Tag: Jacob Elordi

Film Review: Saltburn – Emerald Fennell’s second outing certainly leaves an impression on you

Hello readers,

Last night I saw Saltburn, the sophomore film directed by Emerald Fennell (Promising Young Woman) who has also been seen lately in the Barbie film as Midge, the pregnant doll.

Saltburn has had a lot of buzz from its debut at TFF in Colorado, US before making its European premiere at the BFI London Film Festival and a final appearance at SXSW Sydney. It has now been released worldwide in cinemas. This is unusual for a film that starts its life in the festival circuit but with such a star-studded cast and the company LuckyChap Entertainment behind it (Margot Robbie and husband Tom’s venture), there was no doubt that this film would not put bums on seats.

I had heard of most of the main cast for various other films: veterans of the industry Richard E. Grant and Rosamund Pike have graced British screens many a time; Aussie favourite Jacob Elordi has been making a splash in Euphoria and recent release, Priscilla; I saw Archie Madekwe’s big break in Gran Turismo earlier this year and Irish actors Alison Oliver and Barry Keoghan have been featured on both the small and big screens, respectively.

I will be discussing the ending so spoiler warning if you have not yet had the chance to see the film.

Saltburn (2023)

The films opens on a famous Oxford landmark, the Radcliffe Camera. Having studied at Oxford Brookes University, the streets of the city are always a welcome site on the big screen. In the frenzy of the first day at school, we are introduced to Oliver Quick (Keoghan), a shy bespectacled student from Merseyside who has a habit of watching from afar rather than joining in. Through the first term, we see Felix Catton and Farley Start (Elordi and Madekwe), cousins and in the popular group at the college. Farley has a tutorial with Oliver and becomes the teacher’s favourite after revealing the name of his mother.

While Oliver only has a fellow outsider, Michael, for company, he appears longing to be in Felix’s orbit. A chance meeting and lending of a bicycle cement the start of a friendship. The two become gradually closer as Oliver reveals his troubled home life and addict parents. Farley does not warm to Oliver as he reminds him of himself – an outsider. Farley is living with his family due to his mother not having enough to support them both.

When the year ends and Oliver has told Felix about his father passing away, Oliver is invited to the Catton family home for the summer: Saltburn. The house or mansion is a fictional estate based in Northamptonshire. With its sprawling gardens, labyrinthian maze, wild swimming pond and endless rooms, Saltburn is the perfect escape for Oliver.

Elspeth and James Catton (Pike and Grant) are the welcoming parents if a little cattish, gossiping about Oliver’s family situation and “Poor Dear” Pamela, a family friend staying with them played by Carey Mulligan. Pamela is almost the Oliver of Saltburn, the person that has fallen on hard times that they feel sorry for and are only friends with out of pity.

Oliver also meets Venetia Catton, Felix’ sister (Alison Oliver). Initially disinterested, he finds her hanging around outside his bedroom window at night and tries to control her with sex. This is when the audience begins to realise that Oliver is not the poor, innocent, vulnerable person he appears to portray.

While the summer is whiled away with reading the last Harry Potter book, the film is set in 2006/2007; the family and Farley begin to discover the cracks in Oliver’s persona. Elsbeth cares for him as another son but Felix starts to find him clingy.

A lavish party is planned for Oliver’s birthday towards the end of summer and after a surprise road trip to his hometown of Prescot, Oliver is forced to face the reality that his parents are actually middle-class and normal. This drives a wedge between Oliver and Felix that culminates in an argument at the centre of the maze during the party.

In the morning when Felix is found dead, presumably of a drug overdose, the family grieves. They try and eat breakfast as if nothing has ever happened while drawing the curtains to block out the coroner going past and into the maze. While Venetia and Farley can barely hold in their tears, Oliver makes conversation with James and Elspeth. Farley is also banished for good after an email is discovered from him trying to sell off one of the family’s antiques to cover his mother’s expenses.

Oliver stays for Felix’ funeral and is the only non-family member present when they carry out their tradition of writing the deceased’s name on a stone and throwing it into a river. Venetia struggles with her brother’s death and after a conversation with Oliver she is found dead in the bath, having killed herself.

James finally realises that his wife will now not let Oliver out of her clutches as the only pseudo child left. He pays him to leave them alone in their grief.

