Knives Out – 2nd Watch Review

I saw this film for the first time the weekend after it opened. I had seen the trailer and thought it looked interesting. With the starry cast and original storyline, not to mention the acclaimed director, Rian Johnson, I was hooked. My first reaction was pure delight. I love a whodunnit murder mystery and they have faded out of popularity this century but seeing Knives Out and its updated version of the classic Agatha Christie tale was amazing. So many films these days, especially American ones are reboots, remakes, sequels, third sequels; based on books, games, apps or true stories, it was nice to see something original.

I saw this film for the first time the weekend after it opened. I had seen the trailer and thought it looked interesting. With the starry cast and original storyline, not to mention the acclaimed director, Rian Johnson, I was hooked. My first reaction was pure delight. I love a whodunnit murder mystery and they have faded out of popularity this century but seeing Knives Out and its updated version of the classic Agatha Christie tale was amazing. So many films these days, especially American ones are reboots, remakes, sequels, third sequels; based on books, games, apps or true stories, it was refreshing to see something original.

The ending truly shocked me and when it was all explained by the Private Investigator, I did not expect what unfolded to happen.

I saw this film again last night and I was a little concerned that seeing it a second time around might ruin the magic as I knew the result but it did not. When viewing this film a second time, I could spot all the small clues that led to the answer.

The basic storyline of the film is that a family gather for their father’s 85th birthday party. There are arguments and family drama and the next morning, Harlan Thrombey (Christopher Plummer), head of the family is dead. Many think a suicide but after Private Detective Benoit Blanc (Daniel Craig) is hired by an anonymous source, foul play is suspected. Harlan Thrombey is a rich man with a grand mansion, he makes his money from writing mystery novels. He has three children, one deceased before the film starts. There’s Linda (Jamie Lee Curtis), self-made estate agent and her husband, Richard (Don Johnson). Their son, Ransom (Chris Evans) is the black sheep of the family and he leaves the party early.

Next is Joni (Toni Collette), widow of Harlan’s son, Neil. She runs a beauty business, Flam and receives a yearly allowance from Harlan. There is her daughter, Meg (Katherine Langford) who Harlan pays for to go to college.

The youngest son is Walt (Michael Shannon). He runs Harlan’s publishing company and is trying to get his father to agree to selling rights to film and TV. His wife, Donna (Riki Lindhome) is not a main player and is never questioned as a suspect. Their son, Jacob (Jaeden Martell) is always on his phone and is part of alt-right wing parties. He is only 16 so isn’t questioned either.

There is also Harlan’s mother, Wanetta (K Callan) who is disregarded by the family due to her age. She becomes a vital part in the investigation.

The non-family members are Fran (Edi Patterson), the maid and Harlan’s nurse, Marta (Ana de Armas). Marta was the last to spend time with Harlan. There is also the two Detectives, Lieutenant Elliott (Lakeith Stanfield) and Trooper Wagner (Noah Segan)

I love this film and the differences between the characters are all subtlety outlined by their responses to certain questions. Joni says to Benoit Blanc that she saw a tweet of a New Yorker article about him. Linda then says she read about him in the New Yorker. Richard, Joni and Walt all appear to have motives at the beginning of the film.

I won’t spoil the ending for those who haven’t seen it as it is really something you have to see for yourself. I read a Buzzfeed article last week about why its still so popular 5 weeks after release. My answer is that it is a great story with a twist and the acting was superb. Overall 5/5.

The Night Before – 30th December

This is a film for the more mature audience but it isn’t filled with insulting language or terrible swearing, just the odd narcotic. A Christmas film with a different tone to the classic family comedy or child’s fantasy, The Night Before celebrates the city that never sleeps at its busiest time of the year. Childhood friends, Ethan, Chris and Isaac all spend their Christmas Eve on an epic night out around the Big Apple looking for the best Christmas party. This film is one with a mission but has lots of obstacles in the way.

