Film Review: Mean Girls – a musical reboot of a cultural classic holds up

Hi Readers,

Last week I saw the reboot/revival of the cultural icon and successful musical now coming to the West End: Mean Girls. Many people online did not seem aware that the film was a musical in spite of the existence of the musical, the casting of Reneé Rapp (who starred as Regina George in the Broadway version) and the trailer.

The 2004 film starring the best of 2000s Hollywood – Lindsay Lohan, Rachel McAdams, Amanda Seyfried, Tina Fey, Lizzy Caplan, Amy Poehler and Lacey Chabert (more of a 90s icon) – has generated endless chatter, memes, Halloween outfits, recreations and TikToks. This new version has updated some of the politically incorrect or offensive language – i.e Regina is now a fugly cow and Cady is not approached about muffins in the cafeteria.

The Broadway version adapted by Tina Fey only had a short life on stage due to the Covid 19 pandemic so its great to see it immortalised on the screen with its original star Reneé Rapp. Since her turn as Regina, Reneé has gone on to star in the popular HBO series, The Sex Lives of College Girls and released music – Tummy Hurts, Snow Angels and become a bi icon.

Mean Girls (2024)

The film starts with an upbeat opening number by Janis (Auli’i Cravalho) and Damien (Jacquel Spivey) the ones who guide Cady through North Shore High School and its teenage population. It only seems right that they guide the audience through the film. Some updates to their characters include changing their ethnicity and giving them more up to date interests. For example, Janis wears more popular but still hippy clothes, loves blue eye-shadow and her art involves string and sewing.

Cady (Angourie Rice) moves from Kenya with her mother (Jenna Fischer) to the Chicago area in the US and goes from a quiet home-schooled life to figuring out the cliques and social norms of the American high school. The character of Cady’s father has been erased along with the story of her first crush at four years old. What has stayed is Cady’s iconic blue checked shirt that she wears on the first day.

When Cady meets the Plastics they look more high school age than in the original and have a more up to date style. Regina (Reneé Rapp) is wearing a full black leather number with Gretchen (Bebé Woods) and Karen (Avantika) wearing preppy/colourful outfits.

After Cady learns her new calculus class crush, Aaron Samuels (Christoper Briney) is Regina’s ex-boyfriend and therefore strictly off-limits, she agrees to help Janis and Damien bring Regina down a peg or two.

Karen’s solo song ‘Sexy’ tells the audience the boundaries of Halloween costumes and that as long as your outfit is sexy than anything goes. Cady unfortunately does not get this memo and turns up as a Vampire Bride. Seeing Aaron with Cady alerts Regina to the potential threat that Cady poses she and quickly marks her territory by kissing Aaron.

Much like in the original film, Janis, Damien and Cady devise a plan to take away everything from Regina: her perfect skin, hot body, loyal sidekicks and reignited relationship with Aaron.

While Cady only hangs out with Janis and Damien in secret she is gradually turning more Plastic including writing about her teacher, Mrs Norbury (Tina Fey) in the Burn Book and pretending to be dumb so Aaron will tutor her.

Much of the film follows the original including the entire junior class gathering in the gym for a female bonding experience, Cady’s enrolment in the Mathletes and the famous Spring Fling scene with the tiara.

I think that this revival of the film based on the musical is a fresh take on the iconic tale keeping in many of the iconic lines – ‘That’s so fetch’; ‘It’s October 3rd’; ‘the limit does not exist’; ‘You can’t sit with us’ and ‘On Wednesdays we wear pink’. There were some important updates to incorporate the changes in culture and what is acceptable to say especially among teenagers.

I think that the original songs gave a great insight into the character’s thoughts especially Regina and Janis. Making Janis and Damien the narrator characters who introduce the show was clever as they are the ones that introduce Cady and the audience to the cliques in the canteen and the Plastics.

My favourite song from the soundtrack is Apex Predator as it has a good beat and really shows the power and influence that Regina has over the student population.

