Guest Review: Cinderella – How this princess went from Cinders to Ella in a modern musical manifestation

Hello readers,

This week’s post is brought to you by guest writer, Terry who you may remember earlier in the year from her review on Are You There God? It’s Me Margaret.

Her chosen film is from a couple of years ago and can be found on Amazon Prime. I have not seen the film myself but after her review and passionate breakdown, I have added it to my list and a modern fairy tale is always a great watch this time of year.

Cinderella (2021)

If the star-studded poster above doesn’t narrow down which version of the legendary chronicle this review will focus on, it is the jukebox musical rom-com adaption written and directed by the one and only Kay Cannon (of Pitch Perfect, New Girl, Girlboss etc. fame!). Before we begin…

Truthfully, it took me time to finally give this Cinderella a chance. Unfortunately, I was put off watching after hearing various negative opinions. However, as many people (including good friend/film fanatic Robyn) rightly say, ‘you have to watch and see for yourself’. Now that I have, my only regret is… Not watching sooner! Everyone’s entitled to their own opinion of course, but I feel most of the negative remarks I heard came from people who weren’t the target audience i.e., non-musical lovers, or those who believe there’s been enough revamped fairy-tale adaptations. While there’s something to be said about the latter, it’s hard to argue against wanting to recapture the magic of certain stories. Especially if they have something new to say.

Camila Cabello, Billy Porter and Idina Menzel promoting Cinderella with James Corden for a feature on his talk show, Crosswalk Musical

Thanks to social media I had actually seen a lot of Cinderella’s promotional material, by the time I eventually watched, I thought I’d already seen the film’s most imperative parts. Something I found especially frustrating as I hate when previews incorporate spoilers, something that too many do now as a form of enticement. To that end I assumed I knew what to expect, especially since I’m familiar with the fairy-tale. How wrong I was! This version of Cinderella is still an orphan with mice friends in the unenviable position of being forced to be a maid by a stepfamily who treat her with contempt (when they aren’t ignoring her). Nevertheless, despite being another retelling of an already quite frequently adapted, centuries old fable – and having the daunting task of trying to stand apart from extensively popular Disney versions – Cannon’s Cinderella managed to surprise me being unapologetically unique in a myriad of enjoyable ways. Some of which included having genuine laugh-out-loud comedic moments (especially when the mice take on their human/celebrity personas), as well as clever pokes at traditional fairy-tale tropes. Such as, despite being set in a conventional medieval-esque fairy-tale kingdom, the film has modern elements. This is evident in several ways. The soundtrack is an obvious example, additionally the dialogue is ‘with-the-times’. On this note, many of the characters have American accents. Save for the Royal family, other members of nobility and most of their closest allies/companions, who are of course English, Scottish or from another UK region. Although it’s worth noting that, for the most part, it seems that the majority of the characters speak their portrayers’ real accent. There is so much else to say about the film it is easier to split my thoughts into categories.

Soundtrack

Cinderella’s jukebox status is deserved given its impressive roster featuring an extensive compilation of songs. With iconic covers such as, but not limited to: Madonna’s ‘Material Girl’, Queen’s ‘Somebody to Love’, Ed Sheeran’s ‘Perfect’, including fun mashups, and even one or two original pieces. Whether they’re accompanied by fun choreographed dances or not, all result in memorably entertaining and/or moving performances.

If I wanted to convince a non-musical aficionado who finds singing about feelings ‘cheesy and unrealistic’ to give Cinderella, and other musicals, a chance I’d say two things (and if they’re cynical enough not to take a chance on my recommendation, their loss). One: as far as realism goes, escapism is far more fun. Two: much like dramatic plays or films employ intense monologues; musicals instead use songs as a medium to communicate innermost thoughts and emotions of their characters, and they shouldn’t be snubbed. Music is a powerful tool for expression. Cinderella has a lot to say, and each song was very carefully chosen, taking into account which character(s) would perform it and why. You’ll be listening to the album of this iconic masterpiece on a loop after your very first watch, I know I still am!

Themes

Having the courage to never abandon your dreams and goals no matter the obstacles in your path is definitely one of Cinderella’s main messages. Wanting more for yourself no matter your circumstances doesn’t make you selfish, everyone is entitled to happiness and fulfilment. Speaking your mind and standing up for yourself and what you believe in is another point Cannon wants to drive home, evident in the way most of the characters refuse to stand down. Another message, without revealing spoilers, is that love is worth fighting for and you don’t ultimately have to make a choice between your achieving dreams or getting to be with your one true love (e.g. Mia and Seb in La La Land). You can enjoy both and more.

Correspondingly, feminism is an important theme. From the moment we hear from Billy Porter’s narration as fairy godparent (or ‘Fab G’) in the opening, we’re made to understand the kingdom is old-fashioned and traditional. In other words, patriarchy is rampant. Men are leaders and breadwinners; women expected to be compliant mothers, wives, and daughters. No room for interests outside the house, definitely not careers. Furthermore, they’re scrutinised and mocked for wanting more. This is especially investigated with Ella’s journey through the film as she challenges sexism and gender conventions.

In my opinion something that works in Cinderella’s favour is it’s deliberation in how patriarchy harms men as well as women. While women are oppressed and belittled, men are taught to uphold toxic masculinity and reject weakness no matter personal feelings or toll. Exploring how patriarchy negatively affects them too is refreshing, especially since it seems more films are taking note i.e., Barbie. Additionally, while feminism is the credence that men and women are and should be equals, it’s often grossly and damagingly misunderstood. Firstly, that being a feminist means hating men. Secondly, that it is about female domination, as opposed to liberation from unfair gendered expectations and limitations that affect women and men. Equity would perhaps be a more accurate label than feminism, however the term itself was coined at a time when women were more heavily subjugated while men exclusively had rights. Thus, fighting for female empowerment was a first step towards equality. Throughout Cinderella, traditional gender roles are constantly challenged – women have ambitions unrelated to marriage, and men are dared and encouraged to show emotion.

Cast

The film is composed of a diverse roster of characters, and everyone understood their assignments.

First and foremost, our leading lady. To nobody’s surprise Camilla Cabello can beautifully pull off this role’s musicality. Additionally, she gives an earnestly impassioned portrayal of a beloved character (I couldn’t believe it was her acting debut), and effectively makes Ella her own. In my opinion, Cabello’s interpretation is a more modern and three-dimensional take. For instance, this Ella has more agency as well as more of a personality, and attributes outside of being beautiful inside and out. She has dreams and goals other than finding true love, which at the beginning couldn’t be a concept further away from her mind. No, Ella is far more preoccupied in finding a way of escaping her current circumstances. But she’s not looking to accomplish this feat simply by marrying above her station like her stepmother is teaching her stepsisters. Ella is resolute in becoming independent and earning her own freedom, namely by fulfilling her dream of running a successful dress-making line and making a name for herself. So much so that Ella isn’t initially interested in attending the ball at all, given that not only does she have no interest in meeting or winning the Prince’s favour, but she also finds the notion of holding a ball to find a bride weird and antiquated. Additionally, Ella believes that even if she were interested someone like the Prince could never notice someone like her; one way she feels imposter syndrome. In the end, Ella only changes her mind about attending after learning that in attendance at the ball will be people from all over the world that might be interested in investing in her business. Ella surprises herself more than anyone else when she finds herself falling for Robert, she’d never planned for love but welcomes the possibility when it appears. But despite falling in love with a Prince, Ella has no intention of disrupting any chance of achieving a lifelong dream.

Ella is resolute in her ambitions and often takes fate into her own hands despite all the obstacles in her path, and only really having (initially at least) three mice as friends and moral support. I find this to be a much more inspiring, interesting and realistic exploration of the character. Not to mention in awarding Ella such agency she becomes a refreshingly better role model for younger children watching the film, especially girls. While this Ella is just as beautiful and incredibly kind as her predecessors, these admirable and desirable attributes are often treated as the default, and for some reason exclusive, characteristics for female characters. Especially in the past. Only focusing on two characteristics leaves little room for other traits and interests, resulting in imbalanced and fanciful portrayals, as well as unfortunate criticisms of vapidity. Which is unfaithful to life as women are multifaceted individuals, their many layers coming together and making them who they are. To our benefit this is being reflected more and more each day. Ella’s ambition, resilience and refusal to abandon or compromise her dreams are powerful messages for audience members of all ages watching the film.

Next, we have Nicholas Galitzine depicting another charming royal, though Cinderella was prior to his turn as Prince Henry in Red, White and Royal Blue. Having seen the latter first, the former confirmed my theory Galitzine was born to play royalty. Both share similarities, though I’d argue Robert is slightly edgier than Henry in a few ways, perhaps most superficially evident through his earring and almost exclusively black wardrobe. Despite facing slightly different challenges, one of their parallels is they recognise the flaws and issues that come with unwaveringly obeying a traditional monarchical structure. However, they’ve been raised to believe they’re powerless to change the status quo despite their position. In that vein, Robert has a turbulent relationship with his father. Strict and prickly King Rowan (Pierce Brosnan) is pressuring him to stop being frivolous and marry advantageously. Nonetheless, Robert has made a sport of dodging engagement offers. At first glance this seems like rebellion and so that he can continue palling around with his loyal merry bros instead of settling down and accepting royal responsibilities. Nevertheless, we discover Robert’s reluctance to wed stems from fear of marrying a stranger he’s unsuited to. Especially since Rowan drills into him that princes and kings marry for power, not love. For all his bravado, Robert has moments of genuine emotional vulnerability not always awarded to male characters. Unfortunately, Rowan’s not easily deterred, giving his son one last chance to find a bride at the kingdom’s upcoming ball, where prospective princesses will be attending. Otherwise Rowan will choose. Robert acquiesces after convincing him to invite all the kingdom’s maidens, regardless of station. Robert thought of this after Ella catches his eye, notably during a love ballad. He becomes enchanted, especially since she boldly talks back to his father. He immediately takes action opening up the ball, then sets out to find the mysterious maiden to invite her. His desire to feel a genuine connection with Ella is so profound he takes the precaution of a disguise so whatever feelings she could have aren’t influenced by his title. Planning to reveal the truth at the ball. In a refreshing change of pace from convention, the male protagonist dreams of love and finding his soulmate.

