American vs Turkish Cinemas: A.L Fox recalls her Summer Experiences

Hello readers,

This is another post by A.L. Fox, my talented guest writer. This time she has written about three different cinemas in two different countries she has visited this summer.

Happy Watching

Robyn 🙂

There’s more to the cinema experience than simply absorbing the themes and colours that stimulate the senses from the screen, and hopefully stir our emotions – in a good way.  Many of us still visit the cinema to watch a film even though we can generally view most films from the comfort of our own homes.

So why do we continue to go out to see a film?

Often, it is to be sociable and share an experience with friends or a loved one or sometimes, that we want to be the first to see a new blockbuster release or, on occasion, to be challenged by new worlds and ways of seeing. There are many demands on our leisure time these days, and we have screens wherever we go, whether it’s a phone, a tablet, or a laptop but we still go to the cinema. In this century, around 150 million people still visit the cinema every year in the UK. Of course, this is a considerable drop from the 1.5 billion that went in the heyday of the Second World War. But now there are so many different ways of watching a film.

With so much competition for our eyes, cinemas have become much more than just a screen; they are places where you can eat, play video games – and eat mountains of popcorn. Most are multiplexes offering 3D and a very different experience from the cinemas of old. Now you book online, choose a seat, collect your ticket from a machine and don’t have to speak to anyone. It’s not quite the same everywhere in the world, though.

America is the home of cinema and there will probably be as many different cinemas as there are States but going to the cinema in New York is like stepping back in time. We were in the Big Apple when Mamma Mia: Here We Go Again opened so, naturally, we had to go. Bizarrely, the weather wasn’t as hot as we’d been led to believe; it rained and so that was another factor in our decision. The AMC chain is the biggest US cinema chain but the one on W 34th St felt as though it remained untouched since it opened in the 50s. First, we had to get to the 4th floor; there were the usual food stalls – and popcorn but also, gambling machines. We bought our tickets, and chose a seat; on the screen there were gaps between the seats – and, in the cinema,  the seats were in pairs with a large table – for the food, between them. Sitting down, there was another surprise for there were acres of room between the rows. People were able to walk without asking others to move. Unsurprisingly, people didn’t stop eating throughout the film and American audiences aren’t exactly quiet; they do like to voice their opinions, or add their viewpoint to the action.

Related image
AMC Cinema on W 34th St, New York City, USA

Related image

 

For the record, Mamma Mia: Here We Go Again was enjoyable – the beginning was a little flat but once the cast hit their stride about 30 minutes in, it became more like the first film – and that’s exactly what audiences were expecting. The film delivered but it wasn’t quite a match for the original. Now that sounds like a criticism, but it’s not meant as one. It is simply that the first film was so iconic. A special appearance by Cher was successfully woven into the plot and she provided enough glitz to offset the absence of Meryl Streep, although there were some scenes featuring Streep, so she wasn’t entirely missing.

Most of the other main characters from the first film had major roles in this one with the addition of a young Donna (Lily James) and her Dynamos (Alexa Davies and Jessica Keenan Wynn) plus younger versions of Sophie’s three dads (Jeremy Irvine, Josh Dylan and Hugh Skinner).

Now, talking of original – the Regal, the second cinema we visited in New York, on W 42nd St was definitely like stepping into the 50s again. Here, the seats were black leather armchairs that extended to support your feet, almost to the point of becoming a bed. The carpets had the letter of the rows woven into it and the decor hadn’t been touched for decades. Here, we saw Incredibles 2; a film that had been on general release for some weeks so it wasn’t busy. We did get the noise of audience participation once again, and it was loud  – the sound turned up to echo over the comments.

Related image
Regal Cinema W 42nd St, New York City, USA

Samuel L. Jackson, Holly Hunter, Craig T. Nelson, Brad Bird, Sarah Vowell, Eli Fucile, and Huck Milner in Incredibles 2 (2018)

As for the film itself, it was definitely worth watching. It had all the impact and colour of the first film with an updated plot to reflect changes in society. This time, it was Elastigirl or Helen Parr’s time in the spotlight. She went to save the world while Mr Incredible became a stay-at-home dad. As ever, the action was fast-paced and attention-grabbing for both children and adults. The animation was brilliant and shows that Disney Pixar is not just for kids.

Both experiences were good; if you get the chance to visit either of these cinemas then take it; a different experience but a good contrast and it makes you appreciate the relative quiet of British audiences – unless, you’re unfortunate enough to sit next to the person who never stops eating. There are people who believe calories consumed in the dark don’t count as they munch continuously for the length of the film and that can be a big distraction but then, it’s all part of the cinema experience.

And what’s still part of the cinema experience in Turkey is – the intermission. Yes, they have a break in the middle of the film! We were watching Mission Impossible – Fallout 3D – and, at a particularly tense moment in the action, the screen went dark. An electrical fault? No, it was an interval. People went out and returned with more food, it may even have been a break for the smokers but it was only one hour into the film and it did break the flow.

Tom Cruise, Alec Baldwin, Angela Bassett, Ving Rhames, Henry Cavill, Rebecca Ferguson, and Simon Pegg in Mission: Impossible - Fallout (2018)

The MI films are all fast-paced with plenty of action; there are no slow sections where a break could be achieved without interrupting this flow so it did spoil the experience – for me, at least. We didn’t mind the subtitles – some Hollywood films are dubbed but most are shown in English – but that break did upset the concentration. However, even though this is the sixth film in the franchise, it still captured the hearts and minds of the audience with a good story, death-defying stunts and enough dialogue to explain the plot points. Tom Cruise playing the lead Ethan Hunt was brilliant as always and supported by a sterling cast featuring Simon Pegg, Ving Rhames, Henry Cavill, Rebecca Ferguson and Alec Baldwin.