I’m glad that the musical made it to the big screens as it was cut short on Broadway due to pandemic and it is now coming to the West End.

The cast was well chosen and they all brought new aspects to the roles. I like that Reneé Rapp was not the skinniest girl so showing that all body types can be considered desirable. Rather than focusing on their appearances, it appeared that the Plastics popularity comes from power and knowing things about everyone as demonstrated with the Burn Book.

Overall, I thought the film was fun and for everyone that grew up with the original 2004 version, it was a blast to the past. Definitely worth a watch if you enjoy musicals or the original. I give it 5/5.

Happy Watching,

Robyn

Film Review: The Marvels

Hello readers,

With cinema releases ramping up again for the end of the year, I thought I would turn my attention to my most recent watch: The Marvels. The sequel to the first film featuring Captain Marvel played by the brilliant Brie Larson, now includes her new companions Monica Rambeau (Teyonah Parris) and Ms Marvel (Iman Vellani).

It is wonderful to see Marvel evolving more towards female led films with the recent additions of Black Widow, Black Panther 2 and Captain Marvel. The expansion into television series on Disney Plus has also allowed for more female leads with Scarlet Witch in WandaVision; Jen Walters in She-Hulk and the upcoming Agatha: Darkhold Diaries and Echo both featuring female protagonists.

The Marvel Cinematic Universe started out led by male characters: Iron Man, Captain America, Thor and so on with women only serving as sidekicks or love interests, for example Pepper Potts, Peggy Carter and Jane Foster. Over the years, we have seen these characters all get their own storylines, hero moments and even television programmes. The inclusion of female superheroes, in my eyes, has expanded the audience that the Marvel films and shows attract. A younger girl can look at Black Widow or Captain Marvel or any of the other badass women and see someone representing them.

When people see themselves represented on screen by a powerful independent character that is the hero, it can help them to imagine themselves as a hero or even just someone who can make it through tough times. Representation has been expanding in terms of gender, race and sexuality but there are still huge leaps to be made in terms of equality. For Marvel, the source material of the comic books may have held them up at first as the stories of the 1950s and 60s featured mainly male heroes but with new storylines and characters written all the time, there is progress being made towards equity in the MCU.

The Marvels (2023)

Captain Marvel is one of the MCUs more mysterious characters. We know where she came from and how she got her powers but between the events of the first and second film there is a huge chunk of her life missing.

Carol Danvers may have been away from Earth for a while with a brief appearance in the Battle against Thanos but she has not been resting. Her aim is to solve the political unrest between the Kree and the Skrulls that she believes is due to her actions.

While Carol has been gone, new heroes have come to be. There is Monica Rambeau who we see in WandaVision (2021) gain her powers from interacting with the powers of the Scarlet Witch. Monica did appear in the first Captain Marvel film but as a child or ‘Lieutenant Trouble’ as Carol called her. Her mother, Maria was Carol’s best friend and unfortunately passed away during the Blip. Monica is now working with Nick Fury’s new venture, S.A.B.E.R in Earth’s atmosphere, only using her powers sparingly.

Ms Marvel, real name Kamala Khan is a Captain Marvel super fan and has posters all over her wall and is introduced in the Ms Marvel (2022) series. Upon donning her Nani’s bangle, she gains the ability to manipulate light and make it into solid matter. After being hunted by the Department of Damage Control (part of the former S.H.I.E.L.D), stopping the Clandestines and learning she is a mutant, Kamala suddenly swaps places with Captain Marvel.

The film kicks off where Ms Marvel ends with Carol appearing in Kamala’s room. The three way swapping continues as Carol was in the middle of fighting some Kree soldiers and they are accidentally transported to the Khans’ living room.

I thought the switching between the three heroes made the fight scene interesting and quickly reintroduced the characters to us along with alerting Fury and the Khans’ about the interlinking powers.

