. Her support or not openly dismissing the assaulter later in the film is make or break for conviction.

The third woman, Kayla ( Margot Robbie) is a researcher who has grown up watching Fox News. She wants to be on TV and starts meetings with the head of Fox News. Her relationship with fellow researcher and desk buddy, Jess (Kate McKinnon) is another sub plot. Even though they hook up after a night out, Kayla says she is not a lesbian. Jess also supports Clinton and wants her to be the Democratic candidate. Fox News is firmly a Republican station so she keeps that part of her identity hidden.

The catalyst of the film is when Gretchen meets with her lawyers to sue Roger Ailes (John Lithgow), the boss of Fox News for sexual assault. She claims that she was demoted for refusing to be with him sexually. When she decides to come forward publicly, more and more women come forward with stories about Roger and how he made them do awful things to progress their career. In the film, we see how Kayla is being groomed by Roger in her aim to be on TV. Megyn eventually admits to her own assault some 10 years previously. Although the majority of the assault claims focus on Ailes, other executives on the second floor also have allegations made against them.

It is shocking that this scandal took so long to come out but it is not so surprising seeing how Ailes and the others treat the female presenters. They all have to wear short, tight dresses showing cleavage and with Spanx to look as thin as possible. There is one scene in the wardrobe department where there are racks and racks of dresses in every colour and one woman in at least two layers of Spanx. Someone asks to wear trousers and they are told they aren’t allowed without permission from the second floor which is Ailes.

I thought this film was very powerful and eye-opening about what goes on behind closed doors. I was surprised that everything about Trump could be put in this film considering he is currently the President but I am glad it was included. The acting was also strong with Nicole Kidman, Charlize Theron and Margot Robbie all at the top of their game. Charlize and Margot have also been nominated for various awards for their performances at the Globes, SAGs, BAFTAs and Oscars. Nicole also has a nod at the SAGs.

This sort of film is really important in today’s climate and even though the #MeToo movement has changed things, audiences need to understand what it was like and in some cases still is in this kind of cut-throat business. If you dared to speak up, you were fired. Many people couldn’t afford this so were forced into accepting assault.

Overall I think this film was very powerful and brought light to a situation I had no idea about. 4.5/5.

Golden Globes 2020 – What’s Worth Watching

I am going to review the nominations for this year’s Golden Globes that I have seen at least one film in that category. It is fair to only review the films that I have seen, to give an honest opinion. I am going to focus on the film nominations as I have not seen many of the television shows due to them only being available on US TV or streaming services that I am not subscribed to. The films that are highlighted are the winners.

I am going to review the nominations for this year’s Golden Globes that I have seen at least one film in that category. It is fair to only review the films that I have seen, to give an honest opinion. I am going to focus on the film nominations as I have not seen many of the television shows due to them only being available on US TV or streaming services that I am not subscribed to. The films that are highlighted are the winners.

Best Film – Drama

The Irishman – This film reminded me of the Godfather and Goodfellas, classic gangster films. This is not my sort of film but I did enjoy it despite the 3.5 hour run time. The world of the film was created very well and the ageing and de-ageing of the actors was interesting to see.

Marriage Story – A powerful story about an amicable couple dealing with separation and managing parenting whilst living on opposite coasts of the US. I enjoyed this film despite the brushing aside of the husband’s adultery.

The Two Popes – This film depicted a world I have experienced yet seeing it from the point of view of the Popes showed a different side to the religion. Delving into the back stories and seeing them as actual people added amazing depth to the story. Archival footage enhanced the reality of the film.

Best Actress in a Film – Drama

Renée Zellweger – Judy – I saw this film for my birthday last year and Renée’s performance as Judy Garland was outstanding. I loved the Wizard of Oz as a child and seeing what happened to her was emotional. A deserved win.

Scarlett Johansson – Marriage Story – A role that Scarlett hasn’t played for a while, I have recently seen her as Black Widow or in comedies but she was a standout in the film.

Charlize Theron – Bombshell – I recently saw this film and will be doing a separate review on my blog. I thought Charlize’s performance as Megyn Kelly was brilliant. She captured the essence of the character very well.

Best Actor in a Film – Drama

Christian Bale – Ford vs Ferrari (Le Mans ’66) – I loved this film and Christian’s performance as racing legend Ken Miles was captivating and his accent was accurate. He doesn’t normally do this sort of role but I think he should do more like it.

Adam Driver – Marriage Story – Having recently seen Adam in Star Wars, his performance in Marriage Story was a complete 180 degree turn. I thought he was great and opposite Scarlett made a convincing self-centred theatre director.

Jonathan Pryce – The Two Popes – His performance as Pope Francis was inspired and I think his mannerisms and accent were accurate and he made Pope Francis into a 3D character rather than simply the figurehead of the Church.

Best Film – Musical or Comedy

Once Upon A Time… in Hollywood – I don’t think of this film as a musical or comedy and I’m not a big fan of Tarantino. I liked the setting of the film but I thought the ending was too violent in true Tarantino style and Margot Robbie wasn’t utilised enough.

Knives Out – An amazing, detailed murder mystery with top quality acting. This film was one of my top of 2019 and hopefully I will be seeing it again soon. I think this film deserved to win although I don’t think I would call it a comedy either.

Rocketman – Another amazing film depicting the life of Elton John. The songs were amazing as well as the acting. I had no idea of the pain and hardship that Elton went through and I would now call myself an Elton John fan. Bryce Dallas Howard as Elton’s mother was a standout.

Dolemite is My Name – An unusual choice for best film. I saw this recently and after initially dismissing it, I stuck with it and actually really enjoyed it. When Dolemite started to make a film with his friends and some UCLA students is when I started to get into it. I loved that it told Rudy Ray Moore’s true story.

