What makes this film unique is the colourful and flashy animation. The shots achieved would simply not be possible in a live-action version and the animation gives such a different perspective to the film. Scenes such as Miles’ fight with Spot or the fight in Mumbattan were particularly impressive. There was so much to look at on screen and whilst there was a lot of classic comic moments with the subtitles and recaps, there were also many new elements that I have not seen in an animation or Marvel film previously.
Hello readers,
This post is the start of my other new series 2023: Summer of Cinema. With so many exciting new films coming out, I wanted to give my spin on this year’s blockbusters. Highlights of the summer will be Barbie; Oppenheimer; Mission Impossible 7; Indiana Jones 5 and the new Wes Anderson.
Today I will be reviewing the latest Sony/Marvel venture: Spider-Man: Across the Spider-Verse. This is the sequel to the well-received Spider-Man: Into the Spider-Verse that released back in 2018. It explored the possibilities of multi-verses and the existence of different Spider-Men other than Peter Parker. The film broached this theory before the MCU but with the appearance of Tobey Maguire and Andrew Garfield in the last Tom Holland film; the Spider-Verse is now truly alive and well in the Marvel franchise too.
I was a little late to the party on this one but thankfully did not get any spoilers. This will be a spoiler-free post for anyone else who has not had the chance to get to the cinema for this one.
Spider-Man: Across the Spider-Verse (2023)
For anyone like myself who was struggling to recall the finer points of the first film, it starts with a handy little recap. Miles found out that he is not the only Spider-Man out there and with the help of Gwen Stacy and Peter Parker, he saved the multi-verse.
This film picks up about a year later; Miles is living his best spider life, balancing that with homework and making sure his parents don’t find out. However, when Gwen comes back into his universe and a new villain emerges in town, Miles must join his fellow Spider-Men once again to save reality.
There were a lot of new Spider-Variants this film with the return of some familiar faces. Turns out just about anyone and anything can be a Spider-Man. Two of my favourite new characters were Hobie Brown aka Spider-Punk and Pavitr Prabhakar aka Spider-Man in Mumbattan (Mumbai and Manhattan hybrid). It was really interesting to see Spider-Men with different backgrounds, ethnicities and looks as it shows there is really no end to the variations.
What makes this film unique is the colourful and flashy animation. The shots achieved would simply not be possible in a live-action version and the animation gives such a different perspective to the film. Scenes such as Miles’ fight with Spot or the fight in Mumbattan were particularly impressive. There was so much to look at on screen and whilst there was a lot of classic comic moments with the subtitles and recaps, there were also many new elements that I have not seen in an animation or Marvel film previously.
I enjoyed all of the voice acting, each actor bringing their own spin to their characters. Some I recognised the voice right away but others I could only see the character that they were portraying. The script has a lot of humour, more so than the average Marvel film which also makes this something different.
Overall, I really enjoyed this film, maybe even more so than the first and I am definitely looking forward to the next installment being released in March 2024. I give this film 5/5.
This Netflix animation was not at all what I expected. From the tagline, I expected a cute Disney-esque film featuring a postman. What I got was a sad yet violent tale about how Christmas was created. A pompous heir to the Royal Postal Academy is sent to the remote island of Smeerensburg to set up a post office. The townspeople have been at war with each other for years and the children don’t go to school. Jesper has to stamp 6000 letters in a year to back to his life of luxury. He figures out that a kindly woodsman will make a gift for a child if they write him a letter. He befriends Klaus and uses the kids to get his letter count up. He learns of why Klaus has so many toys in his barn, a sad moment and learns to become a better person.
The animation style was really unique and a fresh take on the cutesy Christmas film. I didn’t expect it to go in the direction it did, but was pleasantly surprised. Suitable for all ages and a lovely Christmas tale that isn’t all about the big day. A starry voice cast: Joan Cusack, Rashida Jones, J.K. Simmons and Jason Schwartzman. 4/5.
Even though Arthur Christmas is marketed towards children, I would say it’s a film able to be enjoyed by all ages. It answers a question that has puzzled kids and adults alike about Christmas: How does Santa deliver presents to all the children in just one night? In this version of the Father Christmas tale, Santa no longer delivers the presents himself but has a crack team of elves and his son, Steve leading the military planned operation. They use a massive sleigh-shaped aircraft that can travel at light speed and deliver hundreds of presents at once. Father Christmas is about to pass the mantel on to one of his sons.
Arthur Christmas is nothing like his brother and works in the letter writing department, answering the wishes of children of what they hope to find under the tree on the big day. In the film, Steve and the elves finish making their deliveries. It all goes very well and the family sit down for Christmas about 4 am. Then an elf finds a present in the factory that hasn’t been delivered and she along with Arthur Christmas, Grandsanta and the descendants of the famous eight reindeer head off to Trelew, England to help make little Gwen’s Christmas.
They run into countless troubles; losing reindeer, being mistaken for aliens and causing an international military incident. The film shows that every single child does matter and that Christmas is truly a magical time of year.
I think this film is thoroughly entertaining along with a few adult jokes and enough real life aspects that to make it believable. There’s a great voice cast with James McAvoy, Jim Broadbent, Hugh Laurie, Bill Nighy, Imelda Staunton, Ashley Jensen, Laura Linney, Eva Longoria, Michael Palin, Robbie Coltrane and Joan Cusack. A modern day classic that I love to watch every year. Overall 5/5.
This is another post by A.L. Fox, my talented guest writer. This time she has written about three different cinemas in two different countries she has visited this summer.