Much like Ella, this character was granted much-deserved updates. Prince Robert is not only charming, handsome and benevolent, but is also allowed to have flaws, quirks and character development. Which Galitzine is more than capable of bringing to life. Initially Robert exists in his own world, both literally and figuratively. No doubt a consequence being sheltered a lifetime in a literal castle. I wouldn’t call Robert selfish, but he begins more attuned to his own needs and desires, unconsciously oblivious to his privilege. Meeting and falling for Ella is the catalyst to his journey and growth. Such additions make this version of the Prince more relatable, allowing him to stand out from previous portrayals of superficial perfection.

Idina Menzel personifies a different sort of melodic ice-queen when she steps into the stepmother’s shoes. Vivian treats Ella dreadfully and is emotionally abusive, however their relationship is much more complex. For example, as opposed to previous portrayals Vivian actually does have some maternal feelings towards her stepdaughter, and the film concludes hinting at potential reconciliation between the two. A more moving and realistically layered depiction. Menzel is masterful is providing depth to a cynical social-climbing character that’s only ever been portrayed as being cruel and evil for the sake of it and succeeds in making Vivian somewhat sympathetic. Especially when we discover her hard-headed coldness comes from real places of hurt after having her own dreams and ambitions broken by family and the world. While it doesn’t absolve earlier treatment of Ella, it gives audiences a chance to understand her perspective and what made her that way. Vivian had dreams and desires like Ella, before becoming twisted by societal expectations.

As previously mentioned, Robert and Rowan don’t start with the best relationship. The latter an obstinate no-nonsense sovereign (both as ruler and family patriarch) and the former wanting to be nothing like him. Rowan intensely scrutinises and criticises Robert’s every move, constantly pressuring him to be a worthy heir who’ll relentlessly follow tradition no matter what. This pursuit leads to him frequently dismissing his wife and their daughter, Princess Gwen (Tallulah Grieve). An original character who demonstrates interest and capacity for state affairs but isn’t considered an option for heir like Robert is just from her gender. While Rowan puts up a convincing front as merciless patriarch, deep down he does care for his family. But due to toxic masculinity and his status as King not only does he find it inappropriate to express vulnerable feelings, he doesn’t know how. While this isn’t discussed I think that Rowan is merely continuing a cycle that his own father and King would have instilled into him. Possibly through even stricter and crueller means than he implements towards Robert. Like his son, Rowan goes through his own emotional journey and character development across the film.

Minnie Driver steps into a well-deserved crown as strong and regal Queen Beatrice. While father and son are strained, it’s repeatedly stated that mother and son are the exact opposite. Beatrice is fiercely protective of Robert and supports his wish to marry for love. Yes, the Queen’s scenes tend to be in relation to her husband, but this is far from a disservice. Beatrice has talents and interests beyond being the Queen, such as painting and fencing. Furthermore, she speaks her mind to Rowan and calls him out often. This leads to a powerful scene when she confronts Rowan about the way he’s been acting not only as King, but his treatment of her and their family. Rowan may be the authority of their Kingdom, but Beatrice refuses to blindly submit to him. The Queen knows her worth and what she, her family and the kingdom deserve. My only complaint about Beatrice is we didn’t get more insight into her relationship with Gwen, especially as two proficient women who are expected to be ornamental at best. However, there is only so much a film can explore in its run time, and as Robert and Rowan explore a paternal relationship, the maternal one is examined with Ella and Vivian.

Additionally, I feel that Robert’s younger sister Gwen merited more screen time, and not just to further explore her individual relationships within her family. Gwen’s an interesting original character, who desires being Rowan’s heir as much as Robert does. Though she is debatably better suited and more passionate. The Princess’ tenacity shines every time she speaks her mind and challenges sexism. Her sidelining could have been a clever tongue-in-cheek nod at how most other characters overlook and dismiss her opinions, but once again it’s more likely we didn’t get more Gwen because there’s only much that can be included and explored in 113 minutes. Still, it would have been nice to see even a little bit more of her since as far as we can see Ella, Gwen and Beatrice are the only women actually challenging men and traditional status quo. But I do appreciate that Gwen’s arc has nothing to do with avoiding an unwanted arranged marriage, and I love a scene where Ella (who hadn’t met her yet at this point) states the real brains of the family is Princess Gwen. Despite being stuck on the sidelines Gwen still manages to inspire her people by being the type of character that makes an impact despite limited scenes. We clearly understand what drives and motivates her.

It’s worth noting that despite parallel interest in the throne, Gwen and Robert aren’t presented as enemies or bitter rivals. Which is relieving as it would’ve felt like an obvious route to take. While Robert, like other characters, is guilty of overlooking his sister, he never stoops low to taunt her by rubbing his title and position as heir in her face. Simultaneously, while Gwen constantly questions her father’s pronouncements, she never resorts to take cruel shots at Robert or his own suitability as heir in an attempt of presenting herself as a better option. So, while their sibling relationship unfortunately isn’t explored greatly, I feel like this still says a lot about the type of bond and rapport they have between the scenes. This is further implied in a much clearer manner when Robert gives Gwen a special gift that she unmistakeably appreciates. Additionally, Grieve’s performance in a scene where Rowan is cruelly admonishing Robert and dismissing Beatrice displays Gwen’s distress at how her father treats her family. This is significant since whenever Gwen herself is treated unfairly she remains stoic and poised. This consequently insinuates she’s more hurt by a loved one’s pain than her own, inferring even more about the type of person she is. All in all, Tallulah Grieve’s portrayal shouldn’t be overlooked the same way her character is. I would very happily watch Princess Gwen in a spin-off film or series featuring her at the centre!

Billy Porter absolutely nails the role of Ella’s magical fairy godparent, who has traditionally been portrayed exclusively by women. Gender flipping a legendary character is always a risk, but as long as the actor and script do them justice (which is the case here) it’s worth it. Much like Ella, Fab G fits into no one’s pre-existing mould and has no intention of ever trying to. Additionally, having a man so effortlessly put his own unapologetic spin on a character audiences traditionally associate with women and overly feminine iconography very blatantly challenges toxic masculinity. While Porter only appears onscreen to be iconic in dishing out magic and advice alike for one scene, he makes every second as Fab G count. He may leave you wanting more, but fortunately we are blessed and treated with Fab G’s witty remarks thanks to Porter’s narration in the film.  

Cinderella managed to truly move and astonish me with its emotional beats while still being genuinely entertaining and funny. What’s more as an avid lover of film, great performances and representations are not something that I could ever overlook. In other words, what a great time!

Having said that, I’d recommend more to people who are more partial to Barbie and Mamma Mia than to exclusively hardcore Oppenheimer or The Dark Knight enthusiasts. Moreover, we must be wary of harmful statements that circulate as there has been an unfortunate trend in films that feature more diverse casts and updated takes on stories/genres. They get review-bombed by trolls that don’t want to give them a real chance for being boring and woke (such as Captain Marvel and The Eternals) when they just feature more inclusive representation and storytelling that better embodies the real world and cultural zeitgeist.

Book to Screen Adaptations: How Loyal Should They Be?

Hello Readers,

Many great stories portrayed on screen, big or small start their journey as a previously published written work. Most of the time this is a book or graphic novel but could also be an interview for a biopic or an article in a newspaper/magazine.

Many people whose favourite work of fiction is about to be adapted visually want it to remain as true to the story as possible. This is not always practical due to the production company’s budget, the length of the tale, the nature of the story or trying to adapt something to fit with today’s society – more diverse and inclusive of different people’s characteristics.

Other times, the owner/author of the base for the project will work on the script and make changes that they approve and feel fit with the theme of their story. These changes are more likely to be accepted as they have still come from the imagination where the work was created.

I think that a project will always benefit from the original author being involved whether as an executive producer/consult or as the writer/showrunner. Things being changed to be less boring/more dramatic for the viewer is not always a bad thing but when that starts to erase the heart of the work and change the fundamental message, it can upset those who were looking forward to watching something they loved on the page be brought to life on screen.

I am going to cover a few examples and their different approaches to adapting for the screen. All of these are projects that I enjoyed first as a book/graphic novel which made it into cinemas or onto streaming services.

Red, White and Royal Blue (2023)

This book was very popular when it hit the shelves as Casey McQuiston’s debut novel in 2019. The story was their alternate reality to give themselves and readers hope after the 2016 Presidential Election. It is told from Alex’s POV, he is the son of the female POTUS with a Mexican father in congress and has a journalist sister. In the lead up to his mother’s re-election, he helps to uncover a plot to bring his mother down and works to flip his home state of Texas to blue. The heart of the book centres around his enemies to lovers relationship with Henry, the Prince of England. The two collide in a PR disaster at Henry’s brother’s wedding but when the two are forced to be best friends, a real friendship starts.

Henry and Alex carry out a secret friends with benefits arrangement whenever they happen to be in the same city with only their closest friends and sisters in the know.

The book was adapted as a film produced by Amazon Prime and released on streaming in 2023. Many fans loved the adaption as the director also a queer Latino man, focused mostly on Alex and Henry’s love story, a part that is often repressed in films. I did enjoy the adaptation and have re-watched it again but I felt there were a lot of changes to Alex and Henry’s story that altered their motivations and characters.

With so many characters and interweaving plot lines, I think this adaptation would have been better as a series. While the romance is a large part of the story, Alex figuring out his bisexuality and having the bravery to admit his feelings to someone not allowed to be gay in the public eye; the politics and his passion for helping Texas to become a blue state was an important part too. We still see Alex helping with the campaign and even having a working summer in Texas but the political story was diminished with characters being erased and bundled into one.

Fundamental changes to Alex’s persona include not having his parents divorce. In the novel, they broke up when Alex was 11 and his father moved to California to become a senator there. His mother lives with his stepfather, Leo in the White House who worked in tech but became a house husband so she could focus on becoming President. Alex’s sister, June is also not a character in the film and has been folded into the characters of Zahra, the President’s chief of staff and Alex’s handler and Nora, the Vice President’s daughter. Without June, there is no White House Trio and no Super Six when they party in LA.

Another fundamental change was the character of Miguel. He and Alex had hooked up in the film at a conference and Miguel was the one to leak Henry and Alex’s romance, partially out of jealousy. He may have been bribed by the President, Ellen’s rival but it’s not as clear. He does not exist in the book and while Alex did hook up with his high school friend who in the book has a boyfriend, there is no adult encounter for Alex until Henry. The character of Rafael Luna has also been erased. He was a mentor and role model of Alex who was gay and was an example that Alex could be himself and go into politics. Rafael was part of the plot to bring down Ellen but only under duress and in the end, he came to his senses.