Best Actress in a Film – Musical or Comedy

Ana De Armas – Knives Out – Her role as Harlan Thrombey’s nurse was some of the best acting in the film and I think Ana De Armas is going to be a really big name. I look forward to seeing her win big in the future.

Best Actor in a Film – Musical or Comedy

Taron Egerton – Rocketman – The best performance of his career. Taron and Elton have a very special bond which shines through in Taron’s portrayal of Elton. Their appearance is more similar than I realised when they acted together in the second Kingsman film. I am very glad that Taron won.

Daniel Craig – Knives Out – A role we don’t usually see Daniel play but he brought a real authority and prowess to the detective. It was jolting at first to hear his Southern drawl but I have seen him with this accent in Logan Lucky.

Leonardo DiCaprio – Once Upon A Time… in Hollywood – I would say this was a comeback role for Leo and he did very well. These days he appears to lend his name to only projects he feels passionate about, choosing to focus most of his energies on his environmental work.

Eddie Murphy – Dolemite is My Name – One of the best of his career, Eddie’s performance was dramatic, funny, easy to empathise with and echoes something of his own personality. He portrayed the characters emotional highs and lows very well.

Best Supporting Actor in a Film

Brad Pitt – Once Upon A Time … in Hollywood – Brad’s perfromance was the best of the film in my opinion. His relaxed and jaded character reminded me of Brad at his best. Another comeback role in this film.

Anthony Hopkins – The Two Popes – I have not seen many films where Hopkins plays the lead character. At this stage in his career, he is usually a side character. Seeing him in this role was a change for me and I thought he did well.

Al Pacino – The Irishman – Another comeback role for Al and one that echoes the great roles he has acted in. The ferocity and ruthlessness he brought to Jimmy Hoffa made the gangster come to life.

Joe Pesci – The Irishman – I haven’t seen Joe in many films due to him only having 6 roles in the last 20 years. The films I recognise him from are Home Alone 1 & 2. I thought he was very good as he has not done much acting in over two decades.

Best Score – Film

Marriage Story – I must admit I didn’t take note of the score while watching this film but as the film as a whole was exciting and emotional, the score probably enhanced this.

Best Director

Quentin Tarantino – Once Upon a Time … in Hollywood – I am not a big fan of Tarantino as a director but I think he has done well with this film. The world he created in the film echoed the spirit of 60s Hollywood.

Martin Scorsese – The Irishman – Scorsese always directs big spectacles and isn’t afraid of a long run time. His handling of the film was very good and I am not surprised he was nominated.

Best Song – Film

I’m Gonna Love Me Again – Rocketman – This song was sung by Elton John and Taron Egerton. I think it sums up the tone of the film, learning to love yourself and I think it is one of my favourite songs from the film.

Beautiful Ghosts – Cats – Possibly the only good thing about this confusing, mind-altering film, this song written by Taylor Swift and Andrew Lloyd Webber is hauntingly lovely. I don’t think it was featured in the film enough as a character sang perhaps one or two verses.

Into the Unknown – Frozen II – I quite enjoyed this film, a worthy sequel and there were some funny adult innuendos. This song was very powerful and was featured in a key moment of the film.

Spirit – The Lion King – I was not enamoured with this CGI remake of the children’s classic and nodded off a little during the part of the film that Spirit was in. Listening to it again now, I am glad it wasn’t a winner. I am not a big fan of Beyoncé anyway but I don’t think the song was as powerful as the others nominated.

Best Supporting Actress in a Film

Laura Dern – Marriage Story – Laura Dern’s role as Nicole’s lawyer, Nora Fanshaw was one of the best of her career. It is not a role I have seen Laura typically play but I thought she was one of the best characters in the film. Her win was well deserved.

Margot Robbie – Bombshell – In interviews, Margot has said that she is only playing roles that are empowering to women so when I saw her as Kayla, a fictional victim in the Roger Ailes Fox News Scandal, I was perplexed. I then considered how important it is to show this story and that only by showing the scandal, that the story can get out. Her role was very good and her character became more complex as the film progressed.

Best Film – Animated

Frozen II – I saw this with some friends as part of a society I am involved in at university. I wasn’t expecting too much from it as a children’s film but it was actually a fun watch with Kristoff’s boy band song as a personal highlight. The songs from the first film are more catchy but I liked the plot of this one better.

The Lion King – I prefer the original 1994 animation but the CGI in this film was amazing. Very life-like. The director, Jon Favreau included a real shot at the beginning of the sun rise to see if anyone would notice. I think if I watched this film when I am more awake and there isn’t a small child in the same row talking the whole way through, I might enjoy it more.

Toy Story 4 – It is unusual that a third sequel of a film still holds the magic but in this instance it does. The story was perfect for those who have grown up with the franchise and the toys were all still the same. I even shed a tear or two at the end. A worthy nominee.

Best Screenplay – Film

Once Upon A Time… in Hollywood – I didn’t find the screenplay particularly inspiring. The set decoration and costumes to me were the best part of the film and not the script. Margot didn’t really have any lines and nothing has stuck with me. I would say that the other nominees deserved to win more.

The Irishman – A well-written script that provided a good base for the actors. I liked the way it was told as a flashback, cutting to an elderly Robert De Niro telling his life history. Explanations were well told and the language was rich and detailed.

The Two Popes – Wonderfully colourful, revisiting Pope Francis’ past was a clever way to help the audience sympathise with him and I enjoyed the story.

Marriage Story – An emotional roller coaster of a film, showing how divorce can change a family. Arguments were particularly vicious and the way everyone spoke to each other showed the tone of their character. I would say the script was one of the best parts of the film.

Lion King – How does the new CGI film match up to the original… and the musical on the West End

Hello readers,

I know I haven’t been very active recently but holidays and such things have kept me busy and I haven’t been going to the cinema as much. Anyway, I have had this post in the works for a month now and thought I would finally write it while Lion King is still relevant.