Jump forward to Covid times, presumably 2021, Oliver meets Elspeth in a London café. She has just moved to the area after her husband’s death. They share in their grief for the Catton family and when Elspeth falls ill, Oliver becomes her caretaker, wheeling her around Saltburn.

While she lies hooked up to a ventilator and barely conscious, Oliver finally reveals his grand plan. He orchestrated the friendship with Felix and got an invite to Saltburn. He put cocaine in Felix’s champagne, causing his death; gave razor blades to Venetia when she was at her rock bottom and then proceeds to take Elspeth off the machine keeping her alive.

While Elspeth was able to consent, he got written into her will and the last scene shows Oliver dancing through Saltburn, naked having managed to inherit the sprawling estate and family fortune. We see each of the four family member’s stones perched on top of a puppet toy depicting them.

The film had a lot to say about class and wealth. While the Catton’s don’t pretend to be less than they are, they open their home and hearts to practical strangers on whom they take pity. Their trust in Oliver and underestimation of him, is what leads to their downfall. At Oxford, Felix joins in with his friends making fun of Oliver but is quick to fold him into the group when he thinks he would make a good sidekick and doesn’t see him as a threat.

Farley is the first one who suspects Oliver and tries to distance himself and Felix from him but after being threatened by Oliver, he realises that he is not going to be able to beat him.

Personally, I did not see this twist coming and thought that Oliver would end up being the victim of the rich people as is the typical trope in thriller’s set in the world of the wealthy (for example, Ready or Not starring Samara Weaving). While Oliver is a villain for killing three, possibly four people, he represents the average person who is desperate to be part of the in crowd. He had ulterior motives but I think he also wanted to be accepted by Felix and the Cattons’ to prove that he is worthy of being in that world.

I thought that all the performances were brilliant particularly Jacob Elordi and Barry Keoghan. Without knowing Elordi was Australian, I would have thought that he was a typical British posh boy as he nailed the accent, dialect and mannerisms. Keoghan really showed Oliver’s emotions as clearly as reading a book and I sympathised with him when he longed to be in the cool kids gang. Being friends with the Cattons’ despite their strange habits, traditions and pity of him was better than not being friends with them. Oliver did some pretty odd things that gave clues to him being unhinged and Keoghan made them look very real.

I also thought Alison Oliver as Venetia was great and for someone who only started in the industry last year, I think there are big things to come for her. The scenes of just her and Oliver and after Felix’ death showed her ability to be vulnerable without being a total emotional mess.

Overall, I enjoyed the film despite the last act going in an odd direction. It was weird in a way that you can’t look away and have a desire to know how the story ends. The innocent scenes of 2000s Oxford leading into the heady summer at Saltburn gave the film an ethereal setting that you would certainly want to visit unless Oliver Quick is lurking in the shadows or underneath your window.

I give the film 4/5.

Happy Watching,

Robyn

What I Have Enjoyed at the Cinema This Month

Hello readers,

In the last few weeks, I have seen a few interesting and entertaining films at the cinema including at the London Film Festival so here is my review. While summer blockbusters are over, the rest of the year promises interesting releases both at the cinema and on streaming. So when the autumn weather finally does appear, there will be lots to watch on the big screen or curled up on the sofa at home.

The Creator (2023)

If you’re looking for a film that covers current world issues, then The Creator hits right on the mark. Hollywood writers and actors are just coming to a close on a historic union strike over the use of Artificial Intelligence (AI) and what it means for their industries. Studios have already been using AI to create title sequences and there were talks of using it to generate written content and scanning an actor’s likeness for unlimited use.

The Creator looks at a world where AI was invented and integrated into society much earlier than it was in reality. Mankind begin to rely on AI for many household tasks, driving them around, factory work and running the digital space. A devastating nuclear bomb hits Los Angeles killing over one million people and sparking a war between AI and humans.

There are two types of AI, those who fully look like robots and those with human likeness’ having been given the faces of real humans. They are more complex and can do many jobs that humans do not want to do.

In the film we see Josh (John David Washington) with his wife, Maya (Gemma Chan) in an unspecified East Asian country. America has outlawed AI and forced it into hiding on New Asia where AI is still used for the police, farming and the robots are accepted by the people as citizens.