To minimise damage, Kamala and Monica join Captain Marvel on her ship and set out to stop Dar-Benn from decimating worlds to reawaken the Kree’s home planet, Hala. Kamala is obviously delighted with the plan much to the dismay of her mother while Monica is less keen given the history between her and Carol. She believes that Carol abandoned her on purpose with her dying mother and after the Blip, she then had no family left.

Carol also has to quickly learn the dynamic with an adult Monica with powers and teenage fan in tow. Having three female leads paved the way for more comedy and joviality than is typically seen in male led Marvel films. Kamala especially has not experienced the wider reaches of the universe and comes into new situations with a positive attitude and open heart. Carol acts as their guide and even stiff and stoic Monica begins to enjoy the quest.

I won’t go into what other things occur but let’s just say that if you’re looking for Easter eggs or clues for future projects, this is not a film to miss.

Another returning character is Goose. A sweet ginger cat who acts as Carol’s sidekick who just happens to be able to launch 30 foot tentacles from its mouth. Goose has been a fan favourite since his appearance in the first Captain Marvel film and the revelation that he was the one that gave Fury his eye patch. Goose’s new Flerken ability is revealed in the new film when he regurgitates items from the Khan’s living room. If you are a cat fan, then this film will feature a few more furry friends.

Overall, I really enjoyed Marvel’s latest outing. The grumpy/sunshine dynamic with Kamala and Monica played well against Carol who can be a mix of both. We got to see some favourite characters and meet some new ones. One funny scene sees Yusuf Khan give someone pension advice only to learn their real age.

There was a good balance of action, comedy, family interactions and heart especially with the reflections on Maria’s passing. It was great to see Kamala live her dreams of meeting her hero and learn that she is a fully fledged person and not just Captain Marvel.

I give this film 4.5 out of 5.

Happy Watching,

Robyn

2023: Summer of Cinema: Barbie

The film uses all of these controversies in their plot and makes sure that we know that they do not condone Barbie’s unrealistic body but rather celebrate her achievements. We start with the 2001: Space Odyssey opener that has been teased, letting us know that Barbie was the first adult doll manufactured for girls that did not just teach them to be mothers. We see stereotypical Barbie (Margot Robbie) wake up in her dream house and have the perfect day. All her fellow Barbie’s have success in their careers, winning Nobel Prizes, being the President, driving an ambulance and generally having a great time.

Hello readers,

The most anticipated film of the year has finally arrived: Barbie! There has been a lot of hype around this film thanks to the amazing marketing team and the enormous cast featured in the film, not forgetting legendary director Greta Gerwig. I myself have been eagerly awaiting this film and to sum it up, it did not disappoint.

I was able to see some of the Barbie European Premiere in London as they erected a giant screen for those who did not manage to get in. I will be posting some images on my instagram @film_fanatic00

While many clips of the film were released, little was known about the overall plot and I was pleasantly surprised when I sat down to watch. I thought I knew everything about the film due to the sheer volume of content on social media but they really kept the main story hidden. This will be spoiler free as I know some people have not yet had the chance to see the film.

Barbie (2023)

Barbie’s have always been a controversial topic: on one hand they promote feminism as Barbie has her own car, house, career without the help of a man. Her boyfriend Ken is a background character with no job/house/car of his own. The dolls were released at a time when women in America couldn’t even have their own bank accounts and most had the job of housewife so little girls seeing Barbie as a lawyer, doctor, author, scientist or homeowner, empowered generations.

On the other hand, Barbie’s have always kept a very slim, totally unrealistic body type. They have feet always ready to wear high heels, waists smaller than their heads and lipstick and mascara on their faces. While Barbie has been released as different ethnicities, she has not had a realistic figure and it wasn’t until 2019 that a Barbie in a wheelchair was put on the market permanently.