If you’re a Lion King fan you probably will have seen the new version by now but I thought I would compare it to the original and the musical which I was lucky enough to see at the West End last winter.

Old vs. New

The Lion King (1994)
Lion King 1994 Poster
James Earl Jones and JD McCrary in The Lion King (2019)
Lion King 2019 Poster

For many people the original 1994 Lion King is a classic and well-loved childhood film. I have seen this film a handful of times as both child and adult and I agree that it is one of Disney’s best from that era. The Elton John soundtrack; the voice acting; the classic animation style and the fact that it’s set in the plains of Africa with no human characters, not something that was common in Disney or any animation at the time. To anthropomorphise a pride of lions, hyenas and a warthog and give them very real human emotions and relationships could be considered a risky move but one that Disney pulled off.

It ended up grossing $968m at the box office and won two Academy Awards, another rarity for a children’s animation.

After the success of the first film, the new CGI version of 2019 had a lot to live up to. For me, the original will always be number one as that’s the one I grew up with along with many others and the animation style is dated enough to remind me of days gone by and how far cinema has come. Needless to say I did enjoy the new one. I thought the CGI was great and it made it all much more real. You could really believe that these animals could talk and interact with each other whereas the cartoon was relying more on imagination and artistic license.

I also loved the new twists such as the new song Spirit and elaboration on some scenes. To most people who perhaps saw the original film 20 years ago, the films will appear almost identical but having recently watched the older version I can see the subtle changes. Obviously nothing was changed too much as the original plot, characters and songs are what make the film enjoyable and popular but an identical replica would not draw the crowds. I must admit I did find myself dropping off asleep for a couple of minutes but whether I was just tired or the film didn’t keep me as enraptured as it should have is by the by. I saw the film a week or so after it was released and the screening was pretty full so clearly it was popular.

One small fact that I learned from the internet is there is one real shot in the film that is not CGI created. It is the sun rising over the trees at the very beginning just as Circle of Life is starting. Jon Favreau, the director, said he wanted to put it in to see if anyone would notice. I knew it was coming but couldn’t distinguish real from computer generated. To date, the film has grossed $1.5bn and is now the seventh biggest grossing of all time. If you compare the totals to the original Lion King which when adjusted for inflation grossed $1.6bn it’s about on par and is still in cinemas so could surpass.

Award ceremonies are yet to happen for 2019 Lion King but I’m sure there will be some nominations in there somewhere.

New vs. Musical

JD McCrary in The Lion King (2019)
Simba in Lion King 2019
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The Lion King Musical Poster

Last November, I went to the West End to see the production of The Lion King. It was set up by a Disney film society I am part of at university and I must admit I had not desires previously to see it but when the trip was mentioned I thought it would make for a fun evening.

All my expectations were thrown out the door as soon as the musical began. I wasn’t sure how people were going to portray the animals, maybe just suggested with face paint or masks, but the Africa headdresses and elaborate puppets brought a creative and imaginative spark to the story. The songs and dances were performed using stage mechanics along with talented dancers and singers. It was definitely not your typical musical but it needed to be to show the story.

Some highlights for me included Circle of Life where Pride Rock rose from the stage and Hakuna Matata, a song I always enjoy. Our seats were quite far back but I could still see everything and get the full effect of the show. It was so different from the film that I was not comparing them in my head at all. I loved this interpretation and can now see why so many people flock to see it.

Now comparing the musical with the new film is tricky as they are different mediums with different budgets and boundaries but I think I liked the power and emotion of the songs on stage more than the film’s versions. Seeing an actual person singing and pouring their heart into the scene is different from seeing a CGI lion do the same. However, I think the setting and plot flowed better in the film as the musical left some things open to interpretation. One hilarious moment that you can only do on stage was when Zazu is singing ‘Let it Go’ and Scar tells him to be quiet. Zazu from the film would have no idea about Frozen or any film for that matter. There were a few fourth wall breaks which added an unexpected comedy element to the dark and dramatic tale.

I couldn’t pick one above the other as they are both amazing in different ways so if you are a fan of musicals or Lion King, I recommend seeing for yourself.

Hopefully I will be getting to the cinema more this summer so will have more films to write about.

Films I have enjoyed in the last month or so: Fast and Furious: Hobbs and Shaw; Apollo 13; The Gambler; Fun with Dick and Jane; Death at a Funeral (2007); The Adjustment Bureau; As Good as It Gets; American Made and All the Money in the World.

TV shows I would recommend: Forever (only one series but worth it); 13 Reasons Why Series 3 (up to episode 10 and gripped); Good Omens (Dad loved the book, amazing show and I am now reading the book); This Way Up (Aisling Bea is amazing); GameFace Series 2 (Roisin Conaty, likewise); GLOW Series 3 (amazing).

Happy Watching,

Robyn

My Top Actors and Actresses This Year // February 2019

Instead of a film review I thought I would talk about the brilliant portrayals I’ve seen by different actors and actresses in the cinema this year.

Hello readers,

Instead of a film review I thought I would talk about the brilliant portrayals I’ve seen by different actors and actresses in the cinema this year. I know it’s only February but there have been some stellar performances. I have seen some great performances in older films but I wanted to concentrate on newer films.

Actresses

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Saoirse Ronan as Mary Stuart in Mary Queen of Scots

This female driven historical drama led by Saoirse Ronan as Mary Stuart and Margot Robbie as Queen Elizabeth I was powerful and emotional. Mary’s story of love and loss really pulled at my emotions and even though I knew that in the past, women had basically no rights, I expected more for two British Queens. Saoirse played Mary as a strong queen who also loved motherhood and being the head of the army. She showed her loss greatly and suffered with noble quality. A particularly heart breaking scene to watch was the murder of David Rizzio, Mary’s friend. He was struck by many of her noblemen with her husband delivering the reluctant final blow. The birth of her child, James I was also a great scene by Saoirse. Saoirse Ronan is an amazing actress who has been nominated for three Oscars. Other roles, I have loved Saoirse in are Lady Bird and Brooklyn.