It is like the quest from ancient mythology updated for the modern age where three middle-aged men seek out the ultimate fun before they get too old. They spend every Christmas Eve together since Ethan’s parents passed away. Every year, they try and find the best party out there, the Nutcracker Ball. In this film there is phone switching, a public proposal endorsed by Miley Cyrus and the night of a lifetime. It is one that doesn’t sound as great in words but is hilarious to watch.

I found this film a fun take on the Christmas film and modern-day adventure. It has a great cast with the three main actors, Seth Rogen, Anthony Mackie and Joseph Gordon-Levitt making a believable trio. Other stars on the cast include: Jillian Bell, Lizzy Caplan, Michael Shannon, Mindy Kaling, Ilana Glazer, Tracy Morgan and James Franco playing himself. Overall I give this film 4/5.

Cannes Film Festival 2018: My Experience

Hello readers,

Today I will talking about my time at the Cannes Film Festival a few weeks ago. It was an honour and a pleasure to go and my friends and I had a marvellous experience.

We all had the Cannes Cinephiles passes which didn’t let us in to many films but I managed to see a dozen or so, some of which I will be reviewing below as well as the festival as a whole.

Cannes Film Festival:

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The festival itself was a amazing experience. Luckily we had great weather until the last two days where it rained very hard and I didn’t have an umbrella. The promenade where the festival was held was easy to navigate and there were many souvenir shops and kiosks selling reasonably priced food. The atmosphere was really lively and many people just came to walk around or hang out on the beach, soaking in the sun. Everyone I encountered was really friendly and helpful and I met some really interesting people in the film industry. The bars and food places were very expensive so we tended to eat in our apartment but the places we did go were very good quality.

The buildings and theatres where the films were screened are very spacious and great places to watch films. The Grand Theatre Lumiere was the biggest theatre and where the most prestigious films and premieres were held. I was lucky enough to go to a few films in this theatre and it was breathtaking. The Salle Buñuel was also a lovely 400 seat theatre where I saw other films.

If you ever get a chance as a filmmaker to go to Cannes Film Festival I would highly recommend it. The only downside was the fact that my pass didn’t let me in to as much as I thought it would when I applied to go.

I give the Cannes Film Festival as a whole 4/5.

Le Grand Bain (Sink or Swim):

One of my favourite films, I saw this film in the Grand Theatre Lumiere and it was really touching. It was about a man struggling with depression in his 40s and trying not to disappoint his wife and kids. On a whim he joins a male synchronised swim team and finds a reason to live again. Although there are some tough themes in this film such as mental illness, there are many comedy elements and I left the film feeling uplifted. Essentially, it’s about working as a team and finding joy in unexpected places.

It is in French but I didn’t find it too hard to follow along with the subtitles. The director, Gilles Lellouche, who is also an actor, had a great style and really focused on the back stories of all the characters which made me sympathise with them more.

The main cast are Mathieu Amalric (Barbara, Tournée) who plays the protagonist, Bertrand; Jean-Hugues Anglade (Betty Blue, Nikita); Leïla Bekhti (Paris, je t’aime; A Prophet); Guillaume Canet (The Beach, Rock’n Roll); Virginie Efira (Elle, Victoria); Philippe Katerine (The Truth About Charlie, Opium).

I give Le Grand Bain 5/5.

Leto:

Leto (2018)

This film that I also saw in the Grand Theatre Lumiere had a very different feel from Le Grand Bain but I really enjoyed it. It was also the first film I saw at the festival. The story depicted 1980s rock bands in Russia, based on the wife of a successful musician. It was shown in black and white which really enhanced the sad points of the film.

Communism at the time didn’t allow people to play rock music so the bands played at a club set up by the main character, Mayk (pronounced ‘Mike’). The audience was small compared to rock bands of the time in Europe and America but they were all enjoying the shows enthusiastically.

The director, Kirill Serebrennikov, used lots of close ups and at some points had a camera crew filming the band and their entourage. The only colour shots were footage of the camera.