As for Henry, his siblings, Philip and Bea are both present but their characters have been shrunk. In the book, Bea is presented as a wild musician who snuck out of the palace to play secret gigs and unfortunately had to go to rehab for cocaine addiction. This led to her being labelled the ‘Powder Princess’ and more of a recluse. The Bea of the film did not have this back story and is merely used as a plot point for Henry to be able to voice his feelings for Alex aloud. Henry’s mother is merely mentioned in the film but in the book is suffering from depression after her husband’s death. She is a key player in getting the Queen to agree to letting Henry and Alex be out and proud.

I do understand the change from Queen to King given the recent death of Queen Elizabeth and the way that Queen Mary is portrayed unfavourably in the book but I think Stephen Fry was not the right age for the King and as a well-known gay figure, I couldn’t imagine him objecting to Henry and Alex’s relationship.

Henry’s mental health challenges were also written out in the film. In the book, they are subtle until he confesses to Alex about suffering with anxiety and depression since his father’s passing. With his mother falling into depression and Bea going into rehab, he lost all his support system so when first meeting Alex in 2016, his self-esteem is at an all time low.

There were other smaller scenes taken out of the story for the film such as meeting at Wimbledon, going to LA, Alex’s graduation from university and Alex working in the campaign office in Washington but these did not affect the story as much as the above points. I still enjoyed the film as its own entity but in comparison to the book, the book takes it every time.

Heartstopper (2022-)

Based on a much loved web comic, Heartstopper has since graced the shelves in print form with the fifth volume of the graphic novel coming out this December. The author and artist, Alice Oseman has had a lot of creative control over the television series that debuted on Netflix in 2022. She has written all the episodes, served as creator and executive producer on the show and even done some of the art seen in the background.

This involvement has delighted fans and even with some changes, as Alice has made them herself for story or plot reasons, the fans trust her writing enough that the series has been very well received and was quickly renewed for a second and third. The third is currently in production now with all the cast still on board despite having become very successful in the last 2 years.

Heartstopper started as a spin-off project from Alice’s debut novel, Solitaire about Tory Spring and her dealing with undiagnosed depression all while starting a new school and tracking down a mystery blogger. Charlie, Tory’s younger brother and his boyfriend Nick are side characters in the novel who Alice decided needed their own story.

Now 10 years on there are 4 published volumes, 2 novellas, 2 companion books and 2 series of a Netflix show about the couple. The story starts with Charlie aged 14 meeting Nick, 16 at school. Charlie has a secret boyfriend, Ben and 3 best friends, Tao, Aled and Elle. Elle has just moved to the girls school as a trans woman and Tao is missing her. Charlie is then seated next to Nick, a typical rugby lad in his form group and falls head over heels for him. The problem is that everyone thinks Nick is straight. The two quickly become thick as thieves and after a kiss at a party begin another secret relationship. After Ben’s treatment of Charlie, Nick and Tao fight over Charlie’s wellbeing especially after he was bullied the previous year when he came out as gay.

The graphic novels and show deal with heavy themes such as trans/homophobia, assault, mental health issues, bullying and self-harm but overall they have a lovely warm tone and have really helped many LGBTQ+ teens and young adults realise that life is not all bad and that they are worthy.

The main changes in the show are Charlie and Tory’s younger brother being written out and the character of Aled changed for Isaac. The addition of Imogen as a barrier between Nick and Charlie was also a change but she was added for some drama. The characters of Ben and James in Series 2 were also expanded along with Isaac’s asexual storyline. More trans characters were added as Elle’s friends along with the possibility of her moving away to art school.

I think all the changes to the show have been well crafted and nothing has taken away from Nick and Charlie’s personalities. Charlie is still a geek who is good at maths, running and playing the drums. He still has mental health issues and struggles with telling people his worries. Nick is still a rugby lad with a love of Marvel films, hoodies and dogs. They move the conflict with Nick’s father to the second series but I think it works and I love that they kept the fact that Nick can speak French as a surprise for Charlie and the gang to discover.

Percy Jackson and the Lightning Thief (2010)

One franchise that the fans and author both didn’t like is Percy Jackson. The first two books: Percy Jackson and the Lightning Thief and Percy Jackson and the Sea of Monsters were adapted into big Hollywood blockbusters but with the author not being involved and major changes, it left the fans upset.

As a action-adventure film by itself it works: the actors are charismatic, there is some funny dialogue and the main plot points still exist with the presence of the Greek Gods. However, the age of the main trio was changed along with the ending of the first film. The second one had many, many changes that dumbed down the film.

In the books, Percy Jackson, a 12-year-old from New York discovers that his absent father was actually the Greek God Poseidon and the gods have been living in America for a few centuries. His mother sends him to Camp Half-Blood for protection where he meets Annabeth and learns that his best friend Grover is actually a satyr and his teacher is really a centaur. He learns sword skills and how to fight strategically but when fate comes calling he has to complete a quest to save society.

One of the major plot points changed was that Percy has a big fight on the Empire State building with Hades who wants to overthrow his godly family on Mount Olympus. The ending originally entailed Percy being betrayed by fellow camper Luke and bitten by a deadly spider and that is how the audience learns that the Son of Hermes has been lured to the dark side.

Another change was the chemistry between Annabeth and Percy. They are not meant to get together until the fifth book when they are 16 but in the film they have many flirty moments which totally negates their strong dynamic as friends first.

Luckily for fans, another adaption is happening as a Disney Plus series with the author, Rick Riordan now heavily involved. There have been a few changes to the ethnicities of characters which updates the series and helps the audience to see that people of all races can be heroes. Percy’s hair is also dark blonde, the actor’s hair but I don’t mind that so much as after seeing Walker Scobell in another film, I think he will make a great Percy. The actors are all also young and playing the ages of the characters in the books.

I was a big fan of the books and eagerly await the new series that is coming around Christmas time this year.

Good Omens (2019-)

This television series is based on an older book from 1990 by Neil Gaiman and Terry Pratchett. As Terry Pratchett is no longer with us, Neil Gaiman took on creative control and became the showrunner/writer/executive producer.

Series 1 follows the book with Angel Aziraphale and Demon Crowley uncovering a plot between Heaven and Hell to cause the Apocalypse and wipe out life on Earth. This series was very faithful to the original book with barely any changes to the characters other than perhaps diversifying a little.

For the second series, the show has gone beyond the books but Neil Gaiman assured fans that it was very much based on the ideas that himself and Terry had when discussing a sequel to the book.

I think Series 2 was great and without the Apocalypse storyline we got to see much more of Aziraphale and Crowley and their lives together on Earth for the last six thousand years. There is also the development of the love story that many fans had hoped for and based on the chemistry between the actors in the first series, fan art had already appeared.

With such a cliffhanger at the end of Series 2, the future of the series hung in the balance but the producers and Neil himself have pretty much confirmed its looking good for a third and final series of the show.

With a show going beyond its source material, there is not much to compare it to but as it has been written by and based on ideas by the original authors, I think one can consider it as faithful to the book.

There are many adaptions happening all over the world virtually every day, good and bad but remember if your favourite book gets an unfavourable one, then the book is always there to be re-read.

Happy Watching,

Robyn

What Should You Be Streaming Right Now?

Hello readers,

With autumn coming in and the heatwaves dwindling, we tend to spend more time indoors away from the rain and the wind with the company of TV programmes. Traditional TV seems to be a thing of the past with the best content out there available on streaming services. Even the original channels BBC, ITV and Channel 4 have upgraded their free catch up services to mirror those we pay money to access. Films will sometimes barely get time to settle in at the cinema before they are whisked away to be viewed from the comfort of the sofa and some never make it at all.

Television, however has always been something to enjoy at home and I am going to recommend programmes from the streaming services that I frequent regularly.

The Following Events are Based on a Pack of Lies (2023) – BBC IPlayer

Alice is living her life in Oxford: she works for a demanding boss at a boutique fashion shop; has a loving partner and child and lives in a cute little bungalow. The ghost of her past comes back to haunt her when she finds out her missing, presumed dead husband is in fact alive and has rebranded himself as a climate scientist working with Oxford University.

Robert Chance meets best-selling author, Cheryl Harker at his climate presentation and begins to wine and dine her. She is a widow living alone in her dragon-themed mansion and is taken in by him. The relationship moves fast and before she knows it, he has moved in and is sitting in on her work meetings.

Alice cannot let go that her former husband is alive and well so follows him and finds well-meaning Cheryl as his latest victim. She knows that Rob will repeat history and run away with Cheryl’s wealth so vows to get him locked up. This turns out to be trickier than she thinks and enlists her father to help track down more of Rob’s victims.

There were many interesting twists to this show and while some reviewers have not understood its tone, I think it straddles the comedy/drama genre well with the light, playful humour cutting through the harsh truths of Robert’s schemes.

The scenery of Oxford adds an authenticity to the tale with the backdrop of the famous sandstone buildings and academic gatherings. I think that Alistair Petrie (Sex Education) played a wonderful role as Rob/Robert and had such a strong demanding presence that made him very hard to counteract. A complete change from Mr Groff as we see him in the latest series of Sex Education.

I enjoyed this show and I disagree with the negative reviews that I have read. This show was very gratifying for women who have every felt overpowered or gaslit by men and the reviews I read were written by male journalists who probably did not understand how it read to women.

I give it 4/5.

Harlan Coben’s Shelter (2023) – Amazon Prime

Previous television adaptions from the mind of Harlan Coben have never disappointed and that streak does not end with Shelter. A story full of twists and mystery that will keep you guessing until the very end.

We find Mickey Bolitar back in the States after having lived abroad with his mother and father. In a tragic car accident, Mickey’s father, Brad passes away and his mother goes to a mental health facility to cope with her returned depression.

Shira, Brad’s sister takes Mickey to her childhood home while his mother recovers nearby. On his first day at Kasselton High, he meets Ashley, a fellow new student with a bubbly personality and aspirations for the cheer team. They agree to meet at the local diner after school for a date but then Ashley never shows.

This is not your normal teenage ghosting though as the next day, Ashley does not come to school and has withdrawn. Hearing the tales of the Bat Lady from Shira, Mickey goes to her for answers as she is rumoured to kidnap children. He learns about Dylan Shakes, his father’s best friend who went missing after a baseball game when they were 11.