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Emma Stone as Abigail in The Favourite

Emma’s performance reminded me of the goofiness and fun personality she has in real life but when Abigail starts to sabotage Sarah and become Queen Anne’s lady in waiting, there’s a manipulative, possessive undertone that I hadn’t seen her play before. Normally, Emma plays the fun, smart, down to earth type of character but Abigail was a side to her I had not seen before. Every little smirk and look to other characters and the camera showed what her character was thinking and feeling and her funny faces made me laugh. She definitely deserves her Oscar, Golden Globe and BAFTA nominations.

Image result for tessa thompson in sorry to bother you full body

Tessa Thompson as Detroit in Sorry to Bother You

Tessa is a versatile actress who I have seen in Thor: Ragnarok and Annihilation before but in Sorry to Bother You she was electric. As an artist and protester, her character Detroit is not afraid to speak her mind in the capitalist US, the film has created. Detroit supports Cassius but when he starts to become more of a corporate stooge she quickly leaves him alone as she puts her own morals and beliefs before her relationship. The scene that stood out to me for its boldness and bravery was her live performance stunt at her art gallery. Detroit is dressed in a sort of bikini made of black gloves and she lets people throw pigs blood and old mobile phones at her. To stand there, wearing barely anything and having things thrown at you was a bold choice for the actress. Many people would not have been dedicated enough to do that on camera. The way she carried herself and never apologised for anything was a great character trait for a woman in any film but especially this one where the working man or woman was forced into working for capitalist pigs such as Steve Lift, played by Armie Hammer. Overall a fantastic performance and I can’t wait to see what Tessa does next.

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Emily Blunt in Mary Poppins Returns

To resurrect such an iconic character is a brave and certainly risky endeavour for any actress but to Emily Blunt the role of Mary Poppins just fitted. I loved the Julie Andrews version as a child so I had high expectations for this film and it certainly delivered. Emily looked the part of Mary Poppins and had the mannerisms and voice down pat. She was reminiscent of Julie Andrew’s Mary Poppins but definitely put her own spin on it. Every wink and look she did was carefully coordinated. Emily is also a fantastic dancer and singer which are essential skills for this Disney character. My favourite performances were ‘A Cover is Not the Book’ which Emily sang with Lin-Manuel Miranda and some CGI animals. Having to act with characters that aren’t there is a tricky feat but this musical number made it look natural. I also liked ‘Trip a Little Light Fantastic’ which had a great dance routine. Emily has taken a few serious roles in recent years with The Girl on the Train and A Quiet Place so it was great to see her in a lighter part.

Actors

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Steve Carell in Beautiful Boy

I’m a Steve Carell fan from his comedy work on The Office and in films such as Get Smart and Crazy Stupid Love but he has been doing some great drama performances in recent years and David Sheff in Beautiful Boy was one of the best of his career. Playing the father of a drug addict is no easy role but Steve managed it beautifully. Every time Nic played by Timothée Chalamet let his family and his father down, you could see in Steve’s eyes that his character was gradually becoming more tired and upset over his son’s actions. David tried so hard time and time again to help his son get off drugs even going so far as trying cocaine himself to see what was so good about it. He also has his wife and two other children to look after and his job. Steve showed David’s struggles really well. I think that Steve is a great dramatic actor. I also recently saw him in Vice and his character was dramatic in a political, ballsy way, not taking no for an answer. Very different from his character in Beautiful Boy. I hope that Steve keeps playing dramatic roles in the future.

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Rami Malek in Bohemian Rhapsody

As a massive Queen fan, I was always going to high expectations for this film but Rami Malek’s transformation into Freddie Mercury was the thing that completely sold it to me. The songs and other cast were also amazing, particularly the other members of Queen but Rami’s performance made me fall in love with Queen and Freddie all over again. Rami’s movements and voice, singing and talking sounded so much like the original. I have been a fan of the music of Queen for years but I wasn’t aware of the struggles and hardships Freddie went through just to be himself. I never knew that he was with a woman before he met Jim or his fallout with Queen. His use of drugs to try and regulate his symptoms of AIDs was quite emotional to watch. His stand out scenes for me were the interview where he is high and all the journalists want to know about is his private life and of course the climax, the Live Aid performance. He is well deserving of his Oscar nomination and his Golden Globe, BAFTA and SAG Awards.

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Lakeith Stanfield in Sorry to Bother You

In a film set in an alternate reality, an important part to keep the audience understanding the plot is the interactions of the characters and how they behave. Lakeith was great in this role because he kept me on track in the different reality and I related to his story of wanting to succeed and make people proud of him. Lakeith’s character, Cassius Greene becomes a telemarketer and rises to the top using his ‘white voice’. Cassius becomes a power caller and leaves his friends behind but you can see by his expressions that he isn’t happy to do it. He is motivated by pride and the need to be successful and be able to provide for his uncle. In the end, he did the right thing which is what makes him the hero of the tale. One of my favourite parts was when Cassius would call people up and in the film, they plonked his desk right next to the customer. It showed that telemarketers can feel like they are right there in your home. I am excited to see what roles Lakeith takes on next.

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Christian Bale in Vice

Many people are aware that Christian Bale is a very method actor but for his role as Dick Cheney, he is virtually unrecognisable as you can see from the photo above. I completely believed that he was Dick Cheney and it was interesting to see his journey from being a loser to the Vice President of the most powerful nation on the planet. When Dick starts working for Donald Rumsfeld, he is quiet and helpful but as he starts moving up the ranks, he becomes more outspoken and controlling. As Vice President, he managed to negotiate with George W. Bush and control most of the President’s responsibilities. The scenes showing 9/11 were when Dick Cheney was at his most ferocious. Christian completely became this character and his gradual build up into the most powerful man in the world was an amazing process. I also recently watched the Big Short by the same director as Vice and Christian’s character in that film was so far from Dick Cheney it is hard to think of them as a the same actor.