The music of the film really helped tell the story, and the titular song written by the real Viktor Tsoy, Leto was my favourite.

The characters listened to American and European rock such as David Bowie, Iggy Pop and Blondie. The songs the bands played on stage were great rock music and showed the emotions of the characters.

This was also one of my favourite films and as a fan of 80s rock music it really appealed to me. Even if you aren’t a fan of this genre of music, the story alone is full of emotion and tells the age old tale of love and loss.

The main stars are Teo Yoo (Equals, Day Night Day Night) as Viktor Tsoy, a young musician being coached by Mayk; Irina Starshenbaum (Attraction, Ice) as Natasha whose memoirs the film was based upon and Roman Bilyk in his first acting role as Mayk.

I give Leto 5/5

The House that Jack Built:

This film is one of the most disturbing films I have ever. seen It is about five incidents committed by a serial killer with OCD. A big draw for the film is Uma Thurman but she only has a minor role. The serial killer Jack, played by Matt Dillon, has an obsession with killing that he doesn’t want to stop. The film shows many horrific and terrifying scenes in close and graphic detail so definitely only watch if you are over 18 and have a strong stomach for horror. Despite the shocking and twisted scenes depicted in the film, at it’s core, it showed an emotionally unavailable man, trying to build a house and who cannot form any relationships whatsoever.

The cinematography was very well done with beautiful countryside shots interspersed with the more disturbing images. The director, Lars Von Trier, who had a seven year ban from Cannes for jokingly declaring himself a Nazi, has an impressive body of work and has won many prizes at Cannes in the past. When I saw the film at its premiere, as soon as he walked in, he had a standing ovation. The film also received a ten minute standing ovation and sparked a mass walkout by at least 100 people.

The acting in the film was outstanding, especially Matt Dillon. I don’t think I will be able to watch him in anything else without seeing him as the serial killer.

The main cast were Matt Dillon (There’s Something About Mary, Crash); Bruno Ganz (Downfall, Wings of Desire); Uma Thurman (Pulp Fiction, Kill Bill: Vol.1 and 2); Riley Keough (Mad Max: Fury Road, American Honey).

I give The House that Jack Built 3/5

Fahrenheit 451:

I saw this film at it’s midnight premiere and I was lucky enough to see the stars as they walked into the theatre, five feet away from me.

I enjoyed this film and stayed awake until two am watching it, when in some day time films I fell asleep. It played like a young adult adaptation and is a remake of a film based on a popular 1950s book by Ray Bradbury.

It portrays the idea that knowledge is dangerous and all books must be burned. Firemen work to destroy all books and punish those harbouring them. One fireman, Montag working his way to General, begins questioning why he’s burning books after he meets an influential woman.

My only issue with the film was the ending and as I don’t want to spoil it, I will not say why. The cast were good and I liked the graphics and story but there was something missing. I have not seen the original film but a friend said it was one of her favourite films.

The cast of Fahrenheit 451 are Michael B. Jordan (Creed, Black Panther) as the hero, Montag; Michael Shannon (The Shape of Water, Midnight Special) as his boss; Sofia Boutella (Star Trek Beyond, Kingsman: The Secret Service) as Clarisse, who shows Montag a new way of living.

I give Fahrenheit 451 a rating of 4/5.

 

Jane Fonda in Five Acts:

This documentary moved me and it was really entertaining. I  like Jane Fonda as an actress and I knew she was an activist in the 1960s and 1970s but I didn’t realise the extent of her life.

The documentary was about two hours long and split into five acts – Henry (her father), Roger (her first husband), Tom (her second husband), Ted (her third husband) and Jane. It told of her beginnings as Henry Fonda’s daughter and her mother’s mental health issues through her three husbands, notable film roles such as Barbarella (1968), Klute (1971), On Golden Pond (1981), her activism and controversy around her. It concludes with her return to acting in 2005 and her unmarried life. Many people from her life, including 2 of her husbands, Paula Weinstein, Robert Redford and Lily Tomlin give their thoughts and opinions about Jane.

