Film Review: How ‘We Live In Time’ has restructured the Rom-Com

Hi Readers,

The cinema, for me, is normally a place for big blockbusters or films I know will look good on the big screen. Nothing has caught my eye for a few months so when I saw that the new Florence Pugh/Andrew Garfield film was in cinemas where I currently am, I decided to check it out.

What separates it from the usual affair is that the film is not told in chronological order. The typical story structure is beginning, middle and ending but this film played around with it making it different from what could have been a run-of-the-mill romantic comedy. The love story of Almut and Tobias jumps around various events in their relationship. We don’t get much of their lives without each other apart from a focus on Almut’s profession as a chef and Tobias after his divorce.

I thought that this idea was interesting and while I am usually an advocate for stories being told in the right order with accuracy, I didn’t mind the time jumping as there was no true story details missing or big plot details absent. It did take me a minute to get used to it but when you were invested, I felt that you could enjoy the scenes individually that contributed to their story as a whole rather than the film showing the plot in the specific order. As the film becomes older, I am sure someone will edit it into the traditional order as I have seen happen to other film or TV programmes that like to jump around the timelines.

We Live in Time (2024)

This film debuted at the Toronto International Film Festival a couple of months ago and will be released in the UK on New Year’s Day. However it is already in the cinema in some territories such as the US. It was also shown at this year’s BFI London Film Festival. When I saw it was showing early where I am, I was excited to see something from the festivals as I was not able to attend any screenings at the London Film Festival this year.

Ordinarily, I tend to wait for romantic comedies to come on streaming or watch ones that debut there but I do like to make exceptions. If there had been other more cinematic films out at the same time, it might not have made my list but with the chatter from various press and the meme about the carousel horse on the poster, I was intrigued.

Florence Pugh is an actress I have followed for a few years since she starred in the Oscar-winning Little Women and Fighting with my Family that was set and filmed in my home town. She is a very interesting and dynamic actress who says so much with slight expressions on her face. I have loved her in Dune: Part 2; Black Widow; Oppenheimer and Don’t Worry Darling and her other projects such as The Little Drummer Girl, The Boy and the Heron and Midsommar are well-liked.

Her performance in We Live in Time was good for the role as she presented the many sides to her character: the girlfriend; the chef; the competitor; the daughter; the mother; the figure skater and the cancer patient. She was not someone who was going to be content with settling down and being a doting housewife so it was great to see a focus on her career and journey as Almut. The one thing I struggled with was seeing her as mid 30s up to mid 40s as there wasn’t much to age her up apart from a fringe and winged eyeliner in her younger days. This wasn’t too much of an issue as I enjoyed the film but I would have maybe given her a few more facial lines.

Andrew Garfield was almost a supporting second to Florence. Most of their scenes were shared and apart from just before their meeting, we don’t have many scenes of Andrew alone. We learn he works for Weetabix but only get a glimpse of his job and never meet his friends or family apart from his father. We get to meet Almut’s mother, twin brothers, sister and many of her friends and co-workers. This film plays to Andrew’s strengths as the awkward, quiet guy who we’ve seen him play in The Amazing Spider-Man and tick, tick… BOOM! I did think that he was maybe a little old to play opposite Florence as a 40 year old but he has quite a young energy to him. I like that his character Tobias was very encouraging of Almut’s dreams and despite their arguments, he still supported her especially at the end with her chef aspirations.

The film was quite a gentle one peppered with some emotional or dramatic scenes such as their daughter’s birth in the petrol station bathroom. I think these scenes are good to set off the slower or sadder scenes in films like these. The cancer element added an extra level that you don’t see in typical American rom-coms/ chick flicks.

The director’s other films, Brooklyn and The Goldfinch had similar emotional peaks that gave them an edge over standard dramas. I thought this film was very British in its nature with many phrases and situations being very intrinsic to the British experience so I think audiences who have enjoyed other British films like Notting Hill (1999) and Four Weddings and a Funeral (1994) would enjoy this one too.

I thought the film was well thought out and despite being told in a different order, it still made sense and it was sometimes good to know what was coming as it made the sadder scenes more hopeful. The music and settings all fitted in well and even though many of the supporting characters floated in and out there were known actors that were good such as Lee Braithwaite who played Almut’s commis chef; Kerry Godliman in the petrol station scene; Douglas Hodge as Tobias’ father and Adam James as Almut’s mentor/former boss.