Happy Watching

Robyn 🙂

What I have been watching this January // 2019

Hello readers,

Another post for me in the same month is rare I know but as I am still on university holidays, I thought I would write about what I’ve been watching this year. I have had quite a lot of spare time so I have been watching many TV series and films. Not everything listed below came out this year. Hope everyone is having a good 2019 so far!

I will start with the films that I have seen.

Mission Impossible – Ghost Protocol 2011

I watched this at home a few days ago and as a lover of the latest film I had high expectations. They were certainly met. The dynamics between the main cast: Tom Cruise, Simon Pegg, Paula Patton and Jeremy Renner really gave the film the human spark it needed to not be a mindless action thriller. There were amazing stunts and cool gadgets – the magnetic suit for one, stunning locations and spine-tingling suspense. I would definitely watch again and I will be watching the earlier films in the Mission: Impossible franchise. 5/5.

Cast:

Tom Cruise as Ethan Hunt, an IMF spy, constantly on the run and never out of danger.

Simon Pegg as Benji Dunn, the funny computer genius who has just passed field training.

Paula Patton as Jane, a colleague who is out for revenge.

Jeremy Renner as Brandt, an analyst who gets caught up in Hunt’s mission.

Léa Seydoux as Moreau, an assassin looking to trade documents for diamonds

Mary Poppins Returns 2018

I was quite late to the party with this one but I managed to see it last week at the cinema. This film appear to have sparked a controversy as while some people were disappointed with the outcome, it has been nominated for four Golden Globes and three BAFTAs. I, however, really enjoyed it. I have seen the first one but not for a while so it wasn’t fresh in my mind but the overall feeling of this film is updated yet similar to the original. The songs and sets are different and the characters have grown up but Mary Poppins is still there to save the day. The animated scenes were inspired by but didn’t copy the original. The film gave me a heartwarming feeling. Great bit of fun for all the family. 5/5.

Cast:

Emily Blunt as Mary Poppins, the magical nanny returning to the Banks’.

Lin-Manuel Miranda as Jack, the lamp lighter who joins in on the fun.

Ben Whishaw as Michael Banks, he’s all grown up and struggling with finances.

Emily Mortimer as Jane Banks, she rallies for women’s rights.

Pixie Davies as Anabel Banks, the most responsible Banks child.

Nathanael Saleh as John Banks, the sensible one.

Joel Dawson as Georgie Banks, he likes to wander off and fly kites.

Julie Walters as Ellen, the housekeeper and cook.

Meryl Streep as Cousin Topsy, who can everything but not on a second Wednesday.

Colin Firth as Mr Wilkins, chairman of the bank who is determined to repossess the Banks’ house.

Finding Your Feet 2018

This heartwarming comedy will tug at your heart strings and put a smile on your face. Sandra discovers her husbands affair and runs to her sister’s council flat in London. By finding her long forgotten love of dance again and meeting Biv’s fun friends, Sandra gets a new burst of life and reconnects with her sister. I particularly liked the sequences in Rome and Biv’s eccentric zest for life. It also shows to me that older actors can still make a great entertaining film and younger leads aren’t always necessary.

Cast:

Imelda Staunton as Sandra, whose husband has been having a secret affair for years. She lived in a big house in Surrey but moves in with her sister at the beginning.

Celia Imrie as Biv, a woman who lives every day like it’s her last. She swims in cold water pools, does weekly dance classes, goes on dates and buys her stuff from the charity shop.

Timothy Spall as Charlie who lives on a canal boat and takes a shine to Sandra.

Joanna Lumley as Jackie a fellow dancer and a lawyer, she knows how to have fun.

David Hayman as Ted who lives next to Charlie on the canal. He’s Charlie’s best friend and is always there for support.

Overboard 2018

A hilarious comedy about a woman taking revenge a bit too far. Kate is working multiple jobs to put herself through nursing school and support her three daughters. After a billionaire playboy throws her off his luxury yacht, she uses him for her own gain. Leo, himself falls off the yacht and wakes up with no memory. Kate convinces him that she is his wife and takes him home. She makes him do manual labour and earn money until she can pass her upcoming exam. Full of heart and funny scenes this film was a delight to watch. The only slight downside was as most of the characters were fluent in Spanish they spoke it frequently with no subtitles. It didn’t impede too much on understanding the main plot though. 5/5.

Cast:

Anna Faris as Kate, a wannabe nurse struggling to balance work, studying and looking after her children.

Eugenio Derbez as Leo, a selfish billionaire who becomes a doting husband after her gets amnesia.

Eva Longoria as Theresa, Kate’s friend who is in on the act and helps her keep it up.

Mel Rodriguez as Bobby, Theresa’s husband, he lets Leo work for his building company.

John Hannah as Colin, Leo’s chef and employer on the yacht.

Roma 2018

I’m going to start by saying that I didn’t really enjoy or understand this film but seeing as it won two Golden Globes, some people must appreciate it. The film set in Mexico in 1970 is telling the story of Cleo, a domestic servant and the family she works for. It is in black and white and while this does give the film some atmosphere, I think that the film didn’t have a strong enough setting, dialogue or plot. There were also a lot of long shots such as the beginning and many unexplained events. The acting was okay but I didn’t really connect with the characters enough to care about what happened to them. The family appeared to care for Cleo at some points but still treated her like just a servant. Confusing. 2/5.

Cast:

Yalitza Aparicio as Cleo, the domestic worker who works for Sofia and her children.

Marina de Travia as Sofia, the lady of the house and the mother of 4 children.