It was a very emotional documentary and I cried when it revealed that her mother committed suicide in a mental institution. Now, knowing about Jane Fonda’s whole life, I respect her much more as an actress and human being. I think she is a role model to her own and every generation.

I was also very pleased when Jane Fonda herself made an appearance along with the director Susan Lacy. Jane gave a great speech about being proud of yourself and standing up for others.

I give Jane Fonda in Five Acts 5/5.

Driving Miss Daisy:

Driving Miss Daisy (1989)

Driving Miss Daisy is a timeless classic from 1989 and was played in the Cannes Classics section. I had never seen it before and I really enjoyed. It had a lovely ending and was a really enjoyable film. I didn’t fall asleep in this one either!

The story tells of a friendship between an old Jewish woman and her black driver set in the South of the US. It starts in the 1950s and spans 25 years. It started as an Off-Broadway play but was adapted to an Academy Award Winning film. The film was nominated for ten Oscars and won four of them – Best Picture, Best Actress – Jessica Tandy, Best Makeup and Best Adapted Screenplay.

The film deals with many themes; racism, ageing, Judaism and anti-semitism, class and many others.

The film stars Jessica Tandy (Fried Green Tomatoes at the Whistlestop Cafe, *batteries not included) as Miss Daisy, Morgan Freeman (Se7en, Invictus), who starred in the original play in the same role as Hoke, Miss Daisy’s driver and friend; Dan Aykroyd (Blues Brothers, Ghostbusters) as Miss Daisy’s well-meaning son.

I really enjoyed this film and would definitely recommend giving it a watch.

I give Driving Miss Daisy 5/5

Black Panther:

Angela Bassett, Forest Whitaker, Isaach De Bankolé, Martin Freeman, Michael B. Jordan, Andy Serkis, Chadwick Boseman, Danai Gurira, Lupita Nyong'o, Daniel Kaluuya, and Letitia Wright in Black Panther (2018)

This film was screened on the beach with an introduction by the director, Ryan Coogler. I am a massive Marvel fan so I had already seen the film when it came out this February. It was great to watch it again and amazing to see Ryan Coogler in person.

For anyone who hasn’t seen Black Panther, it tells the origin story of the comic book hero Black Panther. T’Challa is crowned as the King of Wakanda, a fictional African country that has hidden from the world, after the death of his father, King T’Chaka in a previous Marvel film – Captain America: Civil War (2016). He tackles villain Ulysses Klaue and an American soldier, Erik Killmonger, who turns out not to be who we think he is.

The film is told in typical comic book adaptation way with a good vs. evil vibe but it was also thoroughly enjoyable and a big change for Hollywood as it was the first film to have a budget of over $100 million and feature a predominately black cast. It featured humour especially from Shuri, T’Challa’s tech wiz sister; drama, action, plot twists and some great fight and car chase sequences. The CGI was also breathtaking especially when the real Wakanda is revealed.

The film stars many great Hollywood actors and actresses: Chadwick Boseman (Get on Up, Marshall) as T’Challa/Black Panther; Michael B. Jordan (Creed, Fantastic Four) as Killmonger; Lupita Nyong’o (12 Years a Slave, Star Wars: The Force Awakens) as Nakia, T’Challa’s ex-girlfriend and undercover spy; Danai Gurira (The Walking Dead, The Visitor) as T’Challa’s bodyguard and friend, Okoye; Letitia Wright (Black Mirror, The Commuter) as Shuri; Winston Duke (Person of Interest, Avengers: Infinity War) as M’Baku, a rival leader of another tribe in Wakanda.