Overall, I thought the film was enjoyable with a great cast and a lovely story. It will definitely be one in the future that audiences will put on at home on a cosy winter’s evening to watch. It does have minimal nudity so is marked as a 15 but along the same vein as Love Actually (2003) so not particularly intense or graphic. I give it 4.5/5.

Happy Watching,

Robyn

Venom and Johnny English Strikes Again Review

Hello readers,

I know that this is my first post in over a month but due to going back to university, I haven’t been to the cinema that much. A couple of weeks ago, I did however see the highly anticipated anti-hero film Venom and the third instalment of the Johnny English films. I remember seeing the second one in the cinema when I was 12 so I thought it would only be right to see this one in the cinema too.

Venom

Tom Hardy in Venom (2018)

This new anti-hero film has changed the game for the superhero genre. Eddie Brock a journalist whose life goes downhill after investigating a laboratory trying to harness the power of symbiotes. He accidentally joins with an alien called Venom and gains immense skills and strength.

Set in San Francisco made a refreshing change from the Avengers setting of New York. The humanisation of Venom talking through Eddie adds a comedy element to the film. Tom Hardy plays the ‘bad boy’ character very well as was evident in Legend (2015) but his resistance to Venom killing and hurting people shows that Eddie does have heart. He also tries working with Venom instead of rejecting him completely.

Many critics wrote off the film but as a fan of Marvel and comic book films, I really enjoyed it. It had the right amount of action, comedy, special effects, rebellion against evil corporations and romance. As the superhero genre had really taken off in the past few years, perhaps critics are getting annoyed at reviewing films that won’t win any high profile awards.

I liked the romance between Eddie and Anne, it added a softness to a pretty intense film. When she leaves Eddie, it truly breaks his heart and is motive for his revenge on Carlton Drake’s empire.

Overall I think this film is great for any Tom Hardy or superhero movie fans but not one to watch if you like something clever. 4/5.

Cast:

Tom Hardy (Inception) as Eddie Brock / Venom

Michelle Williams (Blue Valentine) as Anne Weying

Riz Ahmed (Rogue One) as Carlton Drake / Riot

Scott Haze (Child of God) as Security Chief Roland Treece

Jenny Slate (Zootropolis) as Dr. Dora Skirth

Peggy Lu (Awkward) as Mrs Chen

Johnny English Strikes Again

Rowan Atkinson in Johnny English Strikes Again (2018)

The third instalment of the Johnny English trilogy picks up years later when Johnny has retired from the world of espionage to become a geography teacher. He however has not taught his students much geography. The film starts with Mr English teaching all his young students how to be a spy.

When all the identities of all the MI7 agents are revealed to the public, the Prime Minister reluctantly recruits English to investigate. Reunited with his sidekick Bough, English travels to the South of France to find the source of the hackers.

Meanwhile, tech genius Jason is proposing an update for the British Government’s systems but is actually the bad guy and is trying to disable the country’s internet.

Johnny English of course would not be complete without laugh out loud gags and scenarios. Some of the best ones in this film include English setting a French restaurant on fire attempting to cook prawns, dancing for a whole night non stop, using virtual reality and accidentally throwing someone off an open top bus and wearing a full knight’s armour.

Rowan Atkinson is hilarious as always and the addition of Emma Thompson as the Prime Minister means their scenes together are comedy gold.

Overall a great family film with a laugh a minute. Comedy films don’t really include much slapstick and visual gags anymore so a reminder of the old days is welcome with Johnny English.

Cast:

Rowan Atkinson (Bean) as Johnny English

Olga Kurylenko (Quantum of Solace) as Ophelia

Emma Thompson (Sense and Sensibility) as Prime Minister

Jake Lacy (Carol) as Jason

Ben Miller (Paddington 2) as Bough

Adam James (Doctor Foster) as Pegasus

Other films I have enjoyed recently are American Animals (2018) starring Evan Peters, Heathers (1989) starring Winona Ryder, The Social Network (2010) starring Jesse Eisenberg and BlacKkKlansman (2018) starring John David Washington.

Happy Watching

Robyn 🙂