American soldiers attack and while escaping, a pregnant Maya’s boat is blown apart. Josh was actually sent undercover to get close to Maya and her father, Nirmata (The Creator) who made the advanced version – simulants and is rumoured to have made a weapon designed to kill all enemies of AI. Torn with grief for his wife and unborn child, Josh goes back to America to live a quiet life.

Five years later, the American army come knocking. Their new weapon, NOMAD has been launched and flies over the world, scanning and destroying any AI robots it finds. They know Josh is the best connection to Nirmata’s location and filled with hope that Maya is alive after some convincing footage, Josh joins them.

What happens next is an all out war between the Americans, New Asia and its AI friends. Josh finds out that Nirmata’s weapon is a powerful simulant in the form of a child. Together they journey New Asia seeking Maya.

I loved the universe that was created for this film and it really showed what could happen if AI was integrated into society. It was interesting to see the Americans as the enemies, particularly as this is an American made film but after reactions to other attacks on national soil, I am not surprised by their retaliation. I thought the bond between Josh and the child was emotional and this connection only deepens as the film’s plot develops. There was such a mix of technology and old traditions, especially in the small villages that made the film feel realistic and also hopeful that if AI ever becomes sentient in that way, society could integrate.

Watching this film in IMAX made it much more intense and I felt that I couldn’t look away. There was plenty of action scenes but the quieter scenes were poignant and added a lot of heart to the characters. I would definitely recommend watching this one in the cinema and it was a great start to the autumn cinema season. I give it 5/5.

Maestro (2023) – Netflix in December

Bradley Cooper directs and stars as Leonard Bernstein, a New York City conductor and composer from the 1950s, 60s and so on who is known for West Side Story and conducting the New York Philharmonic Orchestra.

We see his rise to fame from age 25 as a wannabe musician to a global success with many bows to his string in a lovely sprawling New York Estate. Leonard is eccentric with wild hair and an untameable energy that he pours into his compositions. He also has a variety of male and female lovers with no strong direction until he meets Felicia.

He falls madly in love as they both rise to success, her as a Broadway star. In the later years, with three adult children, Leonard’s discreetness about his relationships with men starts slipping and Felicia is diagnosed with an illness.

The use of black and white and musical elements in the first act of the film helped to demonstrate to the audience how playful Leonard was and never took life too seriously. He saw it as a musical where he could act in any way he wanted with no real consequences. As soon as he gets his taste of fame, conducting the Philharmonic, he realises that to reach a certain level of notoriety, he must keep up appearances.

His later years are in full colour with some very impressive prosthetics showing himself and Felicia (Carey Mulligan) age into New York arts royalty. Bradley Cooper played the character with a lot of depth that is uncovered as the film goes on. His whimsical and spontaneous nature is paired down in public and that is reflected as we only see his public persona as husband and father, rather than his gay affairs.

They come back on screen when he grows to be around 60, turning grey and having had such a successful career that he starts to not care as much as to who knows about his proclivities. Felicia is worried about the children finding out, particularly Jamie (Maya Hawke) who is particularly perceptive.

Carey Mulligan always plays a good role and rather than choosing to see her as the victim here – a wife whose husband would rather play for the other team – I think she has chosen her life and only starts to become intolerant of Leonard’s lifestyle when it endangers the family image and how their children would view their father. She focuses on her own career on stage and screen and keeps close bonds with Jamie and Shirley, Leonard’s sister (Sarah Silverman).

The tone of the film often felt frenetic with Leonard’s intense energy and dramatic conducting scenes, leaving him looking as though he had just taken a bath. One of the best scenes for me was when he is conducting a large orchestra and choir in a church. You can really see his passion for music and tell how his directions make the piece better.

There were many laugh out loud moments, for example when Leonard runs into David (Matt Bomer), ex-lover and now new father in the street with his wife and child and joyfully tells the baby, ‘I’ve slept with both your parents’ and then runs away in glee. The film does take on a sadder tone at the end but Leonard’s gift for music and lust for life pulls you through.

I thought this film was excellent and really captured the spirit of the New York Arts scene at the time and painted a full and varied picture of Leonard’s life. Though brilliant, he had flaws and those are not shied away from. There were some industry heavyweights producing the project including Martin Scorsese and Steven Spielberg so there shouldn’t be any doubts in the quality of this film. It was amazing to see it on the big screen in the Royal Festival Hall at Southbank but if you haven’t managed to get tickets this year then the film will be coming to Netflix this Christmas along with a limited cinema release.