Martin Freeman (The Hobbit, Sherlock) as Everett Ross, a government agent who joins the fight to help old friend, T’Challa; Daniel Kaluuya (Get Out, Sicario) W’Kabi, T’Challa’s friend and Okoye’s love interest; Angela Bassett (Strange Days, Olympus Has Fallen) as Ramonda, T’Challa’s mother; Sterling K. Brown (This is Us, Army Wives) as N’Jobu, T’Challa’s uncle; Forest Whitaker ( The Last King of Scotland, Rogue One) as Zuri, T’Challa’s adviser and Andy Serkis (Lord of the Rings, Rise of the Planet of the Apes) as Ulysses Klaue.

I think Black Panther is one of the best Marvel films and I give it 5/5.

Bergman: A Year in a Life:

Bergman: A Year in a Life (2018)

This documentary narrated and directed by Jane Magnusson (Cupcake, The Swimsuit Issue) tells of Ingmar Bergman’s life in the year 1957, the most chaotic of his career. Bergman is a revolutionary Swedish writer-director whose films are masterpieces, telling stories of the human condition. He has been nominated for nine Oscars and won the Irving G. Thalberg Memorial Award in 1971. His many films include: Summer with Monika(1953), Wild Strawberries (1957), The Seventh Seal (1957) (which I saw at Cannes), Persona (1966), Hour of the Wolf (1968), Scenes from a Marriage (1974) and Fanny and Alexander (1982).

The documentary featured archive footage of Bergman on talk shows and photos from 1957. Many people were interviewed for the documentary including Lena Endre, Thorsten Flinck, Elliott Gould, Barbra Streisand, Liv Ullman and Lars Von Trier.

Bergman’s story was very interesting but also tragic. He suffered very painful stomach ulcers his whole life and mental illness which he was often hospitalised for. In recuperation, he wrote many of his films.

I had heard of Bergman before Cannes but this documentary introduced me to his life and I would really like to watch more of his films.

I give Bergman: A Year in a Life 5/5.

Awards:

Grand Prix – BlacKkKlansman

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From what I have heard of this film, it deserved to win the Grand Prix. Unfortunately, I didn’t get to see it but I have seen the trailer and it features some excellent actors and actresses.

Palme d’Or – Shoplifters

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I didn’t see this film either but my friends did and said it was their favourite film. The director, Hirokazu Koreeda is known for his films: Nobody Knows (2004), Still Walking (2008), Like Father, Like Son (2013) and The Third Murder (2017).

What I wish I had seen:

BlacKkKlansman:

BlacKkKlansman (2018)

This film directed by Spike Lee (Malcolm X) and produced by Jordan Peele (Get Out) tells the story of an African-American police officer infiltrating the Ku Klux Klan and managed to become the head of the local chapter.

It stars John David Washington (Malcolm X, Monster) as police officer, Ron Stallworth; Adam Driver (Star Wars: The Force Awakens, Logan Lucky) as Flip Zimmerman; Topher Grace (Spider-Man 3, That ’70s Show) as David Duke; Laura Harrier (Spider-Man: Homecoming, The Last Five Years) as  Patrice and Alec Baldwin (The Departed, It’s Complicated) as Actor.

As it won the Grand Prix this year, I think I will be seeing it in cinemas.

Pope Francis: A Man of His Word:

Pope Francis in Pope Francis: A Man of His Word (2018)

This documentary on the Pope sounds really interesting especially as it directed by the legend Wim Wenders (Wings of Desire; Paris, Texas).

I did queue for this film but it filled up before I got a seat.

Ryan Coogler and Christopher Nolan masterclass

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I am disappointed that I missed these. My friends went to the Ryan Coogler masterclass and said it was really interesting. They were both very popular.

Solo: A Star Wars Story:

Woody Harrelson, Thandie Newton, Donald Glover, Alden Ehrenreich, Phoebe Waller-Bridge, Emilia Clarke, and Joonas Suotamo in Solo: A Star Wars Story (2018)

I am not a big Star Wars but I wanted to see this. It tells the Han Solo origin story, however it was screened after we left the festival.