At school, Mickey becomes friends with Arthur, who christens himself as Spoon and Ema, the school outcasts. The trio team up to track down Ashley and maybe solve the disappearance of Dylan, almost 30 years before. Spoon has access to a secret lair at school and a network of fellow janitorial offspring with Ema bringing resources that I won’t reveal.

Shira rekindles an old friendship with Hannah, also the mother of Mickey’s nemesis on the basketball court, Troy.

This show was a great mystery that kept me on my toes the whole time. I really love the dynamic between Spoon, Ema and Mickey and the supporting characters fit right in. The stereotypical ideas that you form about them: the jock; his cheerleader girlfriend; the scary neighbourhood foe; the cop’s wife and the make-up influencer all expand and unravel into much more complex human beings.

Most of the actors in this show are newcomers to the industry and they were all amazing in their roles with great comedic timing and even in darker moments, I was able to enjoy the nature of the show.

I give this show 5/5.

Only Murders in the Building – Series 3 (2023) – Disney Plus

For a show in its third series and featuring two old white straight male leads, this show has become one of the most loved on streaming. The dynamic between Charles (Steve Martin), Oliver (Martin Short) and Mabel (Selena Gomez) is something that most writers spend years trying to manifest but these three have such a great chemistry together its as if Selena has been part of the Martin and Short duo the whole time.

The third season is mixing things up a bit with Oliver producing a play and the introduction of some famous faces. The cliffhanger of the last season showed Paul Rudd as Ben Glenroy drop dead on opening night of Oliver’s new play, Death Rattle. We pick up at that moment in Series 3 and while Ben was not dead, he is very soon after crashing through the roof of the lift at the Arconia on top of Charles, Oliver and Mabel.

They immediately get their murder-solving hats on and start looking into potential suspects – the cast and crew of Death Rattle until a stalker is arrested by the police. The crime is seemingly solved but Mabel can’t let it go and starts some investigating of her own, this time without a podcast. Charles tries to focus on his budding relationship with Joy and Oliver reworks his play into a musical to draw attention away from Ben’s murder but the two cannot resist doing a little investigating of their own.

Meryl Streep plays Loretta, an ageing actress who despite being in New York City her whole adult life is finally getting her big break as the nanny in Death Rattle. Ashley Park plays Kimber, a potential suspect and fellow cast member of Ben’s who does a little beauty influencing on the side. Paul Rudd also appears in a number of flashbacks showing that Ben did not really get on with anyone in the show, making finding a suspect harder for Charles, Oliver and Mabel.

Mabel does start to get close to Tobert, a filmmaker that was hired to follow Ben around but has a suspiciously good knack for finding clues. Charles is with Joy and Oliver finds a connection with Loretta, it looks at first like their lives are becoming quieter. This series is filled with more twists than perhaps the first two combined and with the finale airing next week, it’s still all to play for with Who Killed Ben Glenroy?

I think this is a fun show and despite being about murder, it has a lightness to it that is shown by the hilarious and unfortunate scrapes that the trio manage to find themselves in. The Arconia is a beautiful old building and while much of the action is at the theatre this time, we still get to see some great NYC architecture.

Even though the series has not ended yet, I am going to give it 4.5/5.

Sex Education Series 4 (2023) – Netflix

This show has been helping teenagers and adults alike understanding more about sex and their bodies since its premiere in 2019. With two years since the last series, fans have been waiting for new content.

While the iconic Moordale school is now gone, our favourite characters are still muddling their way through sex and relationships. Otis and Maeve finally admitted their feelings but with Maeve off in America, learning how to write from Mr. Molloy (Dan Levy – Schitt’s Creek), herself and Otis have entered a long-distance situationship. Eric is moving on from Adam and quickly finds a new queer crew at new school, Cavendish College. We see two new trans characters, Roman and Abbi, dating and living together along with Aisha, a deaf girl.

Ruby has gone from top dog to underdog as without her posse, finds herself reconnecting with Otis and helping in his battle against O, another sex therapist on campus with maybe more knowledge than him.

Jackson and Viv are still good friends but with a new relationship for Viv and health scares and an identity crisis for Jackson, the two have a lot on their plates.

Aimee is on her healing journey and having switched to take art to help with her trauma, she finds a friend in fellow artist Isaac who finds himself in a war against the school with their poor accessibility infrastructure.

Cal has started taking testosterone and is experiencing the challenges that come with that while not feeling able to talk to their mum or new friend Aisha.

Adam has dropped out of college and starts working with horses at a farm with the patient stable hand, Jem. His relationship with his father is almost non-existent but Michael offers driving lessons to Adam and things begin to heal.

Without Jakob, Jean is struggling with new baby, Joy until her sister Joanna comes to stay although Joanna may be more of a hinderance than a help. Jean also starts a new radio show, run by Celia (Hannah Gadsby) helping the public with their sex and relationship queries.

Cavendish College has all the facilities one could dream of: a tablet for every student, a slide, fully stocked gym, an allotment and a free speech stage. The new age ideas make this final season really fun but with comments on society at large about the passive-aggressive nature that some people use to remind you to recycle or ride a bike instead of driving.

While this series still has its moments, I think the sex scenes are used for plot or humour rather than shock factor or gratuitousness as in previous series. The characters have all become really special fully realised people so we want more than anything to see things work out for them in their relationships. Even the new additions quickly fit into the existing cast.

Of course, not everything has changed: Otis is still being his awkward self and struggling to balance his time between his friends and Maeve; Aimee still has her interesting viewpoint of the world and Eric is still a beacon of glitter and positive energy.

This series deals with some really heavy themes such as depression; loneliness; suicide; rejection from your family/church; struggles with self-acceptance; death; drugs and assault but as these are spread throughout across so many characters, the darker stories feel like part of life rather than clouding the enjoyment of the series.

I am really glad that most of the main cast made it to Series 4 and that we got a good ending to the show. I will miss it and can’t wait to see the actors take off as some have already started to do.

I give this show 5/5.

The Morning Show – Series 3 (2023) – Apple TV+

The Morning Show has won many awards for a reason; it is a brilliant show. The new series is only a few episodes in but we have already had stellar performances from Jennifer Aniston and the other cast members.

The series picks up in 2022, two years after the last series ended. Covid is now a mostly distant memory and head of UBA, Cory is focusing on what he can do to improve the network, granted he gets permission from the board of course. Alex is still on the Morning Show with Yanko and new co-host Chris and Bradley has made a leap towards her own evening show. Her relationship with Laura ended in lockdown but she finally has an apartment in New York and is determined to broadcast meaningful stories.

Jon Hamm enters as billionaire Paul Marks, looking to strike a deal with Cory on the downlow all while promoting his new open to the public rocket ship. The drama does not stop as in just the first few episodes we have had hackers; internal conflict; racial bias; equity allegations and votes of no confidence.

Stella, Cybil and Cory try to keep things on track despite all of these with Stella needing to decide whether she is trying to fix the institution from the inside or if she is part of the institution.

With Mitch in the rear-view mirror, its interesting to see what scandals will bubble up at UBA and whether having women in positions of power both in front of the camera and behind it will be enough for the network to bury their history and forge a new more enlightened space.

If this series is going to be anything like the past two, I give it 5/5.

These are my highlights of what is streaming right now and look forward to seeing what the autumn schedule has to offer.

Happy Watching,

Robyn

My Top 20 Films of 2020

A recent viewing for me over the Groupwatch Feature on Disney Plus. The animated version was a childhood favourite of mine so I was sad that I did not get a chance to watch it at the cinema last September. Its release on Disney Plus was a delight for me and despite some controversy surrounding its locations, I think this is an important film for Asian representation in Western culture and especially for women. Mulan volunteers to fight in the Chinese Imperial Army some one thousand years ago. In the live action version, Mulan lives in a poor village and takes her father’s place due to his ill health whereas in the original version, Mulan is a princess and takes his place to prove herself. I loved Yifei Liu’s performance as Mulan; I remember they spent a long time trying to find the right actress and I think the casting was perfect. She was able to portray vulnerability and femininity at the beginning and then brute strength and leadership as a soldier. The fight sequences were impressive and used clever techniques as well as offensive action. Scenes with the snow avalanche and the final showdown were particularly impressive as well as the general production design. It did not feel like a typical cuddly kids film and I think it was a good move to get rid of the songs, no matter how great they were. I really loved this film but it was missing that extra something that makes me give a film full marks.

Hello readers,

A friend suggested this concept to me after talking about one of their favourite films of the year and I thought it would be great way to say goodbye to a horrific year for the world. Despite cinemas being closed for most of 2020, film found a way via streaming services. I was surprised at how many new films Netflix was putting out but it certainly kept me entertained. I’m listing my top 20 in no particular order apart from my IMDb rating. Going through all the films I saw released in 2020, I realise that my total viewing is only slightly longer than this list but each film on the list did bring me some joy this year and that’s what really counts in my eyes.

Onward – 10/10

This was the last film I saw at a chain cinema before lockdown and I am glad it was this one. It was a great story with an interesting new universe, a great cast and a feel-good story. I loved the dynamic between the brothers played by Chris Pratt and Tom Holland. They are elves living in a modern fairy tale land which is a blend of technology and mythical creatures. The characters go on a road trip/quest to try and fix a spell and see their late father one last time. This Pixar animation is a lovely tale for adults and children and I am glad I saw it in the cinema. It is now available on Disney Plus.

Godmothered – 9/10

I was pleasantly surprised by this Disney film that I saw over Christmas on Disney Plus. It represents the maturing of the Disney company as I have seen other content in the last couple of years with more feminist and LGBT story lines than previously included. This tale focuses on a fairy godmother who goes to Earth to help a little girl and save her godmother academy. The little girl is now an adult with children of her own and a job at a local news station. Eleanor, the godmother is not well versed in the modern world which leads to some hilarious incidents. There was a lot for adults but this is definitely a film for children. It is also set at Christmas but this is more in the background. The ending was not the usual marry a prince which I liked and shows that romantic love is not the be all and end all. A great cast with Jillian Bell, Isla Fisher and June Squibb.