I give the film 5/5.

Priscilla (2023) – Mubi

While many people will have seen Baz Luhrmann’s Elvis that debuted last year to great reviews and Oscar nominations, we did not really see much of Priscilla Presley’s story in there. Sofia Coppola’s new film changes that.

Priscilla focuses on Priscilla’s relationship with Elvis and his treatment of her for the duration of their marriage. We don’t see anything of Elvis that Priscilla doesn’t see and most of the film is set at Graceland where Priscilla spends the majority of their relationship.

The story starts when Priscilla (Cailee Spaeny) is 14 years old. Her father has just been shipped out to West Germany in the late 1950s and she is bored. She goes to the diner and does her homework but hasn’t made any friends. Another soldier, Terry and his wife invite Priscilla to a party at Elvis’ house as he likes to meet people from back home. Despite the 10 year age gap, the two hit it off.

Priscilla is thrilled that a star such as Elvis would pay attention to her and manages to convince her parents to let her go to another party at his house. They start a sweet courtship and share a kiss before Elvis goes back to America. Priscilla thinks of him for the next two years. When she is 17, Elvis rings her up and sends for her. She goes to Graceland but after taking a pill, passes out for two days.

Unable to be apart from her rekindled love, she manages to convince her parents to let her permanently move there as long as she enrols in a good Catholic school. Elvis treats her like a queen with gifts and trips to Vegas but begins to control how she dresses and her appearance.

Priscilla then hears rumours of Elvis being involved with his various co-stars in Hollywood. He denies it but also gets angry at Priscilla and sometimes violent with her when she questions his commitment.

To a modern and educated audience, the relationship looks basically like grooming. Priscilla falls deeply in love with a man that is a different generation to herself and also absent for two years but she does start to gain more control when Elvis falls down an alley of drugs and performing.

From what I have seen, Priscilla Presley though she left Elvis, still holds him in great contempt, recently celebrating the 45th anniversary of his death at Graceland, their former home. This film was based on her own book and she was a producer on the film so even if she does not hate him for what he did, she wanted to tell her side of the story and explain why she stayed so long.

The casting of the film was excellent, particularly as Cailee Spaeny looked so young and small next to Jacob Elordi as Elvis and his various friends/cousins that they hung around with at Graceland.

While Jacob Elordi may not receive the praise that Austin Butler did for his portrayal, I think he did a brilliant job with showing the side of Elvis that Priscilla experienced. Even with her, we see his charming persona that many women went crazy for. I think with the hair and the voice, he had more of a look of Elvis than Butler did but this film was not about him.

It was great to see Priscilla find her own life in LA towards the end of her marriage but with the time jump between the situations, it was hard to imagine how a young isolated woman would have found the courage to make new friends and flirt with her karate instructor, all with a young baby and married to the biggest icon on the planet.

Overall, I enjoyed the film but it did leave me feeling quite sad for the life that Priscilla wanted and could have had if Elvis had not been cheating on her and taking all the drugs. It was interesting to only hear mentions of the Colonel in this film whereas in Elvis (2022), he is the narrator and basically the main character of the story. Perhaps this was to show that Priscilla didn’t really know the influence that the Colonel had or the control he wielded over Elvis. There was one time when the Colonel suggested that Elvis take some time for himself and Priscilla stayed at Graceland waiting for him without questioning it.

Looking into the story, some parts were concertinaed for the film so events weren’t quite as shocking as depicted in the film but as Priscilla was involved, the film was very accurate and you could feel her feelings in every scene as they played across Spaeny’s face. It is clear why she won Best Actor at Venice Film Festival. I saw the Special Presentation at the London Film Festival and Cailee Spaeny was there and read a great message from Coppola. The film will be hitting cinemas on Boxing Day and streaming on Mubi sometime in the future. I give it 4/5.

Happy Watching,

Robyn

Top Netflix Original Films I recommend from this Summer

Hello readers,

Another blog post today, this time about films I have seen and enjoyed this summer on Netflix. All the films below are Netflix Originals as I have seen many other films on Netflix but too many to list here.