Fernando Grediaga as Antonio, the husband and father who works as a doctor and is away a lot of the time.

Verónica García as Teresa, Sofia’s mother who helped out the family.

Attack the Block 2011

I really liked this action comedy. It is set in and around a block of flats in South London. A gang of teenagers find a strange creature and kill it. It turns out to a an alien and the rest of the fleet descend on the block. Sam, a nurse teams up with the gang and they defend their home. They also have to avoid angry rival gang members and keep little wannabees out of the way. Featuring appearances from Nick Frost, Jodie Whittaker and John Boyega, this award winning film is definitely worth a watch. 4/5.

Cast:

John Boyega as Moses, the gang’s leader who is just trying to survive childhood.

Jodie Whittaker as Sam, a nurse who gets sucked in to defending the block

Alex Esmail as Pest, the token white guy in the gang and the first to be injured.

Leeon James as Jerome, Moses right hand man

Luke Treadaway as Brewis, a rich boy who is the wrong place at the wrong time.

Nick Frost as Ron, a drug dealer with his own weed room.

I have also been loving many TV shows, most of them are Netflix Originals.

A Series of Unfortunate Events – Series 3 2019

This third and final series is the climax to A Series of Unfortunate Events. I really liked the film that was made but this series really does justice to the books. It uses two episodes for each book. Violet, Klaus and Sunny Baudelaire have been on the run from the evil Count Olaf since their parents died in a mysterious fire. They have discovered that their parents were in an organisation V.F.D but they don’t have all the answers yet. Can they ever escape from Count Olaf’s grasp? What is in the sugar bowl? What is V.F.D? Could one of their parents still be alive? Find out if you dare in series three. I really loved the series. The acting is superb and the story is very well thought out. It definitely does the books justice. 5/5.

Cast:

Malina Weissman as Violet Baudelaire, the oldest sibling and an inventor. She always ties her hair up with a ribbon when she has an idea.

Louis Hynes as Klaus Baudelaire, the middle sibling and the researcher. He has read many books and his extensive knowledge comes in handy.

Presley Smith as Sunny Baudelaire, the youngest sibling, a toddler who likes to bite things and often comes to the right answer before her siblings.

Patrick Warburton as Lemony Snicket, the narrator of the Baudelaire’s tale. He has pieced together the story for us to watch unfold.

Neil Patrick Harris as Count Olaf, an actor who travels with his troupe and is desperate to get his hands on the Baudelaire’s fortune.

Lucy Punch as Esmé Squalor, the forth most important financial advisor and Count Olaf’s girlfriend. She travels with Olaf in hopes of finding the sugar bowl. She wears ridiculous ‘in’ outfits.

Kitana Turnbull as Carmelita Spats, a spoiled little girl who loves performing and travels with Esmé and Count Olaf as their ‘daughter’. She hates the Baudelaires and calls everyone ‘cake-sniffer’.

Alison Williams as Kit Snicket, the sister to Jacques and Lemony. She has been trying to help the Baudelaires.

COMEDIANS of the world: UK: Ellie Taylor 2019

I watched Ellie Taylor’s special and really enjoyed it. She talked a lot about marriage and impending motherhood but in a very funny way and many of her opinions. She is one of my favourite comedians and it’s great to see her representing the UK in this series. There are many different comedians from around the world in this collection.

The Good Place Series 3: Episode 10 and 11 2019

Since the series has come back from it’s mid series break, it has taken many turns. The four humans, Michael and Janet finally got to the Good Place but they only reached the mail room. They have to work out what to do next. Eleanor and Chidi talk about the events of episode nine and Michael is concerned about the points system. The next episode takes place in IHOP but I don’t want to give too much away. It’s hilarious as always whilst teaching about philosophy and what makes a good person.

Cast:

Kristen Bell as Eleanor, the shrimp loving Arizona trash bag with a thing for mailmen.

William Jackson Harper as Chidi, a philosophy teacher who struggles with choices and gets nervous stomach aches.

Jameela Jamil as Tahani, a rich self entitled party hostess who only does charity for her own gain and grew up in her sister’s shadow.

Manny Jacinto as Jason, a Jacksonville Jaguars fan who has been in many dance crews and doesn’t have much brain power but a lot of heart.

Ted Danson as Michael, a demon who enjoyed torturing the four humans but is now working with them to get to the Good Place. He loves human quirks.

D’Arcy Carden as Janet, a human search engine with powers to get you anything you want. She has been rebooted so many times, she is starting to behave like a human.

Sex Education 2019

This series is filthy, dramatic, funny, quirky, relatable and entertaining. Set in a rural part of England, Sex Education tells the story of Otis Milburn, a 16 year old who wanted to be that person in the corner. His mother is a sex therapist and after one piece of great advice to the school bully, Otis and scary Maeve Wiley set up a sex clinic for the students of Moordale High. People start coming to Otis with all sorts of problems. Otis is also trying to be a teenager and sort through his own issues with sex and relationships. He is helped by his best friend Eric who is constantly pushing Otis out of his comfort zone. Otis’ mother, Jean is an overbearing, involved mother with a vibrant sex life. I loved this series and watched it all in two days. Very graphic so definitely for over 18s. It has been watched by 40 million Netflix users this month. 5/5.

Cast:

Asa Butterfield as Otis Milburn, unlicensed therapist navigating being a teenager and dealing with his embarrassing mother.

Emma Mackey as Maeve Wiley, she has a bad reputation, is very smart and is always broke.

Ncuti Gatwa as Eric, Otis’ best friend who is out and proud but struggles with his father accepting him and his outrageous outfits.

Gillian Anderson as Jean Milburn, sex therapist and single mother, Jean worries about her son and doesn’t do boyfriends

Connor Swindells as Adam Groff, the headmaster’s son. He doesn’t care about school and prefers to bully the student body. His father is constantly disappointed in him.