The film uses all of these controversies in their plot and makes sure that we know that they do not condone Barbie’s unrealistic body but rather celebrate her achievements. We start with the 2001: Space Odyssey opener that has been teased, letting us know that Barbie was the first adult doll manufactured for girls that did not just teach them to be mothers. We see stereotypical Barbie (Margot Robbie) wake up in her dream house and have the perfect day. All her fellow Barbie’s have success in their careers, winning Nobel Prizes, being the President, driving an ambulance and generally having a great time.

Barbie starts having some troubling thoughts and her feet lose their natural heel so she is sent to Weird Barbie (Kate McKinnon) for help. She tells her to go to the Real World to find the girl playing with her as she must be passing on her depressing thoughts. Ken, who up until this point has been side-lined by Barbie in favour of hanging with the girls and sleepovers, decides to join her on the trip.

The chaos ensues from there and we meet the humans Gloria and Sasha who assist Barbie in her quest towards the end of the film. I thought it was a great idea to incorporate Mattel into the film and shows maturity that they allowed Greta and Noah Baumbach (co-writer) to poke fun at them. Barbie also discovers that the Real World is not as perfect as Barbieland and that women are not in charge. Ken discovers the patriarchy and things start unravelling when he brings this revelation to the other Kens and Barbies (and Allan).

This film was a lovely celebration of female power and how women are always expected to be two things at once, for example they have to be decisive but not bossy, dress nicely but not too sexy and so on.

Barbieland itself was a wonderful playground filled with all the accessories one could want but I am glad we got to see the Real World too as that grounded the story for me. All of the costumes were amazing and there were so many details nodding to discontinued Barbie’s such as her sister Skipper and Midge, the pregnant doll.

Margot Robbie was amazing as Barbie, balancing human emotions perfectly but Ryan Gosling as Ken was a real standout. His comic timing and facial expressions were right on point and I would like to see him do more comedy.

Overall the film was a joyful over-the-top celebration of humanity, especially women and made you think about what makes us human. Beneath the pink and the costumes and excellent soundtrack, the film had real heart and emotion that Greta always injects into her films. I will most certainly be watching the film again ad I encourage everyone to go along to the cinema to see Barbie in action. As the film campaign has said: ‘It’s a film for everyone who likes Barbie and everyone who hates Barbie’. I give the film 5/5.

Happy Watching,
Robyn

Guest Writer: Are You There God? It’s Me, Margaret

Something my friend and I discussed after watching was how cool it was to see a film where a girl Margaret’s age is the protagonist, and she deals with all the relatable experiences that she goes through. Most rite of passage films exploring female characters show them in high school, university or in a first job. When it comes to Margaret’s age group films focused on them is still quite unusual and unique unless the genre is adventure, science-fiction or fantasy, which somewhat undercuts the more realistic moments – i.e. The Goonies, E.T. or Stranger Things, and even then there are more male characters than female. While Finding Ohana (2021) features a young girl as the protagonist, the film has more in common with The Goonies than it does with Are You There, God? It’s Me, Margaret.

Hello readers,

Today’s post has been written by my very special guest writer, Terry! We went to see the film Are You There God? It’s Me, Margaret at a rooftop cinema and Terry had the following thoughts:

Are You There God? It’s Me, Margaret (2023)

The film follows titular sixth-grader Margaret Simon, and her friends and family as she embarks on a journey of self-discovery while navigating all the trials and tribulations that follow. The film is based on eponymous novel by Judy Blume, which was published in 1970, the era in which the film is set as well – consequently many of its elements were definitely ahead of their time. Specifically, in exploring many important themes such as: friendship, religious pressure and tolerance, interfaith marriage, atheism, societal expectations (i.e. being a working mother versus staying at home), puberty, as well as the rush to grow up along with all the pressures young kids put on themselves and each other in reaching certain milestones before being ready or even truly understanding what it all means.