I think that this year Netflix has produced some great original and entertaining films (and TV shows) that I haven’t seen done before.

My favourites are:

Like Father (2018)

 

A truly original and heart warming film about a father and daughter, Like Father really moved me in a way I didn’t expect. The synopsis – a workaholic left at the altar spends her honeymoon cruise with her estranged father – really does not explain the emotions this film portrays. The back drop of New York and later the Caribbean cruise liner, Harmony of the Seas was a combination that not only worked but that I had never seen before. The cruise ship was epic and breathtaking and exuded luxury which makes the fact that Rachel is sharing the experience with her dad, not new husband all the more hilarious.

Harry and Rachel are put in a group of other honeymooners and that provides comic relief and advice. Seth Rogen makes an appearance as Rachel’s holiday rebound.

This film while being fun to watch also contains deeper messages about love and parenting. For any daughters who have absent or working away fathers, it will make them think about what’s important.

Directed by Lauren Miller Rogen (Seth Rogen’s wife) and starring Kristen Bell as Rachel and Kelsey Grammer as her father, this film definitely explored emotions deeper than I thought it would in a unique setting.

A particularly enjoyable scene was the game show where Rachel and Harry have to compete as though husband and wife.

I give Like Father 5/5.

To All the Boys I’ve Loved Before (2018)

Based on bestselling novel by Jenny Han, this teen romance has quickly been dubbed a classic by many. I, for one, happen to agree wholeheartedly. It centres around teen Lara Jean who lives in her own fantasy land when it comes to love. She’s never had a boyfriend but plenty of crushes. When the secret love letters she writes to them are posted by her younger sister Kitty, Lara Jean’s fantasies start coming true. Lara Jean begins a fake relationship with Peter Kavinsky, her 5th grade crush, because that always goes well.

A reason why this film is so widely loved and appreciated is down to a few key reasons. One is that Lara Jean and her sisters are Asian-American. Many mixed race girls have never seen themselves as a main character represented so well in film or otherwise. The Coveys’ heritage is never sidelined with their American father attempting Korean food and the sisters’ love for Yakult, it is never exposed for stereotypes or even explicitly mentioned. It is visually shown with a few references. Another reason is Peter’s respect for Lara Jean. He never makes fun of her for being inexperienced, he loves listening to her and helps her gently move out of her comfort zone. When Kitty tells him, ‘call me Katherine’ he is patient until she learns to like him. He also quickly earns the respect of Dr. Covey something which others find hard to do.

Kitty Covey is another well thought out character. Though she is only 11, she knows that as a woman she shouldn’t be talked down to or dismissed. She even talks back to her dad and is always seen wearing a necklace saying ‘Feminist’. She makes fun of her sisters’ but also helps them find romance.

The film truly depicts how stepping out of your shell can result in finding what you’ve been looking for and shows many people that being shy doesn’t mean you can’t get the guy.

Directed and written by women, Susan Johnson, Sofia Alvarez and Jenny Han (author of the book) really shines through in the script and the male characters are written just as well as the female ones.

Starring the brilliant Lana Condor (X-Men Apocalypse) as Lara Jean, Noah Centineo (The Fosters) as Peter, Janel Parrish (Pretty Little Liars) as Margot, Anna Cathcart (Desendants 2) as Kitty and John Corbett (Sex in the City) as Dr. Covey.

This film really does make you believe in love so therefore I give To All the Boys I’ve Loved Before 5/5.

Father of the Year (2018)

David Spade and Nat Faxon in Father of the Year (2018)

I wasn’t expecting to like Father of the Year and almost dismissed it as another bad comedy but I surprised myself by enjoying it. The synopsis definitely doesn’t do the film justice – a drunken debate between two college graduates about whose father would win in a fight – really is very wrong. One, the two college graduates are childhood friends who went to college together and have one last summer before going to New York. The debate was not drunken but a funny dinner discussion at one boy’s house with his father present.

The film for me shows a father dismissed by his son as being a wasted, unemployed slob, desperately trying to have one last summer before his son begins his adult life.

While Ben’s father, Wayne is all of the above, he is also genuinely caring which can be hard to find in a parent. Ben’s mother seemingly left Wayne to go travelling and have an ambitious career and is only briefly mentioned in the film.