It stars Alden Ehrenreich (Hail, Caesar!, Stoker) as Han Solo; Woody Harrelson (Three Billboards outside Ebbing, Missouri, Now You See Me) as Beckett; Emilia Clarke (Me Before You, Game of Thrones) as Qi’ra; Donald Glover (Atlanta, Community) as Lando Calrissian; Thandie Newton (Westworld, 2012) as Val; Phoebe Waller-Bridge (Fleabag, Crashing) as L3-37 and Paul Bettany (Avengers: Age of Ultron, Journey’s End) as Dryden Vos.

It appears to be very popular and I may see it in the cinema.

Thanks for reading this long and overdue post.

Happy Watching

Robyn 🙂

Oscar Winner Reviews

Hello readers,

Apologies for not posting in so long, I was preoccupied with university and other commitments but I’m back and in this post I am going to review the Oscar winning films of 2018 that I have seen.

Best PictureThe Shape of Water

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This film by Guillermo Del Toro is a fantasy adventure set in the 1960s in Baltimore, US. It stars a mute women who cleans at a top secret government facility every night. They bring in a new asset, a humanoid fish creature that she becomes friendly with.

The film stars Sally Hawkins (Happy-Go-Lucky) as the mute cleaner Elisa, Octavia Spencer (Hidden Figures) plays her chatty and loyal fellow cleaner and friend Zelda, Richard Jenkins (The Visitor) plays Elisa’s neighbour who is an artist and her best friend, Michael Shannon (Nocturnal Animals) plays the twisted man in charge and Michael Stuhlbarg (A Serious Man) plays a scientist who appears to be on Elisa’s side.

The beautiful cinematography, soundtrack and acting in this film are what won it Best Picture at the Academy Awards. Personally, I think Call Me By Your Name or The Post should have won but The Shape of Water still deserved this win. 4/5.

Best Actor – Gary Oldman for Darkest Hour

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Gary Oldman’s performance as Sir Winston Churchill at the beginning of his reign as British Prime Minister during the Second World War was a well deserved recipient of this award. The makeup department did a great job making him look like Churchill but it was Oldman’s mannerisms, voice, timing and overall ability that ultimately won him this Oscar.

Personally I think Timothée Chalamet for his role as Elio in Call Me Your Name was a potential winner as was Daniel Day-Lewis for his role in Phantom Thread. I have not seen Get Out which I have read is also deserving of every Oscar it was nominated for or Roman J. Israel, Esq.

Best Actress – Frances McDormand for Three Billboards Outside Ebbing, Missouri

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Frances McDormand’s performance was the best of this film. Her face held so many expressions that you could always tell her mood or what she was thinking even though she didn’t vocalise it. The content of this film is hard to think about but is very much in our lives. McDormand’s reactions to the other character’s opinions on what happened to her daughter also show her emotions and she continues to fight for justice.

Personally I think this award could have gone to any of the other nominees: Sally Hawkins for The Shape of Water, Meryl Streep for The Post, Margot Robbie for I, Tonya or Saoirse Ronan for Lady Bird. I have not seen Lady Bird yet but I have heard many good things about the film, directed by Greta Gerwig. However, Frances McDormand did deserve to win.

Best Supporting Actor – Sam Rockwell for Three Billboards Outside Ebbing, Missouri

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Sam Rockwell’s performance as a racist cop who later redeems himself was award worthy. I am a fan of Rockwell’s and he played this character with enough heart to make the audience sympathise with him even though some of the lines he says are very offensive. His care for his mother and McDormand’s character also shows his softer side.

Personally  I think Woody Harrelson from Three Billboards as well or Richard Jenkins from The Shape of Water also gave winning performances. Willem Dafoe from The Florida Project was good but not of the same level and I have not seen All the Money in the World so I cannot comment on Christopher Plummer’s performance.

Best Supporting Actress – Allison Janney for I, Tonya

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Allison Janney’s performance as Lavona Harding, Tonya’s abusive, pushy mother was definitely deserving of this award. Her blunt, perfectly timed delivery of her lines and her random acts of violence as Tonya’s mother really gave Lavona life. Tonya’s mother was a big influence on her success and character and she would not have had success without her.