Book-to-film adaptations can be a tricky business and balancing act, changing too much of the source material risks alienating fans and losing many elements of what made the original special and beloved (i.e. the Percy Jackson films). Such is why many say, ‘the book is always better than the movie’. So, it’s fortunate then the author herself has claimed the adaptation is better than her book. While I’ve personally never read any of Blume’s novels I’ve always known who she is and some of the themes she likes exploring, so I can say I was genuinely excited to watch this film. The main reason being the author’s stamp of approval (it’s always a good sign when an adaptation has the author’s support), others including the cast and the subject matter.

The catalyst for the film’s plot and Margaret’s journey is the Simon family’s move from a flat in New York to a suburb in New Jersey after her father is granted a prosperous promotion. This advancement doesn’t only turn Margaret’s world upside-down but inspires her mother Barbara to abandon her hobby of painting and job as an art teacher. Margaret is confused as to why her mother would quit a job that she loves so much, but Barbara claims she is excited to finally have the free time to spend with her and to help out on the school PTA ‘like all the other moms’.

However, Margaret gradually becomes more independent with this life change, especially after being welcomed into an existing friend group at her new school. Her new friends, in their rush to become grown-up and ‘mature’, introduce Margaret to the world of: first crushes, preteen parties, rumours and gossip, while also awakening her urgency to fulfil certain milestones and rite of passages. Including but not limited to: finally getting her period, wearing a bra, and having her first kiss.

Additionally, Margaret’s teacher Mr. Benedict stimulates her curiosity in regard to religion and her own family when he suggests she do a report on her unique (for the time) perspective of coming from a multifaith household. In the sense that Barbara is Christian and was brought up by very devout parents, whilst Margaret’s father Herb and his family are Jewish.

Nowadays a ‘mixed marriage’ like this wouldn’t raise as many eyebrows as it did back then, but for Barbara marrying Herb meant her family saw fit to disown her and cut off all contact. This horrifying rejection is partly what steered Margaret’s parents in choosing to raise her without a religion, with the intention that she choose for herself when she is old enough. While their reasons were noble, and certainly understandable given the circumstances of the situation, an unintended consequence is a feeling of confusion and alienation Margaret struggles with since religion is almost a taboo subject in their family. But even then Margaret is not fully free from religious pressures. Her loving paternal grandmother Sylvia wants her to ultimately decide to become Jewish, whereas her parents seem to hope that in the end she won’t favour any religion. Barbara, perhaps due to the understandable trauma her parents left her with, goes as far to vehemently disapprove and actively discourage Margaret’s religious curiosity. While Herb doesn’t stand in her way he similarly hopes their daughter will gradually lose interest in religion if they don’t force ‘neutrality’ on her.

Despite the feeling of being pulled in numerous directions, and confusion about how and why religion is so powerful in dividing people, Margaret has her own private relationship with God, and reaches out often throughout the film (hence the title). God acts as somewhat of an impartial confidant for Margaret, who habitually prays for guidance and her family’s wellbeing; but also asks for help in reaching/achieving the milestones that her friends introduced her to. In a particularly vulnerable moment Margaret mentally asks God, “Why do I only feel you when I’m alone?”

Although I can’t compare the film’s characters to their novelistic counterparts, I feel like everyone was perfectly cast and subsequently the acting was very good. I was familiar with the young actress playing Margaret, Abby Ryder Fortson, from her portrayal of Cassie Lang in the first two Ant-Man films; and she has definitely come into her own with her well-deserved protagonist placement. Additionally, I’m familiar with Rachel McAdams and Kathy Bates’ work and feel they were perfectly cast as, respectively, Margaret’s mother and grandmother.

Something my friend and I discussed after watching was how cool it was to see a film where a girl Margaret’s age is the protagonist, and she deals with all the relatable experiences that she goes through. Most rite of passage films exploring female characters show them in high school, university or in a first job. When it comes to Margaret’s age group films focused on them is still quite unusual and unique unless the genre is adventure, science-fiction or fantasy, which somewhat undercuts the more realistic moments – i.e. The Goonies, E.T. or Stranger Things, and even then there are more male characters than female. While Finding Ohana (2021) features a young girl as the protagonist, the film has more in common with The Goonies than it does with Are You There, God? It’s Me, Margaret.

