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Oscar Winner Reviews
Hello readers, Apologies for not posting in so long, I was preoccupied with university and other commitments but I’m back and in this post I am going to review the Oscar winning films of 2018 that I have seen. Best … Continue reading →
Posted in Actor/Actress, Analysis, Awards, Director, Film
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Tagged 2018, 90th Academy Awards, 90th Oscars, Academy Awards, Alexandre Desplat, Allison Janney, Anthony Gonzalez, Baltimore, Best Actor, Best Actress, Best Animated Feature Film, Best Cinematography, Best Costume Design, Best Makeup and Hairstyling, Best Original Music Score, Best Original Song, Best Picture, Best Production Design, Best Supporting Actor, Best Supporting Actress, Best Visual Effects, Blade Runner 2049, Britain, call me by your name, Coco, Darkest Hour, Darla K. Anderson, David Malinowski, Day of the Dead, Disney/Pixar, Frances McDormand, Gael GarcĂa Bernal, Gary Oldman, Gerd Nefzer, Guillermo Del Toro, Hector, I Tonya, James Ivory, Jeffrey A. Melvin, John Nelson, Kazuhiro Tsuji, Kristen Anderson-Lopez, Latin American, Latino, Lavona Harding, Lee Unkrich, Lucy Sibbick, Mark Bridges, Mexican, Mexico, Michael Shannon, michael stuhlbarg, Miguel, Octavia Spencer, Oscars, Oscars 2018, Paul D. Austerberry, Paul Lambert, Phantom Thread, Prime Minister, Remember Me, Richard R. Hoover, Robert Lopez, Roger Deakins, Sally Hawkins, Sam Rockwell, Second World War, Shane Vieau, Sir Winston Churchill, The Shape of Water, The World Es Mi Familia, Three Billboards Outside Ebbing Missouri, Un Poco Loco, USA, Winston Churchill
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