Three films, three different experiences; if you do get the opportunity to visit the cinema in another country then go – it may even make you appreciate what you have at home. As for costs, in the US we paid about £10/£12 for each ticket and in Turkey, we paid a bit less but, in terms of comparable costs relative to the country, tickets are much the same price.

Guest Writer: It’s All About the Plot – Dramas by Women to Watch this Summer

Hello readers,

This post is written by a guest writer – A. L. Fox. This woman is a professional writer, having written articles for newspapers and magazines but here is her first blog post. She writes about films and TV shows that she watched recently and wants to recommend to you.

Happy Watching

Robyn 🙂

It’s All About the Plot – Dramas by Women to Watch this Summer by A.L. Fox

What makes a good film? Simple question but there is no simple answer. Critics and the viewing public often disagree as box office figures often illustrate. One recent example is that of the latest blockbuster in the Star Wars franchise, Solo. It was given a warm reception by most film critics and yet, it has had poor box office returns.

However, back to the question about what constitutes a good film – and, in my definition, that means a film that I have enjoyed watching – and one that I don’t wish back the hours spent in its’ company.

For me, plot is everything – tell a good story and you’re definitely on to a winner; dialogue comes next closely followed by good acting – and good casting. If the actors aren’t right for the characters whom they are portraying (wrong age, wrong ethnicity, wrong dynamics and so on) then no matter how good their acting skills, they won’t be convincing and the film will feel contrived. You could argue that all films operate at this level but there has to be some ring of authenticity to connect with the audience. On reflection, perhaps casting needs to lead the field. Nina Gold, casting director of well-earned repute, with Games of Thrones and The Crown, just two of her long list of credits, would probably agree.

There are so many films out there; so much choice that hours can be wasted just choosing one to actually watch. Sometimes the blurb helps, sometimes it doesn’t. Here are two of my random selections from Netflix:

Maggie’s Plan (2015)

Maggie's Plan (2015)
Directed by Rebecca Miller

Stars: Greta Gerwig, Ethan Hawke and Julianne Moore.

Reading the blurb on Netflix and the ‘rom com’ categorisation, almost had me swiping right. But the quality of the cast led me to press select and I urge you to do the same. This was a sensitive portrayal of relationships and conflict and a very touching reflection of the dynamics within those relationships. Maggie wants to have a baby but she’s not in a relationship and decides to use a donor. But she meets John, who has distanced himself from his marriage to a much more successful college professor, Georgette. John doesn’t work – he is writing a book and Maggie is flattered that he has asked her to proofread his manuscript. Their relationship develops as Maggie finds herself pregnant and they marry.

However, Maggie then finds that John continues his self-absorbed life and she becomes the main breadwinner and carer, often looking after John’s children from his first marriage. Seeking to regain her independence, she seeks to reunite John with Georgette realising that they still love each other and that they are similar personalities.

There’s a wonderful plot suggestion at the very end of the film that completes the heartwarming tale.

Their Finest (2016)

Bill Nighy, Gemma Arterton, and Sam Claflin in Their Finest (2016)

 

Directed by Lone Scherfig

Stars: Gemma Arterton, Sam Claflin, Bill Nighy.

This was categorised as drama and it provided plenty of that along with a slice of war history that is not as familiar as the bombs and battlefields of WWII. Catrin leaves her Welsh home to live with a man in London but he soon leaves her for another and to support herself, she works as a secretary and then as a scriptwriter for the film division of the government, making propaganda reels to keep up the country’s morale.

Her struggles for recognition as a woman scriptwriter are documented without becoming too sentimental or political but it does highlight the difficulties of being accepted as a professional working woman in that era. There is a love interest who, although set against her joining the division at first to the extent of undermining her contribution, eventually falls in love with her. The ending isn’t as expected but this elevates the film from descending into the realm of fantasy. A good watch with some interesting historical detail and a good plot.

The Split (2018)

That word again – plot. The television series that has caught my attention – and kept it – is The Split, from the pen of Abi Morgan. The story centres on the travails of a family of divorce lawyers, the Defoes, mother and two sisters who are lawyers and another sister who works as an au pair, thrown into turmoil by the return of the father after a thirty year absence. He ran off to America when the children were small – with their nanny. There is plenty of drama with everyone’s relationship falling into the spotlight in turn; it’s all there, from hidden children to hidden secrets, from the twists and turns of divorce battles to betrayals. It depicts love in all its’ forms and manages to retain a freshness and dynamic that keeps you interested. With Nicola Walker heading a fine list of actors (Anthony Head is the father), the occasional misstep could be overlooked in the lower ranks. It is now on iPlayer so watch it before it vanishes.

Reviewing my recommendations, I have noticed that they are all by women – the writing, and the directing. Women tell a good story and have more empathy with the position of women in society generally, In the beginning, in the 1920s and 30s in Hollywood, the majority of screenwriters were women; it was relatively low-paid and it was all about the action. When cinema became big business and men realised there was money to be made from writing, they muscled in and took over. Now, only 16 percent of screenwriters are women – a shocking statistic that needs to be addressed, something the above writers are helping to change.

After all, women have been telling stories for centuries; they need to regain control and prominence on our screens once again.