Furthermore, the film ever so effortlessly passes the Bechdel test more than once as Margaret has many conversations with her friends and the women in her family about varying topics. For anyone unfamiliar the Bechdel test is a 3-rule test. In order to pass it a work of fiction must 1) feature at least two named female characters, 2) who have a conversation, 3) about a topic not about a man. The fact that Are You there, God? It’s me, Margaret passes the Bechdel is refreshing as it continues being an important tool in gauging female representation in works of fiction, especially when so many media forms fail it (seemingly without even trying).

My only gripes with the film that stop it from being perfect is, even though it did accomplish many of the beats it set out to, it still felt as though there were some loose ends. For example, we don’t see how Margaret makes up with a friend she fought with or find out whether Barbara finally makes amends with her parents. Moreover, I also would have liked to see more interactions with Margaret and her crush Moose, who was a little side-lined throughout the feature (although apparently he was even less of a presence in the book). Despite this, all in all the film was a success. While being set in the 70s it had more diversity than you’d expect, additionally the comedic moments in the film help in lightening the overall tone in regard to all the dramatic scenes. To boot, the film would’ve been impossible to make when the book was first published since the topics such as interfaith marriage, puberty and periods were especially controversial back then, but fortunately with films such as Are You There, God? It’s Me, Margaret (where they are on full display) these topics are starting to become less and less stigmatised for the next generation.

Terry rates the film as 4/5

Look out for future reviews from special guest writers…

Happy Watching,
Robyn

2023: New Perspectives: The Little Mermaid

I think the cast were well chosen and I really love the decision to cast a woman of colour as Ariel. The film is set somewhere that she could be a native but also mermaids aren’t real so logic didn’t need to play into the original ethnicity of the characters. This is further demonstrated with Ariel’s father and sisters. Halle Bailey captured Ariel’s innocence and wonderment at the human world as well as showing great chemistry with Jonah Hauer-King (Prince Eric) and possessing an emotive singing voice.

Hello there,

It has been a long time since I wrote a post on here. The main reason for this being that I started working in the film and television industry and I didn’t have the time. I have recently started a new position and have a little more free time so have decided to resurrect this blog!

After working in VFX for almost 2 years, I think I now have a different perspective on film and TV, especially if I have been involved with the project. I am going to start by reviewing a couple of recently released items that I have worked on and I will see whether knowing the ins and outs of a production enhances or takes away from the viewing experience.

The Little Mermaid (2023)



I am starting with the Little Mermaid which I was fortunate enough to attend a cast/crew screening of at Leicester Square. I spent a couple of days assisting on cataloguing shots so I got to see a lot of them in the early stages. My former company also did the VFX so I got to see a few early versions at showcases.

We saw the film in an IMAX screen that is the biggest I have ever experienced a film in. The quality and sound were amazing, all of the VFX on the shots really popped and it was an interesting way to watch this film.

Overall, I really enjoyed the film from the songs with a touch up from legend Lin-Manuel Miranda (Hamilton, Encanto) to the fleshed-out storyline including Eric and Ariel living somewhere in the Caribbean and interacting with villagers. I know that there was some discussion around Flounder’s new appearance but once you get into the film, this detail does not distract.

I think the cast were well chosen and I really love the decision to cast a woman of colour as Ariel. The film is set somewhere that she could be a native but also mermaids aren’t real so logic didn’t need to play into the original ethnicity of the characters. This is further demonstrated with Ariel’s father and sisters. Halle Bailey captured Ariel’s innocence and wonderment at the human world as well as showing great chemistry with Jonah Hauer-King (Prince Eric) and possessing an emotive singing voice.

My favourite songs in terms of staging were Kiss the Girl and Part of Your World. The lyrics are catchy and both did some new things from the original Little Mermaid film.