Personally, I think Allison Janney was the best in her category but Octavia Spencer’s performance was also brilliant as Zelda in The Shape of Water and Lesley Manville in Phantom Thread was also perfection. I have not seen Lady Bird or Mudbound.

Best Writing Adapted Screenplay – James Ivory for Call Me By Your Name

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As you may have gathered, Call Me By Your Name is one of my favourite Oscar nominated films this year so I was really pleased that it won this award. The script of the film was one element that made Call Me Your Name a standout for me. The acting, cinematography and music was just as brilliant but the writing definitely made this film Oscar worthy. Elio and Oliver’s gradual move from dislike to love was portrayed really well by Ivory as was what many people feel is the best scene of the film between Elio (Timothée Chalamet) and his father (Michael Stuhlbarg). The monologue Stuhlbarg delivers was inspiring to many audiences around the world.

Personally, I think Call Me Your Name deserved this win but Molly’s Game and Logan were also brilliantly written and deserved greater recognition this year. I have not seen The Disaster Artist or Mudbound but have heard they were noteworthy.

Best Director – Guillermo Del Toro for The Shape of Water

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Guillermo Del Toro did the directing, writing and producing for the Shape of Water, it was his vision. The actors in the film responded well to his direction and portrayed his vision accurately. I could tell it was a Guillermo Del Toro film because of the fantasy feeling and the mythical creature. Del Toro has worked hard in the industry for many years but this is his first Oscar. His other films have been in Spanish but this film was out of his comfort zone, dealing with communism in 1960s America and for that departure from his normal genre, he deserves this award.

I think The Shape of Water was the best in this category out of the two I have seen. Paul Thomas Anderson has also been in the industry for many years but yet to win an Academy Award. I have heard that Jordan Peele, Christopher Nolan and Great Gerwig were also all deserving.

Best Original Music Score – Alexandre Desplat for The Shape of Water

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The score for The Shape of Water definitely helped emphasise the plot and added to the whole look and feel of the film. A soundtrack can really make or break a film and this one definitely helped it win Best Picture. Even though the film was set in Baltimore in the 1960s, the score along with the cinematography and acting helped transport you to a fantasy world in certain scenes.

The scores for Phantom Thread and Three Billboards Outside Ebbing, Missouri were also a great match for their films. I think The Shape of Water did deserve this win but I have not seen Dunkirk or Star Wars: The Last Jedi so I can’t be sure.

Best Original Song – Kristen Anderson – Lopez, Robert Lopez for Remember Me from Coco

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This song was a worthy winner and was pinnacle to the plot of Coco. It was sung as a lullaby and a more upbeat version at different points and both are beautiful. It is about remembering someone even after they have died or moved away. In Coco, the performance of this song by Miguel and Hector voiced by Anthony Gonzalez and Gael García Bernal respectively was a highlight of the film. Other notable songs from the soundtrack are Un Poco Loco and The World Es Mi Familia.

Personally I love the song ‘This is Me’ and the rest of the soundtrack from the Greatest Showman and the song ‘Mystery of Love’ from Call Me By Your Name was also beautiful but Remember Me was very well deserving and was an important for the Latino American community. I have not seen Mudbound or Marshall so I do not know how the songs nominated fit into the films.

Best Animated Feature Film – Lee Unkrich, Darla K. Anderson for Coco

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Coco was a beautiful animated film. The attention to detail was crazy amazing especially in the afterlife. Disney/Pixar films have been getting better and better in recent years and Coco is definitely my favourite for a while. All the characters fit well into the story and even though there were quite a few, none of them were overshadowed. Miguel the main character, a 12 year old boy who wants to be a musician despite his family’s history of no music, was a great character. Through his voice (Anthony Gonzalez) you could hear all his emotions. The film is centred around the Mexican celebration of the Day of the Dead and the songs on the soundtrack all have a Mexican feeling and some are in Spanish. I think this film is really important for Hollywood in the US’ current political climate and the films itself was just amazing.