Dating Amber – 9/10

I enjoyed this film set in the 1990s in Ireland with a great twist. It features Eddie and Amber who are both gay but pretend to date each other to get their fellow students off their backs. They embark on a deep emotional friendship and are able to be themselves for the very first time while exploring their sexualities. This was a very sweet story about finding yourself while also discussing some darker themes and it is worth its 15 rating with some older discussions. Starring upcoming actors Fionn O’Shea and Lola Petticrew along with Sharon Horgan and Simone Kirby. A great Irish film with comedy and heart.

Palm Springs – 9/10

This American comedy is the only film I saw in the cinema last year since lockdown started. It was in a cinema in Turkey but I have not wanted to attend in the UK so far but hopefully cinema will be back soon. This film played on the Groundhog Day trope with someone getting stuck in an endless time loop only in this film there are three people in the time loop. It made it a fun twist. The film is set at a wedding in Palm Springs and it begins with Sarah entering the time loop that Niles is already in. The two of them make the most of the endless days and gradually become closer and look for ways to leave the loop. It was a fun comedy that took my mind off 2020 for a while. Some great comedy stars star, Andy Samberg and Cristin Milioti with other known faces: Peter Gallagher, Tyler Hoechlin, Camila Mendes, J.K. Simmons and June Squibb.

The Lovebirds – 9/10

This film moved onto Netflix after cinema shut down and I was glad it did as I got the chance to see it. It was a great buddy comedy with a couple who are going through problems. They end up on the run after a misunderstanding and encounter many interesting characters while trying to clear their name and fixing their relationship. It is a blend of comedy, drama, adventure and a little horror. With comedy gold Issa Rae and Kumail Nanjiani and set in New Orleans, a great film if you’re looking for something new and distracting.

The Old Guard – 9/10

This was a great film and one of my favourites released this year. It was a great story and I think the fact it is based on a comic book really made it a step above past action films. I am a fan of the director, Gina Prince-Bythewood and how she made this film into a fan favourite and cult phenomenon. The idea is something that has been played with before but rarely outside of the superhero genre. The team are made up of immortals who have been fighting evil for hundreds or thousands of years. They spend their infinite time helping secretly around the world to solve problems and take down criminals. When a new immortal is found for the first time in a hundred years, she joins the group and tries to protect the immortals from the threat of exposure from a man trying to harness their immortality for themselves. I loved the characters and their backstories and the relationship they all have with each other. The romance between Nicky and Joe is a highlight along with Andy’s character. The cast of Charlize Theron, Chiwetel Ejiofor, Harry Melling, KiKi Layne, Matthias Schoenaerts, Marwan Kenzari and Luca Marinelli make this film, a great one and I am looking forward to any potential sequels and I will definitely be re-watching soon.

The Half of It – 9/10

This indie Netflix original uses a well known trope with a more diverse outlook. Paul has a crush on Aster and pays Ellie to write love letters for him. While a friendship blossoms between the two from completely different social circles, something else develops between Aster and Ellie. The story is set in a small fictional town, Squahamish most notable for its conservative church and railway line. This gives an idea of the views of the townspeople when it comes to outsiders or those who do not comply with their religious beliefs. I was pleased to see that the romance is not the main focus of the story but the sweet friendship that develops between Ellie and Paul. This is not to say that the love story between Ellie and Aster was not explored. A lot of the shots were done to show the cinematography of the piece and to enhance the plot. I watched this film via Netflix Party with a friend and we both enjoyed. It was interesting to see a teen film with a slower pace and a less studio vibe.

My Spy – 9/10

I was happy that this film appeared on streaming services after the pandemic ensured it only had a limited run. A family action comedy that provided some well needed escapism in the first lockdown. We see tough team up with cute when JJ, a CIA operative is assigned to track the family of a former agent. Sophie, the former agent’s young daughter manages to suss out JJ’s mission and they team up to get the job done. I enjoyed seeing Dave Bautista is a role where he plays a human rather than as Drax in Guardians of the Galaxy and while he is the funny one of the group in the Marvel films, he gets to show a different side in My Spy. Sophie is played by Chloe Coleman, a rising child star who has no trouble carrying the film as the co-lead. It’s always fun to see a hardened stoic man softened by a smart kid. There are some laughs but also a lot of action. An all round enjoyable film.

All The Bright Places – 9/10

There was a lot of anticipation for this film as it is based on a bestselling novel by Jennifer Niven. While it has a depressing premise, I enjoyed the film. I feel like it has similar tones to The Half of It with a focus on the cinematography. I think it was important for the film that the author was a writer on the film and helped maintain the feel of the story. It stars Hollywood heavyweights Elle Fanning and Justice Smith who have both starred in their share of big films. Other stars include Luke Wilson, Alexandra Shipp and Keegan-Michael Key. This film shows the complex love story between Violet and Theodore and how they battle their past demons. Set in Indiana but shot in Cleveland, the unique locations add to the motifs and details of the film. It is a sad one but I think this is an important depiction of mental health and I hope it prompts more conversations amongst young people.

Mulan – 8/10

A recent viewing for me over the Groupwatch Feature on Disney Plus. The animated version was a childhood favourite of mine so I was sad that I did not get a chance to watch it at the cinema last September. Its release on Disney Plus was a delight for me and despite some controversy surrounding its locations, I think this is an important film for Asian representation in Western culture and especially for women. Mulan volunteers to fight in the Chinese Imperial Army some one thousand years ago. In the live action version, Mulan lives in a poor village and takes her father’s place due to his ill health whereas in the original version, Mulan is a princess and takes his place to prove herself. I loved Yifei Liu’s performance as Mulan; I remember they spent a long time trying to find the right actress and I think the casting was perfect. She was able to portray vulnerability and femininity at the beginning and then brute strength and leadership as a soldier. The fight sequences were impressive and used clever techniques as well as offensive action. Scenes with the snow avalanche and the final showdown were particularly impressive as well as the general production design. It did not feel like a typical cuddly kids film and I think it was a good move to get rid of the songs, no matter how great they were. I really loved this film but it was missing that extra something that makes me give a film full marks.

The Prom – 8/10

I’ve always loved a musical and this one was no different. The film is based on a Broadway musical and a true story about how a school in Indiana prevents a female student from bringing her girlfriend to the prom. When some washed up Broadway stars hear of the story, they rally to the cause and fly to Indiana to help Emma just live her life. This film debuted on Netflix with some A list actors: Meryl Streep, Nicole Kidman, Kerry Washington, James Corden and Keegan-Michael Key. I thought this musical had a fun vibe and while a little cheesy it had a great message of acceptance and love. The songs were a great fit and are more universal than some musical songs. The design of the Prom at the end was a lovely celebration for all sexualities and I’m glad that the story was told.

Enola Holmes – 8/10

This spin on the classic Sherlock Holmes tale offers a female led perspective and introduces a younger cast supported by well-known actors. Set in Victorian England, Enola is the younger sister of Sherlock and Mycroft Holmes. She is raised in the country by her mother away from proper society. When her mother leaves with no explanation, Enola heads to London to find her encountering a wayward Viscount and a mystery along the way. A lawsuit over the addition of more human characteristics to Sherlock’s personality was issued by the estate of Arthur Conan Doyle but this has now been settled. I thought this film was a fun take on the Sherlock story and gave younger and female viewers a point of view in the story. I enjoyed the film and the story. It was a delightful story with enough intrigue to keep you interested and beautiful production design. A talented cast featuring Millie Bobby Brown, Henry Cavill, Sam Claflin, Helena Bonham Carter, Louis Partridge, Burn Gorman, Frances De La Tour and Fiona Shaw.

Work It – 8/10

Dance films are always an upbeat fun watch for me and this film was no different. What sets this film apart from every other dance film is that the main character is not a professional dancer. Quinn’s best friend is in the high school dance troupe and when she lies in a college interview, saying that she is a dancer, she needs to make that happen. She is not allowed into the troupe so forms her own with a group of outsiders and becomes the rival team at a competition. This is a film about learning to accept your flaws and living your best life anyway. The different styles of dance shown create a diverse story rather than just hip hop or ballet as in some films. There is also a brewing romance between Quinn and the choreographer she convinces to help them. I enjoyed the fun-loving nature of the film and it stars some great young actors: Sabrina Carpenter, Jordan Fisher, Liza Koshy and Keiynan Lonsdale. If you are a fan of teen films or dance films, then this is one for you.

Desperados – 8/10

A slightly out-there plot that could only happen in the modern world, Desperados also reunites actors Lamorne Morris and Nasim Pedrad who played husband and wife on television show, New Girl. Wesley meets Jared and at first her relationship is great but then he ghosts her and she sends a ranting and insulting email. He is in Mexico and was in a car accident so while he is recovering, Wesley flies to Mexico to delete the email before he sees it. What ensues is a girls trip with her two best friends and a ridiculous adventure. Each of the three women have things to confront about themselves and this trip offers the chance to do it. Wesley then bumps into a blind date she had before Jared and develops a friendship with him. This film was cheesy but had some real content and was a plotline I hadn’t seen before. It stars some great comedy actors: Anna Camp and Robbie Amell as well the aforementioned actors. I watched the film over the summer and seeing Mexico was something to take my mind off the pandemic for a while.

The F**k-It List – 8/10

This film is about finding your own path in life and not just going along with what others expect of you. Brent Blackmore spends his whole life studying to please his high-achieving parents. When he joins in with his senior prank and it goes wrong, Brent posts a ‘F**k-It List’ listing things he wish he did in high school. Slowly his college offers dwindle and he is banned from graduation. He goes viral and opportunities start opening up. This is a fun teen comedy with some real heart and a good message about being yourself. Set in sunny California, this film is for everyone that felt they missed out on something in life and needs persuading to pursue it. Featuring an up and coming cast of Eli Brown, Madison Iseman, Andrew Bachelor and Karan Brar.

Extraction – 8/10

A fast-paced action film set in Bangladesh in a world of weapons and arms dealings. The son of an international drug lord is kidnapped from his school in India and mercenary Tyler Rake is dropped into the city of Dhaka to rescue him and extract him back to India. The action never stops and a bond forms between Tyler and Ovi, the boy. I enjoyed the different setting and the city made a great location for this type of film. Chris Hemsworth is great in this type of role and it’s a good film to show his range after his high profile role in the Marvel universe. Despite the high stakes and difficulty of the mission, Tyler never gives up. In the background, his colleagues work to get information about the kidnappers and their motives.