I was not a big fan of the 1989 version as I thought Ariel didn’t have much of a personality and spent most of the film as demure and non-verbal. I did however enjoy the new version as I think they expanded the story and despite not speaking Halle Bailey had a very expressive face. I think casting Awkwafina as Scuttle gave the role a new spin and her voice is very recognisable for older viewers from films such as Crazy Rich Asians, Shang-Chi and Ocean’s 8. She was also a voice in Raya and the Last Dragon so younger viewers may be already familiar with her.

Seeing some of the shots in advance did not spoil or ruin the film for me, mainly as it’s a well known story and also as I only saw a very small part of the final film. I think Disney are doing a good job with their adaptations and as long as they keep updating them and adding new additions from the originals, then they will remain popular.

I gave this film 4/5. I am taking a point off as it was still a little cheesy and the fact that she had to kiss Eric to win back her voice and tail did not set a great example for young women

Happy Watching,
Robyn

Summer of Cinema: Black Widow

The Widows and their master, Dreykov (Ray Winstone) has a strong relevance to Hollywood after the MeToo Movement and the equality that women in the industry have been working towards since cinema began. Dreykov takes the free will and childhoods of these girls and turns them into killing machines. The big reveal of the film is the identity of Taskmaster. An assassin with the ability to copy any fighting style they see and beat an opponent with their own moves. When Taskmaster (Olga Kurylenko) is revealed as Dreykov’s daughter who Natasha thought she had killed before defecting to join S.H.I.E.L.D, it shows the lengths that Dreykov will go to for power. Changing the character from male to female for the film, gave an added element to the female power as the mysterious villain is often male.

Dear Reader,

I, like many others have been waiting for this film for over a year. Marvel fans have had some amazing TV shows to keep us entertained in 2021, but when the time came for Black Widow, I had to see the first female Avenger get her due. In some ways, it has been much longer than a year waiting for this film. The friend who organised my group outing has been anticipating since Black Widow’s debut in Iron Man 2 (2010). Natasha Romanoff has always been a mystery. We have seen a little of her back story in the Red Room, training to be an assassin but how did she really become Black Widow and how did she join S.H.I.E.L.D?

I saw this film at a Vue Extreme screening in Westfield Shepherd’s Bush, London so I definitely got the full effect. The screen was massive and the audience was packed for a Friday afternoon. I went with a group of friends and mutual friends and despite not everyone being a Marvel geek, we all enjoyed seeing Black Widow get her moment to shine.

There’s so much to dissect within the film including amazing aerial fight sequences, powerful female characters, an unexpected family drama aspect, humorous squabbling and the long awaited Budapest story.

I will start first with the characters. We have met Natasha Romanoff in several Marvel films as different versions of herself. There was Natalie Rushman in Iron Man 2 and her true name, Natalia Alianova Romanova was revealed in Captain America: The Winter Soldier. Despite an appearance in eight other Marvel films, Black Widow has always kept her cards close to her chest in terms of her origin story; we have only been given little bits and pieces.

In Black Widow, we find Natasha (Scarlett Johansson) on the run from the government after the events of Captain America: Civil War. She expertly evades Secretary Ross (William Hurt) and ends up in Norway. She still has her trademark red hair but we know that at some point she will dye it blonde for her appearance in Avengers: Infinity War.

We also learn of Yelena Belova (Florence Pugh), a Black Widow agent on mission in Morocco. After exposure to a chemical, Yelena wakes up from mind control and goes rogue. Natasha finds her in Budapest and after trying to kill each other, the two remember their past as sisters in America.

Natasha and Yelena were raised as sisters for three years with the Red Guardian – Alexei (David Harbour) and Melina (Rachel Weisz) – a former Widow posing as their parents. The first sequence shows their life together and then suddenly having to leave sleepy Ohio for Russia to train in the Red Room.