Aimee Lou Wood as Aimee, one of the Untouchables who struggles with their endless rules, she always has a boyfriend and is friends with Maeve.

Kedar Williams-Stirling as Jackson, the head boy and competitive swimmer. He has a lot of pressure from his mum to do well and needs plenty of advice about girls.

Alistair Petrie as Mr Groff, Moordale’s headmaster and Adam’s dad. He knows how to deal out the punishments and does not let up for anyone, even his own son.

Mikael Persbrandt as Jakob, a plummer that is fixing Jean’s bathroom.

Friends from College – Series 2 2019

The second series in this hilarious comedy drama about six 40 year olds who have been friends since college. Set in New York City, the series concentrates on their relationships with others and each other. In the last series, a lot of drama went down and the gang is still recovering. Max and Felix are engaged now, Lisa and Ethan and separating, Sam and her husband are in trouble, Nick is finally dating someone his own age and Marianne is still living her carefree life. I love this series and the second series definitely delivered on the drama and comedy. A stellar cast, this series is amazing. 5/5.

Cast:

Keegan-Michael Key as Ethan, a young adult author who is desperate to know if his wife, Lisa wants a divorce or not after his affair was revealed.

Fred Savage as Max, a publisher who works closely with Ethan and is engaged to his long term boyfriend, Felix.

Nat Faxon as Nick, a player who only went out with girls in their 20s. He finds a woman his own age but can’t let go of Lisa who has been crushing on for 20 years.

Annie Parisse as Sam, a working mother who is the most successful of the group. She is having trouble with her husband, Jon after her affair with Ethan was revealed.

Jae Suh Park as Marianne, a carefree actress with nothing to tie her down apart from her daredevil on again off again boyfriend.

Cobie Smulders as Lisa, a lawyer who disappears after sleeping with Nick and reappears with a new boyfriend a year later

Billy Eichner as Felix, a doctor who is so done with the drama from Max’s friends.

Lost in Space 2018

This show has been out for a while but I watched the last few episodes in the series this year. I started it months ago but have been watching it sporadically. It’s about the Robinsons who leave Earth for a better future but crash land on a strange planet. They have to work together with others that land there to get back to the mother ship. There are alien robots, lying doctors, brave engineers and daring escape attempts. There is a lot of family drama involved and problem solving. The last episodes were the best for me as the middle of the series dipped from the great opening but still enjoyable. It’s different from the original series and the 1998 film. 4/5.

Cast:

Maxwell Jenkins as Will Robinson, the youngest and bravest. He manages to befriend a robot.

Taylor Russell as Judy Robinson, the doctor and the eldest, she takes risks to protect her patients and her family.

Mina Sundwall as Penny Robinson as the engineer who likes to do her own thing and bend the rules.

Molly Parker as Maureen, the mother and a rocket scientist. She designed their ship, the Jupiter and lied to get her son on board.

Toby Stephens as John, the father and a soldier. He was absent for most of the kid’s childhood and is trying to make up for it.

Ignacio Serricchio as Don West, an electrical engineer who doesn’t have a family so is always up for danger.

Parker Posey as Dr Smith, a survivor who is determined to reach the new world. She manipulates people to get what she wants.

Les Miserables 2018/9

An adaptation of the beloved book, this series is not a musical, but a drama. Only three episodes have aired but I am really enjoying Les Misérables so far. It tells the story of many different characters, a prisoner, a police chief, a factory worker, a little girl, two swindlers. It illustrates the gap between the rich and the poor in the early 1800s in Paris. The acting is excellent and I can’t wait to see what happens. 5/5.

Main Cast from first 3 episodes :

Lily Collins as Fantine, a factory worker trying to feed herself and her child

Dominic West as Jean Valjean, a prisoner who got 19 years for a loaf of bread. He goes from one place to another, escaping his past.

David Oyelowo as Javert, a governor turned police chief, hunting Valjean for his crimes.

Adeel Akhtar as Thenardier, a pub owner who brags about being in the war. He cheats people from their money.

Olivia Colman as Madame Thenardier, a mother who cares for her own children only. Gets as much money as she can from anyone who comes her way.

Thank you for reading!

Happy Watching

Robyn 🙂

Who I think should have won at the Golden Globes 2019

Hello readers,

For my first post of 2019, I’m sharing my personal opinions on who should have won at the Golden Globes this year. There were some unexpected winners and losers for me so I thought I would discuss these and what I thought of some of the films that won. I’m only going to talk about categories in which I have seen at least 3 of the films.

Bohemian Rhapsody – Best Motion Picture – Drama

I was very excited about this film as I am a long time fan of Freddie Mercury and Queen. The film certainly didn’t disappoint and it is one of my favourite films of the year. I found out more about one of my favourite bands and the hardships and joy they experienced in the early days of their success. I’m also really pleased for the cast as they all worked really hard on the film and press tour. I follow them on Instagram and the posts they make featuring each other have really kept the spirit of the film alive.

The category this year had 3 films featuring black actors which is historic in itself as awards ceremonies in Hollywood have been accused of unfair treatment in previous years. The fact that Black Panther, BlacKkKlansman and If Beale Street Could Talk were nominated is a big step towards racial equality. I have seen both Black Panther at the cinema and the Cannes Film Festival in May and BlacKkKlansman at the cinema back in September. Both films were amazing and would have been worthy winners of this award. A Star is Born was one of my best films of the year and it’s one award was disappointing but in this category I think it faced tough competition.

Rami Malek for Bohemian Rhapsody – Best Performance by an Actor in a Motion Picture – Drama

Rami Malek was the perfect Freddie Mercury in this film and got Freddie’s movements and mannerisms down to a T. I loved him as the lead singer of Queen and his performance brought the film to amazing heights. I also admire Malek for his roles in Need for Speed and the Night at the Museum franchise.