Birds of Prey – 8/10

Another film I saw when cinemas were open and life was normal. I am not normally a fan of DC Universe films, I have only seen a few, namely Wonder Woman and Shazam but I went to see this film with a friend and I thought Margot Robbie could carry the film as Harley Quinn. Sometimes giving a secondary character a solo film doesn’t work but Harley really had her own tale to tell. The film starts with Joker having dumped Harley and she takes it hard. She spends the time getting back to what she does best: fighting bad guys. She meets a young girl on the run from an evil sexist crime lord who has also done Harley harm. She teams up with other female heroes to form the Birds of Prey and take him out. Her outfits were really fun and different. Her character is not how women are usually presented in superhero films such as Black Widow who was originally a sexy assistant or Captain Marvel who is a strong and sarcastic pilot. Harley is neither of these things but forges her own path. Even though she is a comic book character, her story of recovering from a toxic relationship and learning how to be her own person without that relationship is relatable to many women. A fun film about the strength of women and how they can be tough and violent yet vulnerable and broken.

The Boys in the Band – 7/10

This film has a long history as it is based on a play that debuted in the 1960s in New York City. It was controversial at the time as the main characters are all gay men and being homosexual was still illegal in America or certainly looked down upon in many states. The film itself features actors who are out as gay in the roles which the playwright insisted upon. The original cast featured gay actors too at a time when it was dangerous to be out as gay in America. The film is about the men all gathering for someone’s birthday party in a New York apartment and they all come away as different men than they were before. Secrets are spilled and dares are made and surprise guests appear. It does play out like a play with a few scenes not set in the apartment. Ryan Murphy is on as a producer and there are some talented people involved such as Zachary Quinto, Jim Parsons, Matt Bomer and Andrew Rannells. Its an interesting piece and says a lot about how it felt to be gay in that time and place.

Eurovision Song Contest: The Story of Fire Saga – 7/10

A very cheesy and almost parody of the Eurovision Song Contest, the film celebrates the energy and vibe of the contest as a strange, trashy event where anything goes even Australia being in Europe. This film features Lars and Sigrit who by freak accident get the chance to represent Iceland at the contest. They have been trying to get their musical duo going for a while and get the chance of a lifetime. They head to Scotland for the contest and face rivals, potential lovers and extravagant costumes. This film was not made to be taken seriously and I thought it was good for what it was: a fun musical film to honour a ridiculous tradition but it did not inspire me. Starring some big names: Will Ferrell and Rachel McAdams as the duo Fire Saga along with Pierce Brosnan, Dan Stevens and Demi Lovato. Of course, Graham Norton stars himself as he has been the UK commentator for a number of years.

Parasite – 7/10

This film was a cultural phenomenon when it came out especially as it made history and won Best Picture at the Academy Awards. I thought the film was good but not 10 out of 10 good. The story had many twists and turns and could only happen in that sort of society with such a class divide in the same city. It spoke volumes about how people treat each other, not just in South Korea but worldwide. The film is about a poor family living on next to nothing, the teenage son gets the chance to work for a rich family and he gets positions for each of his family members. Things take a turn when they realise that they have stumbled into a chilling situation. The director Bong Joon-ho has made films like Snowpiercer and Okja as well as many South Korean ones. I was not familiar with the actors in the film but they did a great job at creating the story of the film. I thought some of the plotlines were a little far-fetched and I was a little confused about the genre and message of the film as the ending was so bleak. I know that this film meant a lot to many people so I wanted to include it even though there were other films I enjoyed more this year.

Happy Watching,

Robyn

10 Films to watch in Quarantine

Another British classic, a comedy this time a family adventure. Doug and Abby are separating but put on a united front at Doug’s father’s 75th birthday. The family with Lottie, Mickey and Jess drive up to Scotland for the big event. Gordie is dying of cancer but wants one more day with the children while his other son, Gavin organises the big event. Hilarity and family realness ensues. I love this film as it is really funny in a less obvious way. British comedy is often more subtle than other forms and the chemistry between all the characters along with off hand on-liners and the children’s knack for timing makes this film watchable again and again. I re-watched this film yesterday and while I remembered it being funny, I had forgotten the heart and grief that was present. Yes there is a sadness to the film but real life isn’t all fun and games. I have seen this film at least three times and would highly recommend for anyone looking for a laugh. The views of Scotland also are breathtaking. 10/10 as I see no faults with this one.

Hello readers,

Apologies for not having posted for awhile. I got very busy with university work and then the Coronavirus hit. As I now have more time on my hands due to the government-imposed quarantine, I thought I would recommend 10 films to watch if you need an escape from the situation happening around the world at this time. I have used a mix of genres and these are all films I feel provide an escape into the world of cinema with different settings and destinations that show some locations that aren’t accessible at the moment. I’ve included Hollywood and British films. I have enjoyed all the films below and would recommend if you need something to watch. As ever all the film I recommend are available either on Amazon Prime or Netflix UK.

Everest (2015)

You may not think of this film as a likely choice to distract from a global pandemic but I watched it recently and for the whole film I was completely wrapped up in the story and the fate of the group. The film as you can probably guess is about climbing Mount Everest but as I didn’t know, it is based on a true story about a group of climbers in the 1990s who did not have a happy ending. I thought the film had great realism and gave a real portrayal of the difficulty needed when climbing the highest mountain on Earth. The acting was good, featuring some famous faces: Jake Gyllenhaal, Josh Brolin, Keira Knightley and Naoko Mori. 8/10 because it was quite sad at the end.

About Time (2013)

I have not watched this film in years but it is a classic British rom-com that I will be definitely be revisiting in this time period. Richard Curtis always delivers and this film is no different. It was a breakout role for Domhnall Gleeson establishing him as a lead. The film is set in the real world with a fun twist. In the film when Tim (Gleeson) turns 21, his father tells him of a family secret: when every male reaches 21, they have the ability to time travel within their own lives. He uses this new power to improve his own life in small ways. A really touching film with some good old British nostalgia. Starring Domhnall Gleeson, Rachel McAdams, Bill Nighy, Margot Robbie, Vanessa Kirby and Tom Hollander. 9/10 again for sadness factor but overall it is uplifting with beautiful scenery.

Lion (2016)

This real story tells an emotional journey about a boy who gets separated from his family in India while travelling across the country by train. He is then adopted by an Australian couple and grows up there. Cut to 25 years later and Saroo goes back to try and find his family. This film may have a simple premise but is an amazing true story and contains great scenery of India. It includes great performances from Dev Patel – best of his career-; Rooney Mara and Nicole Kidman. I have not seen this film for a couple of years but be prepared to cry. 8/10 a great story but not a 10/10 film.

Green Book (2018)

I happened to see this film after it won the Best Picture Oscar in 2019. When I heard it had won, I was annoyed that a film I hadn’t heard of won. This was before I saw it. One of my favourite films of last year. It was poignant, gentle, dramatic, socially aware. These are all qualities I look for in a good film. As a period piece, it held up with attitudes of the time particularly towards a black, gay man without being overly discriminatory. No main character was racist or homophobic towards Mahershala Ali’s character, Dr. Don Shirley. The films chronicles an Italian-American man acting as a security man for a classical pianist on his tour of the Southern States of the US. They face much backlash from establishments but form a strong bond that isn’t often seen between two older male characters, especially between those of different backgrounds and in the 1960s. I loved the vibe between Viggo Mortensen and Mahershala Ali and the fact that when Dr. Shirley is caught naked with another man, Tony (Mortensen) doesn’t so much as bat an eye lid. There could have been more female characters but there wasn’t really room for more than Linda Cardellini who played Tony’s wife, Dolores who stayed at home in New York. I give this film 10/10 as I did when I first watched it. I am really glad that it is available to watch online.

What We Did on Our Holiday (2014)

Another British classic, a comedy this time, a family adventure. Doug and Abby are separating but put on a united front at Doug’s father’s 75th birthday. The family with Lottie, Mickey and Jess drive up to Scotland for the big event. Gordie is dying of cancer but wants one more day with the children while his other son, Gavin organises the big event. Hilarity and family realness ensues. I love this film as it is really funny in a less obvious way. British comedy is often more subtle than other forms and the chemistry between all the characters along with off hand one-liners and the children’s knack for timing makes this film watchable again and again. I re-watched this film yesterday and while I remembered it being funny, I had forgotten the heart and grief that was present. Yes there is a sadness to the film but real life isn’t all fun and games. I have seen this film at least three times and would highly recommend for anyone looking for a laugh. The views of Scotland also are breathtaking. 10/10 as I see no faults with this one.

Long Shot (2019)

I wanted to put in an American rom com as well as British ones as the Americans also do comedy well. This film has elements of a stoner comedy as well as action and romance. Seth Rogen plays Fred who bumps into Charlotte, his babysitter and childhood crush. Charlotte is now big in politics and about to announce her candidacy for President. She hires Fred as a speech writer and the two set off on a round the world press tour and bond together. I thought this film was the right balance of comedy and drama with some very real danger but also heightened reality. I saw it in the cinema last year and will definitely be watching on Netflix again. 8/10 as some scenes are a little over the top but overall a good time with great female representation.

Jumanji: Welcome to the Jungle (2017)

I really love this film and have seen multiple times in both the cinema and on DVD. A fun way to update the Jumanji film from the 1990s featuring CGI and special effects as I’ve never seen before. The trope of body swapping has been newly revived with teenagers possessing the bodies of action heroes. The film starts by showing the game of Jumanji turning into a video game in 1996. A random boy gets sucked into the game. Cut to 2017 and group of kids find the video game in their school’s junk room while in detention. They then enter the game and must complete it to escape. A great mix of teenage angst mixed with action, comedy and the chemistry between Kevin Hart and Dwayne Johnson. They are well-known friends and collaborators so seeing at as teenagers was fun. I would also recommend the second Jumanji film; Jumanji: The Next Level but it not on streaming platforms at the moment. I give this film 9/10 as it can sometimes feel a little bit of a boys world but the characters of Martha and Bethany do hold their own.

Chalet Girl (2009)

One of my favourite rom coms and again another British one. This time it’s a trip to Austria for a snow filled story. Kim, a skateboard star needs a job. She finds a position as a chalet girl for a rich family in Austria. She then decides to learn to snowboard using her skills from skateboarding. She begins to get out of her shell and have fun with her new friends. She also finds romance with Johnny, son of the family she caters for. Will he pick Kim over his girlfriend? Filled with an amazing cast of Felicity Jones, Ed Westwick, Bill Nighy, Tamsin Egerton, Sophia Bush, Bill Bailey and Brooke Shields. While this film is set in snow, it is not a Christmas one and I think is watchable any time of the year. 8/10 as the ending is a little rom com cheesy but feel good all the same.