Larry’s father however is a scientist but is pushed around by his 8 year old stepson, Aiden and wife to a point of the viewer feeling frustrated at why he can’t have a backbone. He also does care for his eldest son and tries to be a good father. He never resents Aiden for treating him so appallingly and and can barely tell him off.

While both fathers do end up fighting and causing trouble for Ben, this is only a small part of the film. Ben meets a girl, Meredith, his first real relationship while Larry searches for his purpose in life.

Although the slapstick comedy made me laugh out loud, the feelings and emotions between father and son also made me love for the characters and their misfortunes.

Starring David Spade (Joe Dirt) as Wayne, Nat Faxon (the Desendants – Writer – Won Best Adapted Screenplay Academy Award) as Larry’s father, Mardy; Joey Bragg (Liv and Maddie) as Ben, Matt Shively (Power Rangers) as Larry and Bridgit Mendler ( Good Luck Charlie) as Meredith.

I give Father of the Year 4/5.

Dude (2018)

A real coming age story of four friends about to graduate high school, where they call their teachers by their first name, dealing with love and loss whilst smoking weed.

The four friends, Lily, Chloe, Amelia and Rebecca attend a progressive school unlike any shown in American media. Chloe is dealing with the loss of her older brother, Thomas while Lily as his girlfriend also grieves. Rebecca deals with not being as rich as her friends and her crush on a teacher and Amelia is stuck mediating her divorcing parents. Although three of the girls are wealthy, the film shows that money can’t buy friendship or happiness.

I liked the film for it’s honesty about grief and friendship and that girls can be stoners too. It shows how grief for a brother and a boyfriend often feel the same but can be different.

Featuring an all star cast of Lucy Hale (Pretty Little Liars), Kathryn Prescott (Skins), Alexandra Shipp (Love, Simon),  Awkwafina (Ocean’s 8), Alex Wolff (Jumanji: Welcome to the Jungle) and Austin Butler (Aliens in the Attic).

Set It Up (2018)

Taye Diggs, Lucy Liu, Glen Powell, and Zoey Deutch in Set It Up (2018)This more traditional rom com between two adults in New York is original but features a troupe I’ve seen before. Two people who hate each other slowly become friends and fall in love. This particular setting though was very original.

Two assistants hatch a plan to create a romance between their two demanding bosses to give themselves more free time. With the romantic setting of New York City, love was bound to happen.

The comedy comes from Harper and Charlie both faking gifts and date ideas from each boss that they should clearly use in their own lives. Harper wants the free time to find a suitable boyfriend and finally write an article for the website her boss runs and Charlie wants more time for his girlfriend.

Of course they eventually find they want more time for each other.

Harper is refreshingly a huge sports fan and sees her favorite team, the Mets whenever they have a game.

The film shows that it isn’t bad to have ambition and love could be right under your nose when you least expect it.

Starring Zoey Deutch (Before I Fall) as Harper, Glen Powell (Hidden Figures) as Charlie, Lucy Liu (Charlie’s Angels) as Kirsten, Taye Diggs (Chicago) as Rick and Pete Davidson (Saturday Night Live) as Charlie’s roommate, Duncan.

I give Set It Up 5/5.

The Kissing Booth (2018)

Joey King, Joel Courtney, and Jacob Elordi in The Kissing Booth (2018)

The first of my recommendations that I saw this summer and the first one I really loved.

Elle Evans who has had the same best friend, Lee Flynn since she can remember has the smart idea to run a kissing booth at her school fair. Over the summer she has matured and now catches the eye of some male students.

After promising the appearance of Lee’s gorgeous older brother, Noah at the booth, she is surprised when he turns up and kisses her. They then embark on a secret relationship as she has a pact with Lee to never date his brother.

Elle is the kind of sweet and loveable character that always ends up making a fool of herself despite trying her best. She attempts to keep everyone happy but can’t help following her heart.

Also based on the best selling novel by Beth Reekles.

Starring the incredible Joey King (White House Down) as Elle, Joel Courtney (Super 8) as Lee, Jacob Elordi (Pirates of the Caribbean) as Noah and Molly Ringwald (Sixteen Candles) as Mrs Flynn.

I give The Kissing Booth 5/5.

If you have any Netflix Originals that you have enjoyed this summer, please leave your recommendations below.

Happy Watching

Robyn 🙂