I have not seen any of the other nominees but Coco was a stand out film of the year and not just in the animated film category. Any child or adult would love this film.

Best Cinematography – Roger Deakins for Blade Runner 2049

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While I did enjoy Blade Runner 2049 as a whole as much as others have, the cinematography was beautiful for this film. Some of it was Computer Generated Imagery (CGI) which some people in the cinematography community feel should not win but the other non-CGI parts were also brilliantly filmed. Roger Deakins himself has been in the business since the 1970s and this is only his first Oscar win despite working on great films such as Sid and Nancy, Fargo, A Beautiful Mind, and Sicario.  His win was well deserved and I am pleased that his talent has finally been recognised by the Academy.

The cinematography of The Shape of Water was one of the best parts of the film for me so I would not have minded if this film won and Darkest Hour also had award-deserving cinematography. Again I have not seen Dunkirk or Mudbound so I couldn’t possibly comment, although I have heard that Dunkirk is a cinematic masterpiece.

Best Visual Effects – John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer for Blade Runner 2049 

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The visual effects of Blade Runner 2049 were amazing and next level and even though I did not enjoy the plot so much, it did look stunning. The sunrises and sunsets were particularly wonderful and the colour palettes of orange and reds but also greens and blues was well thought out. I do not know much about visual effects but the film looked visually other worldly and futuristic which was the idea.

Personally, I think Guardians of the Galaxy Vol. 2 had better visual effects and CGI and considering two major characters are CGI, I think this film should have won but Blade Runner 2049 was a worthy winner. I have not seen the other nominees.

Best Costume Design – Mark Bridges for Phantom Thread

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The costumes for this film was one of the best parts. The beautiful couture dresses that Reynolds creates from scratch are very important in the film and are breathtaking to look at. Mark Bridges was very deserving of this award. I would have loved to have worn a Woodcock dress.

Darkest Hour also had some wonderful period costumes, especially the women in Churchill’s office and Churchill (Oldman) himself. The Shape of Water also had some very American outfits but I wouldn’t have nominated them for this award. The outfits in Victoria and Abdul were also wonderful and fit for a queen like Victoria. I would have given the award to either Phantom Thread or Victoria and Abdul. I have not seen Beauty and the Beast but from photos the costumes do look very lovely.

Best Production Design – Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau for The Shape of Water

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The production design of The Shape of Water was also amazing and transported you to the world of the film. Elisa and Giles’ apartments were particularly well done as were Giles’ drawings, the diner and the top secret government facility. The fact that Elisa lived above a cinema was a lovely added touch.

I think the Shape of Water was very deserving of this award. Blade Runner 2049 and Darkest Hour also had great sets, Darkest Hour particularly had some great 40s details. The Shape of Water did have the best production design in my opinion but I haven’t seen Beauty and the Beast or Dunkirk.

Best Makeup and Hairstyling – Kazuhiro Tsuji, David Malinowski, Lucy Sibbick for Darkest Hour

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The makeup and hair styling for Gary Oldman to transform him into Winston Churchill was definitely award worthy. Whilst watching the film I had to constantly remind myself that it was Gary Oldman and not Winston Churchill. It was a real accomplishment in prosthetic makeup and hair styling.

Victoria and Abdul also was a worthy contender as Judi Dench looked much older than she is and like a long-reigning queen. I have not seen Wonder but from pictures of the prosthetic makeup used on Jacob Tremblay who plays the main character Auggie (August), it was also worthy of this award.

And that’s all folks!

This review contains all my own opinions and I have only reviewed the films I have seen. Another reason why this post was delayed is because I only saw the Shape of Water a few days ago and as it won four Academy Awards, I wanted to review it.

Anyway thank you for reading,

Happy Watching

Robyn 🙂