We’re the Millers! (2015)

This film always makes me laugh and never disappoints. One for families with teenagers as features some risque scenes and bad language. Starring comedy geniuses Jennifer Aniston and Jason Sudeikis, the Miller family take a family vacation to Mexico and road trip back. In reality, Mum, Dad and the two kids aren’t related and just happen to know each other. David deals weed and he is threatened by local drug lord to take a shipment over the US/Mexican border. He enlists Rose; his neighbour and stripper; Kenny; his other neighbour and naive teenager and Casey a local runaway girl that Kenny knows to become the Millers. So many hilarious moments occur particularly when they meet the Fitzgerald family made up of Kathryn Hahn; Nick Offerman and Molly Quinn. This film has some interesting scenery but for me is about the characters and their unlikely bond. 10/10 for the ability to make me laugh over and over.

21 & Over (2013)

I have only seen this film once but found it really funny. It features three college friends as one of them turns 21. His high school friends go and visit for a night of fun which quickly turns into a quest to get Jeff Chang to his medical school interview the next morning. Miller and Casey soon find themselves handling a very drunk friend while navigating parties, cops and how to get back to their friend’s dorm. While at heart, this film is a college frat boy comedy it contained many truths about friendship and the pressures one can feel to be a particular person. A progressive yet slightly left-wing approach to gayness. I enjoyed this film especially when Miller and Casey have to complete the party house levels to get to the top. 8/10 as some portrayals of women were a little mean and some jokes didn’t make the mark but overall a fun late night comedy. Again not so much the scenery but the adventure.

Happy Watching,

Robyn

Crown for Christmas – 17th December

The third of the Hallmark Christmas Trio. This film however does not star Lacey Chabert but Danica McKellar the other Hallmark Christmas star. She has starred in more Hallmark films than Chabert but as she is older so has different roles. This film reminds me of Maid in Manhattan because the main character is a maid but the film then evolves into A Christmas Prince where an American stranger becomes the governess to a European princess.

Firstly, I thought that the King looked a bit young to have a 10 year old daughter and his prospective wife hardly looks 30 but apart from this the film was quite enjoyable. If you love the Netflix Original Christmas films or Hallmark ones then this definitely would hit the spot.

The basic premise is that Alison who is struggling to pay bills works as a maid at a hotel. She finds a watch just as she gets fired and hands it back to its rightful owner, King Maximilian. As a thank you, she is hired to go to Europe and be his daughter’s governess. The King must re-marry soon and his people are arranging a marriage with another royal but he wants to marry for love. Alison becomes like a mother to the princess and becomes closer to the King.

A particular highlight was the snowball fight with the princess and all the staff. I enjoyed this film but thought it very predictable and not as good as the other Hallmark Christmas films I previously reviewed. Another thing is that everyone sounded British when they were meant to be from a European country. American films often do this such as The Princess Diaries or A Prince & Me. It is as if they think all Europeans sound the same. Overall 3/5.

A Christmas Melody- 16th December

Lacey Chabert has dominated the Hallmark Christmas film market and this film is no different. I have coupled the Hallmark films together with the third one coming out tomorrow. I think these films have had a bit of a bad press as cheesy and predictable but I think they make great Christmas films and I haven’t been exposed to them as they aren’t shown on UK television. I think its great that Amazon Prime are showing these films as I think they are modern classics.

In this film, Lacey Chabert is Kristin Parson, a fashion designer living in Los Angeles. Then she gets an opportunity to move back to her home town, Silver Falls in the Mid-West with her daughter Emily. Her aunt’s house becomes available so after her fashion boutique goes under she makes the move. She reconnects with an old school pal who is Emily’s music teacher.

The focus of the story is the talent show that the elementary school are putting on. Mariah Carey also stars as a mother of one of the popular girls and the head of the PTA. Other actors in the film I didn’t recognise but I thought they all did a great job.

I would say that this was a family film, as all Hallmark films are and it is not set around the big day so one to watch in the lead up to Christmas. I give this film 3.5/5.

Home for Christmas – 8th December

I’ve seen this film floating around on Amazon Prime for a few years but have resisted watching it until this year. I hadn’t heard of it before but I’m really glad I took a chance on it. It was warm, full of heart and genuinely moved me.

The premise is that Beth is stuck in life, she works at a struggling cinema and can’t seem to tell her boyfriend she loves him. When he dumps her, she makes a series of life choices that lead her down a different path. Between her new love interest, changing career and mum pestering her to move abroad, Beth has a lot on her plate. She is also a big fan of rom-coms and references them constantly. As a film fan, I enjoyed this touch.

The Brighton setting was something different and even though most of the film was not Christmassy, it was a great film. I really related to some aspects of Beth’s life and many of the scenes were funny and something I hadn’t seen before. The cliches were there but self aware as Beth’s boyfriend dumped her saying ‘It’s not you, it’s me’ and she begged him not to be the cliche she knew from films.

Another cliche used of a character talking to someone and you think its a love interest but is really themselves or an animal. This time Beth was talking to a cardboard cutout of Ryan Gosling. I enjoyed the witty dialogue and amusing situations that were somehow plausible yet ridiculous.

I would definitely watch this film again and not just at Christmas. A great rom-com and a surprise performance from April Pearson who is known for her role as Michelle in ‘Skins’. Overall I would give this film 4.5/5.

What I have been watching this January // 2019

Hello readers,

Another post for me in the same month is rare I know but as I am still on university holidays, I thought I would write about what I’ve been watching this year. I have had quite a lot of spare time so I have been watching many TV series and films. Not everything listed below came out this year. Hope everyone is having a good 2019 so far!

I will start with the films that I have seen.

Mission Impossible – Ghost Protocol 2011

I watched this at home a few days ago and as a lover of the latest film I had high expectations. They were certainly met. The dynamics between the main cast: Tom Cruise, Simon Pegg, Paula Patton and Jeremy Renner really gave the film the human spark it needed to not be a mindless action thriller. There were amazing stunts and cool gadgets – the magnetic suit for one, stunning locations and spine-tingling suspense. I would definitely watch again and I will be watching the earlier films in the Mission: Impossible franchise. 5/5.

Cast:

Tom Cruise as Ethan Hunt, an IMF spy, constantly on the run and never out of danger.

Simon Pegg as Benji Dunn, the funny computer genius who has just passed field training.

Paula Patton as Jane, a colleague who is out for revenge.

Jeremy Renner as Brandt, an analyst who gets caught up in Hunt’s mission.

Léa Seydoux as Moreau, an assassin looking to trade documents for diamonds

Mary Poppins Returns 2018

I was quite late to the party with this one but I managed to see it last week at the cinema. This film appear to have sparked a controversy as while some people were disappointed with the outcome, it has been nominated for four Golden Globes and three BAFTAs. I, however, really enjoyed it. I have seen the first one but not for a while so it wasn’t fresh in my mind but the overall feeling of this film is updated yet similar to the original. The songs and sets are different and the characters have grown up but Mary Poppins is still there to save the day. The animated scenes were inspired by but didn’t copy the original. The film gave me a heartwarming feeling. Great bit of fun for all the family. 5/5.

Cast:

Emily Blunt as Mary Poppins, the magical nanny returning to the Banks’.

Lin-Manuel Miranda as Jack, the lamp lighter who joins in on the fun.

Ben Whishaw as Michael Banks, he’s all grown up and struggling with finances.

Emily Mortimer as Jane Banks, she rallies for women’s rights.

Pixie Davies as Anabel Banks, the most responsible Banks child.

Nathanael Saleh as John Banks, the sensible one.

Joel Dawson as Georgie Banks, he likes to wander off and fly kites.

Julie Walters as Ellen, the housekeeper and cook.

Meryl Streep as Cousin Topsy, who can everything but not on a second Wednesday.

Colin Firth as Mr Wilkins, chairman of the bank who is determined to repossess the Banks’ house.

Finding Your Feet 2018

This heartwarming comedy will tug at your heart strings and put a smile on your face. Sandra discovers her husbands affair and runs to her sister’s council flat in London. By finding her long forgotten love of dance again and meeting Biv’s fun friends, Sandra gets a new burst of life and reconnects with her sister. I particularly liked the sequences in Rome and Biv’s eccentric zest for life. It also shows to me that older actors can still make a great entertaining film and younger leads aren’t always necessary.

Cast:

Imelda Staunton as Sandra, whose husband has been having a secret affair for years. She lived in a big house in Surrey but moves in with her sister at the beginning.

Celia Imrie as Biv, a woman who lives every day like it’s her last. She swims in cold water pools, does weekly dance classes, goes on dates and buys her stuff from the charity shop.

Timothy Spall as Charlie who lives on a canal boat and takes a shine to Sandra.

Joanna Lumley as Jackie a fellow dancer and a lawyer, she knows how to have fun.

David Hayman as Ted who lives next to Charlie on the canal. He’s Charlie’s best friend and is always there for support.

Overboard 2018

A hilarious comedy about a woman taking revenge a bit too far. Kate is working multiple jobs to put herself through nursing school and support her three daughters. After a billionaire playboy throws her off his luxury yacht, she uses him for her own gain. Leo, himself falls off the yacht and wakes up with no memory. Kate convinces him that she is his wife and takes him home. She makes him do manual labour and earn money until she can pass her upcoming exam. Full of heart and funny scenes this film was a delight to watch. The only slight downside was as most of the characters were fluent in Spanish they spoke it frequently with no subtitles. It didn’t impede too much on understanding the main plot though. 5/5.

Cast:

Anna Faris as Kate, a wannabe nurse struggling to balance work, studying and looking after her children.

Eugenio Derbez as Leo, a selfish billionaire who becomes a doting husband after her gets amnesia.

Eva Longoria as Theresa, Kate’s friend who is in on the act and helps her keep it up.

Mel Rodriguez as Bobby, Theresa’s husband, he lets Leo work for his building company.

John Hannah as Colin, Leo’s chef and employer on the yacht.