Happy Watching
Robyn 🙂
There’s more to the cinema experience than simply absorbing the themes and colours that stimulate the senses from the screen, and hopefully stir our emotions – in a good way. Many of us still visit the cinema to watch a film even though we can generally view most films from the comfort of our own homes.
So why do we continue to go out to see a film?
Often, it is to be sociable and share an experience with friends or a loved one or sometimes, that we want to be the first to see a new blockbuster release or, on occasion, to be challenged by new worlds and ways of seeing. There are many demands on our leisure time these days, and we have screens wherever we go, whether it’s a phone, a tablet, or a laptop but we still go to the cinema. In this century, around 150 million people still visit the cinema every year in the UK. Of course, this is a considerable drop from the 1.5 billion that went in the heyday of the Second World War. But now there are so many different ways of watching a film.
With so much competition for our eyes, cinemas have become much more than just a screen; they are places where you can eat, play video games – and eat mountains of popcorn. Most are multiplexes offering 3D and a very different experience from the cinemas of old. Now you book online, choose a seat, collect your ticket from a machine and don’t have to speak to anyone. It’s not quite the same everywhere in the world, though.
America is the home of cinema and there will probably be as many different cinemas as there are States but going to the cinema in New York is like stepping back in time. We were in the Big Apple when Mamma Mia: Here We Go Again opened so, naturally, we had to go. Bizarrely, the weather wasn’t as hot as we’d been led to believe; it rained and so that was another factor in our decision. The AMC chain is the biggest US cinema chain but the one on W 34th St felt as though it remained untouched since it opened in the 50s. First, we had to get to the 4th floor; there were the usual food stalls – and popcorn but also, gambling machines. We bought our tickets, and chose a seat; on the screen there were gaps between the seats – and, in the cinema, the seats were in pairs with a large table – for the food, between them. Sitting down, there was another surprise for there were acres of room between the rows. People were able to walk without asking others to move. Unsurprisingly, people didn’t stop eating throughout the film and American audiences aren’t exactly quiet; they do like to voice their opinions, or add their viewpoint to the action.
AMC Cinema on W 34th St, New York City, USA
For the record, Mamma Mia: Here We Go Again was enjoyable – the beginning was a little flat but once the cast hit their stride about 30 minutes in, it became more like the first film – and that’s exactly what audiences were expecting. The film delivered but it wasn’t quite a match for the original. Now that sounds like a criticism, but it’s not meant as one. It is simply that the first film was so iconic. A special appearance by Cher was successfully woven into the plot and she provided enough glitz to offset the absence of Meryl Streep, although there were some scenes featuring Streep, so she wasn’t entirely missing.
Most of the other main characters from the first film had major roles in this one with the addition of a young Donna (Lily James) and her Dynamos (Alexa Davies and Jessica Keenan Wynn) plus younger versions of Sophie’s three dads (Jeremy Irvine, Josh Dylan and Hugh Skinner).
Now, talking of original – the Regal, the second cinema we visited in New York, on W 42nd St was definitely like stepping into the 50s again. Here, the seats were black leather armchairs that extended to support your feet, almost to the point of becoming a bed. The carpets had the letter of the rows woven into it and the decor hadn’t been touched for decades. Here, we saw Incredibles 2; a film that had been on general release for some weeks so it wasn’t busy. We did get the noise of audience participation once again, and it was loud – the sound turned up to echo over the comments.
Regal Cinema W 42nd St, New York City, USA
As for the film itself, it was definitely worth watching. It had all the impact and colour of the first film with an updated plot to reflect changes in society. This time, it was Elastigirl or Helen Parr’s time in the spotlight. She went to save the world while Mr Incredible became a stay-at-home dad. As ever, the action was fast-paced and attention-grabbing for both children and adults. The animation was brilliant and shows that Disney Pixar is not just for kids.
Both experiences were good; if you get the chance to visit either of these cinemas then take it; a different experience but a good contrast and it makes you appreciate the relative quiet of British audiences – unless, you’re unfortunate enough to sit next to the person who never stops eating. There are people who believe calories consumed in the dark don’t count as they munch continuously for the length of the film and that can be a big distraction but then, it’s all part of the cinema experience.
And what’s still part of the cinema experience in Turkey is – the intermission. Yes, they have a break in the middle of the film! We were watching Mission Impossible – Fallout 3D – and, at a particularly tense moment in the action, the screen went dark. An electrical fault? No, it was an interval. People went out and returned with more food, it may even have been a break for the smokers but it was only one hour into the film and it did break the flow.
The MI films are all fast-paced with plenty of action; there are no slow sections where a break could be achieved without interrupting this flow so it did spoil the experience – for me, at least. We didn’t mind the subtitles – some Hollywood films are dubbed but most are shown in English – but that break did upset the concentration. However, even though this is the sixth film in the franchise, it still captured the hearts and minds of the audience with a good story, death-defying stunts and enough dialogue to explain the plot points. Tom Cruise playing the lead Ethan Hunt was brilliant as always and supported by a sterling cast featuring Simon Pegg, Ving Rhames, Henry Cavill, Rebecca Ferguson and Alec Baldwin.
Three films, three different experiences; if you do get the opportunity to visit the cinema in another country then go – it may even make you appreciate what you have at home. As for costs, in the US we paid about £10/£12 for each ticket and in Turkey, we paid a bit less but, in terms of comparable costs relative to the country, tickets are much the same price.