Bradley Cooper did an amazing job in A Star is Born as I have mentioned in a previous post and John David Washington as Ron Stallworth was powerful and iconic. Ron Stallworth becomes the first black cop in Colorado Springs and he engineers an infiltration into a branch of the Ku Klux Klan. The film by Spike Lee had a lot of powerful imagery and showed how awful and traumatising racism has been and continues to be. I have not seen At Eternity’s Gate or Boy Erased but Willem Dafoe and Lucas Hedges are both worthy nominees.

Alfonso Cuarón for Roma – Best Director – Motion Picture

I personally did not enjoy this film. It didn’t have enough plot or dialogue to follow to be able to empathise or relate to the characters. It was a pretty film to look at but as a drama it did nothing for me. I was disappointed with this winner and I thought the other nominees were more deserving.

Spike Lee and Bradley Cooper both did great jobs with their films and I would have preferred if one of them had won. I love Bradley Cooper as an actor and to be nominated for his directorial debut is a credit to his talents. Spike Lee knows how to tell a powerful tale and this was evident in BlacKkKlansman. Some of the dialogue and events really stuck with me. I haven’t seen Green Book or Vice so I don’t know how good the directing is.

Justin Hurwitz for First Man – Best Original Score – Motion Picture

The score for First Man really enhanced the breathtaking images of the film. When Neil Armstrong is going into space at the beginning the score helped me feel as though I was in the rocket with him. I think this score and composer are worthy winners in a tough category. Marco Beltrami did an amazing job with A Quiet Place, a film with minimal dialogue but the score creates great tension and suspense. I was on the edge of my seat for most of this film. Alexandre Desplat also did an amazing job with Isle of Dogs; another great film of 2018. Directed by Wes Anderson and told as an animation with Japanese and English dialogue, Isle of Dogs was a lovely story about the love between an owner and their dog. Like the Quiet Place, the score for Isle of Dogs helped enhance the story and build tension.

Black Panther’s score was also award worthy and it’s amazing to see a Marvel film nominated for so many awards at the Globes. Ludwig Göransson did a brilliant job and paired with the soundtrack by Kendrick Lamar, the sound is one of the major factors that has made Black Panther one of the best films in recent years. I have not yet seen Mary Poppins Returns but have heard wonderful things about the film.

Shallow from A Star is Born – Best Original Song – Motion Picture

I think this song really deserved to win. It’s a powerful song and sung by Lady Gaga in the film, it tells the story and feelings of her character, Ally perfectly. Bradley Cooper also sings the song very well but I think it is Lady Gaga that truly owns it. I have listened to on repeat for months and it still moves me and empowers me at the same time. The sheer power of Lady Gaga’s voice singing it in A Star is Born gave me goosebumps the first time I heard it in the film. I’m glad that A Star is Born won in this category.

It did have tough competition though as I think every song in this category was award worthy. All the Stars by Kendrick Lamar and SZA from Black Panther has a great beat that is perfect for the film and Girl in the Movies from Dumplin’ by Dolly Parton is a great theme song for the film. It’s uplifting in the same way as the message in the film. I have just listened to Requiem for A Private War and it was a beautiful song but I haven’t seen the film that it was written for. Revelation from Boy Erased is another powerful song that would have been a worthy winner.

The Americans – Best Television Series – Drama

I haven’t watched the recent seasons of The Americans but I have seen it before and I think it’s a good show but this year there were more worthy winners. I think that Bodyguard or Killing Eve should have won. I enjoyed both these series and think they were great television dramas. Bodyguard about the British Home Secretary having an affair with her personal bodyguard. It seem fairly simple but there is so much more to this drama. Plenty of action and romance and the last episode is one of the most intense pieces of television I have ever seen. Killing Eve had more of a cat and mouse element with Eve who works for MI6 trying to track down a female assassin all over Europe. It was a great female lead drama and the drama was more long played than in Bodyguard. Great plot twists and acting. I haven’t seen Pose or Homecoming but I have heard great things.

Rachel Brosnahan for The Marvelous Mrs Maisel – Best Performance by an Actress in a Television Series – Musical or Comedy

I think that Rachel Brosnahan is an amazing actress and this is the role that she is born to play. I can’t see anyone else even attempting to play Mrs Maisel. I love this show and have seen both seasons. It is about an upper class Jewish woman in New York City. At the beginning of the show, Mrs Maisel’s husband leaves her for his secretary and to cope she turns to stand up comedy. It is set in the late 1950s when women were not very well received in comedy. The whole cast of the show are amazing and I would highly recommend watching it.

GLOW is an amazing series about female wrestlers in the 1980s and Alison Brie does a great performance as Ruth. I love this show and have seen both series and I cannot wait for the next season. Kristen Bell is also great as Eleanor Shellstrop in the Good Place, a comedy about going to the afterlife. The show while being up to date on pop culture also helps the audience to understand concepts of philosophy and make sense of what happens to us after death. I was really glad that Kristen Bell was nominated. Will & Grace and Murphy Brown are shows that I haven’t seen but have heard good things about.

I would also like to give a special mention to Ben Whishaw who won the award for Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture made for Television. His role as Norman Scott in A Very English Scandal was great and he was worthy of the award. I have however not seen any other nominations in his category so it wouldn’t be fair to say he is the best, not having anything to compare it to. I watched all of A Very English Scandal last night and it was such a powerful and almost unbelievable true story. It tells the tale of Norman Scott having a gay affair with powerful politician Jeremy Thorpe in the 1960s and then being targeted for murder by Thorpe. Hugh Grant as Jeremy Thorpe was also great and a role we rarely see him play, the bad guy.

I know I only gave my opinions on a few of the categories but I didn’t feel it was right to judge categories in which I hadn’t seen more than 3 of the nominations.

I hope to write on many new and different topics in 2019.

Keep Watching,

Robyn