Roma 2018

I’m going to start by saying that I didn’t really enjoy or understand this film but seeing as it won two Golden Globes, some people must appreciate it. The film set in Mexico in 1970 is telling the story of Cleo, a domestic servant and the family she works for. It is in black and white and while this does give the film some atmosphere, I think that the film didn’t have a strong enough setting, dialogue or plot. There were also a lot of long shots such as the beginning and many unexplained events. The acting was okay but I didn’t really connect with the characters enough to care about what happened to them. The family appeared to care for Cleo at some points but still treated her like just a servant. Confusing. 2/5.

Cast:

Yalitza Aparicio as Cleo, the domestic worker who works for Sofia and her children.

Marina de Travia as Sofia, the lady of the house and the mother of 4 children.

Fernando Grediaga as Antonio, the husband and father who works as a doctor and is away a lot of the time.

Verónica García as Teresa, Sofia’s mother who helped out the family.

Attack the Block 2011

I really liked this action comedy. It is set in and around a block of flats in South London. A gang of teenagers find a strange creature and kill it. It turns out to a an alien and the rest of the fleet descend on the block. Sam, a nurse teams up with the gang and they defend their home. They also have to avoid angry rival gang members and keep little wannabees out of the way. Featuring appearances from Nick Frost, Jodie Whittaker and John Boyega, this award winning film is definitely worth a watch. 4/5.

Cast:

John Boyega as Moses, the gang’s leader who is just trying to survive childhood.

Jodie Whittaker as Sam, a nurse who gets sucked in to defending the block

Alex Esmail as Pest, the token white guy in the gang and the first to be injured.

Leeon James as Jerome, Moses right hand man

Luke Treadaway as Brewis, a rich boy who is the wrong place at the wrong time.

Nick Frost as Ron, a drug dealer with his own weed room.

I have also been loving many TV shows, most of them are Netflix Originals.

A Series of Unfortunate Events – Series 3 2019

This third and final series is the climax to A Series of Unfortunate Events. I really liked the film that was made but this series really does justice to the books. It uses two episodes for each book. Violet, Klaus and Sunny Baudelaire have been on the run from the evil Count Olaf since their parents died in a mysterious fire. They have discovered that their parents were in an organisation V.F.D but they don’t have all the answers yet. Can they ever escape from Count Olaf’s grasp? What is in the sugar bowl? What is V.F.D? Could one of their parents still be alive? Find out if you dare in series three. I really loved the series. The acting is superb and the story is very well thought out. It definitely does the books justice. 5/5.

Cast:

Malina Weissman as Violet Baudelaire, the oldest sibling and an inventor. She always ties her hair up with a ribbon when she has an idea.

Louis Hynes as Klaus Baudelaire, the middle sibling and the researcher. He has read many books and his extensive knowledge comes in handy.

Presley Smith as Sunny Baudelaire, the youngest sibling, a toddler who likes to bite things and often comes to the right answer before her siblings.

Patrick Warburton as Lemony Snicket, the narrator of the Baudelaire’s tale. He has pieced together the story for us to watch unfold.

Neil Patrick Harris as Count Olaf, an actor who travels with his troupe and is desperate to get his hands on the Baudelaire’s fortune.

Lucy Punch as Esmé Squalor, the forth most important financial advisor and Count Olaf’s girlfriend. She travels with Olaf in hopes of finding the sugar bowl. She wears ridiculous ‘in’ outfits.

Kitana Turnbull as Carmelita Spats, a spoiled little girl who loves performing and travels with Esmé and Count Olaf as their ‘daughter’. She hates the Baudelaires and calls everyone ‘cake-sniffer’.

Alison Williams as Kit Snicket, the sister to Jacques and Lemony. She has been trying to help the Baudelaires.

COMEDIANS of the world: UK: Ellie Taylor 2019

I watched Ellie Taylor’s special and really enjoyed it. She talked a lot about marriage and impending motherhood but in a very funny way and many of her opinions. She is one of my favourite comedians and it’s great to see her representing the UK in this series. There are many different comedians from around the world in this collection.

The Good Place Series 3: Episode 10 and 11 2019

Since the series has come back from it’s mid series break, it has taken many turns. The four humans, Michael and Janet finally got to the Good Place but they only reached the mail room. They have to work out what to do next. Eleanor and Chidi talk about the events of episode nine and Michael is concerned about the points system. The next episode takes place in IHOP but I don’t want to give too much away. It’s hilarious as always whilst teaching about philosophy and what makes a good person.

Cast:

Kristen Bell as Eleanor, the shrimp loving Arizona trash bag with a thing for mailmen.

William Jackson Harper as Chidi, a philosophy teacher who struggles with choices and gets nervous stomach aches.

Jameela Jamil as Tahani, a rich self entitled party hostess who only does charity for her own gain and grew up in her sister’s shadow.

Manny Jacinto as Jason, a Jacksonville Jaguars fan who has been in many dance crews and doesn’t have much brain power but a lot of heart.

Ted Danson as Michael, a demon who enjoyed torturing the four humans but is now working with them to get to the Good Place. He loves human quirks.

D’Arcy Carden as Janet, a human search engine with powers to get you anything you want. She has been rebooted so many times, she is starting to behave like a human.

Sex Education 2019

This series is filthy, dramatic, funny, quirky, relatable and entertaining. Set in a rural part of England, Sex Education tells the story of Otis Milburn, a 16 year old who wanted to be that person in the corner. His mother is a sex therapist and after one piece of great advice to the school bully, Otis and scary Maeve Wiley set up a sex clinic for the students of Moordale High. People start coming to Otis with all sorts of problems. Otis is also trying to be a teenager and sort through his own issues with sex and relationships. He is helped by his best friend Eric who is constantly pushing Otis out of his comfort zone. Otis’ mother, Jean is an overbearing, involved mother with a vibrant sex life. I loved this series and watched it all in two days. Very graphic so definitely for over 18s. It has been watched by 40 million Netflix users this month. 5/5.

Cast:

Asa Butterfield as Otis Milburn, unlicensed therapist navigating being a teenager and dealing with his embarrassing mother.

Emma Mackey as Maeve Wiley, she has a bad reputation, is very smart and is always broke.

Ncuti Gatwa as Eric, Otis’ best friend who is out and proud but struggles with his father accepting him and his outrageous outfits.

Gillian Anderson as Jean Milburn, sex therapist and single mother, Jean worries about her son and doesn’t do boyfriends

Connor Swindells as Adam Groff, the headmaster’s son. He doesn’t care about school and prefers to bully the student body. His father is constantly disappointed in him.

Aimee Lou Wood as Aimee, one of the Untouchables who struggles with their endless rules, she always has a boyfriend and is friends with Maeve.

Kedar Williams-Stirling as Jackson, the head boy and competitive swimmer. He has a lot of pressure from his mum to do well and needs plenty of advice about girls.

Alistair Petrie as Mr Groff, Moordale’s headmaster and Adam’s dad. He knows how to deal out the punishments and does not let up for anyone, even his own son.

Mikael Persbrandt as Jakob, a plummer that is fixing Jean’s bathroom.

Friends from College – Series 2 2019

The second series in this hilarious comedy drama about six 40 year olds who have been friends since college. Set in New York City, the series concentrates on their relationships with others and each other. In the last series, a lot of drama went down and the gang is still recovering. Max and Felix are engaged now, Lisa and Ethan and separating, Sam and her husband are in trouble, Nick is finally dating someone his own age and Marianne is still living her carefree life. I love this series and the second series definitely delivered on the drama and comedy. A stellar cast, this series is amazing. 5/5.

Cast:

Keegan-Michael Key as Ethan, a young adult author who is desperate to know if his wife, Lisa wants a divorce or not after his affair was revealed.

Fred Savage as Max, a publisher who works closely with Ethan and is engaged to his long term boyfriend, Felix.

Nat Faxon as Nick, a player who only went out with girls in their 20s. He finds a woman his own age but can’t let go of Lisa who has been crushing on for 20 years.

Annie Parisse as Sam, a working mother who is the most successful of the group. She is having trouble with her husband, Jon after her affair with Ethan was revealed.

Jae Suh Park as Marianne, a carefree actress with nothing to tie her down apart from her daredevil on again off again boyfriend.

Cobie Smulders as Lisa, a lawyer who disappears after sleeping with Nick and reappears with a new boyfriend a year later

Billy Eichner as Felix, a doctor who is so done with the drama from Max’s friends.

Lost in Space 2018

This show has been out for a while but I watched the last few episodes in the series this year. I started it months ago but have been watching it sporadically. It’s about the Robinsons who leave Earth for a better future but crash land on a strange planet. They have to work together with others that land there to get back to the mother ship. There are alien robots, lying doctors, brave engineers and daring escape attempts. There is a lot of family drama involved and problem solving. The last episodes were the best for me as the middle of the series dipped from the great opening but still enjoyable. It’s different from the original series and the 1998 film. 4/5.

Cast:

Maxwell Jenkins as Will Robinson, the youngest and bravest. He manages to befriend a robot.

Taylor Russell as Judy Robinson, the doctor and the eldest, she takes risks to protect her patients and her family.

Mina Sundwall as Penny Robinson as the engineer who likes to do her own thing and bend the rules.

Molly Parker as Maureen, the mother and a rocket scientist. She designed their ship, the Jupiter and lied to get her son on board.

Toby Stephens as John, the father and a soldier. He was absent for most of the kid’s childhood and is trying to make up for it.

Ignacio Serricchio as Don West, an electrical engineer who doesn’t have a family so is always up for danger.

Parker Posey as Dr Smith, a survivor who is determined to reach the new world. She manipulates people to get what she wants.

Les Miserables 2018/9

An adaptation of the beloved book, this series is not a musical, but a drama. Only three episodes have aired but I am really enjoying Les Misérables so far. It tells the story of many different characters, a prisoner, a police chief, a factory worker, a little girl, two swindlers. It illustrates the gap between the rich and the poor in the early 1800s in Paris. The acting is excellent and I can’t wait to see what happens. 5/5.

Main Cast from first 3 episodes :

Lily Collins as Fantine, a factory worker trying to feed herself and her child

Dominic West as Jean Valjean, a prisoner who got 19 years for a loaf of bread. He goes from one place to another, escaping his past.

David Oyelowo as Javert, a governor turned police chief, hunting Valjean for his crimes.

Adeel Akhtar as Thenardier, a pub owner who brags about being in the war. He cheats people from their money.

Olivia Colman as Madame Thenardier, a mother who cares for her own children only. Gets as much money as she can from anyone who comes her way.

Thank you for reading!

Happy Watching

Robyn 🙂