When Natasha learns that the Red Room still exists and girls are still being trained as assassins, she agrees to help Yelena take it down. They team up with Alexei and Melina once again who help them find the Red Room. There is a big focus on aerial stunts in this film which is something Marvel loves to dabble in with its flying heroes such as Falcon, Iron Man, Vision and War Machine but we have not seen this so much with Natasha. There is the small airplane sequence where Alexei tries to fend off the police from the wing of the plane; the helicopter jailbreak in Russia with Yelena flying it and Natasha swinging from a cable and of course, the fight sequence when everything falls after the Red Room is blown up.

The Widows and their master, Dreykov (Ray Winstone) has strong relevance in Hollywood after the MeToo Movement and the equality that women in the industry have been working towards since cinema began. Dreykov takes the free will and childhoods of these girls and turns them into killing machines. The big reveal of the film is the identity of Taskmaster. An assassin with the ability to copy any fighting style they see and beat an opponent with their own moves. When Taskmaster (Olga Kurylenko) is revealed as Dreykov’s daughter who Natasha thought she had killed before defecting to join S.H.I.E.L.D; it shows the lengths that Dreykov will go to for power. Changing the character from male to female for the film gave an added element to the female power as the mysterious villain is often male.

When Natasha and Yelena sit down for dinner with Alexei and Melina, family dynamics that had been forgotten for 20 years come into play with Melina criticising Natasha’s posture and Alexei telling the women to listen to their ‘mother.’ The humour and banter between the four characters demonstrates the closeness they once shared. They are able to fall back into familiar roles.

An element of the film that fans have been waiting for is the story behind what happened in Budapest with Natasha and Clint Barton. It started as a throwaway line in Avengers (2012) but has become a key part of Natasha’s story. When she finds Yelena in Budapest at a safe house, she recounts meeting Clint and him helping her avoid being recalled to the Red Room. We get details such as hiding in an air duct in the Metro for two days and using the same safe house where Natasha and Yelena meet. This is evidenced by arrow holes in the wall. Natasha mentioned before that Clint was sent to kill her but instead gave her a chance to join a different side. Her accidental killing (or so she thought) of Dreykov’s daughter was her proof that she had separated herself from Dreykov and the Widows.

Overall, this film was entertaining and a welcome return for Marvel at the cinema. It was funnier than I expected whilst still maintaining a serious plot and a worthy adversary to destroy. The aerial stunt at the end was like nothing I had seen in a Marvel outing or elsewhere and was amazing to see on a big screen. If you have been waiting to return to the cinema, definitely make this film your first one back.

I give this film 5/5.

Happy Watching,

Robyn

Oscar Hopefuls 2020

The biggest award of the night if of course Best Picture. There is stiff competition this year with every film in the category gaining multiple nominations. I have not yet seen Joker, Parasite or 1917 so I am discounting those. My pick would be Little Women. It is a much needed film for women and everyone else. It is beautiful to watch, the script is powerful and the acting brought the well-loved and well-done characters a breath of fresh air. Performances were noticed due to the two nominations but sadly Greta Gerwig was not recognised for a project that she made happen. She wrote and directed it and put so much love and care into the story. This film moved me more than the other nominations and to see a film called Little Women with four female leads in a game that is usually about men is amazing. Many people say that equally between the genders has been achieved but as most of the nominations that are for both genders contain male nominees, this is not the case.

I was just chatting to someone and talking through who I would like to win the Oscar in each category and thought why not make it into a blog post? As the Oscars will be gracing our screens tomorrow and into the night for the UK audience, I am going to go through my favourites for this year. Hopefuls and Predictions are different: there are those you would like to win and those that probably will. I will not be doing any categories where I have only seen one film or zero as that is not fair.

The biggest award of the night is of course Best Picture. There is stiff competition this year with every film in the category gaining multiple nominations. I have not yet seen Joker, Parasite or 1917 so I am discounting those. My pick would be Little Women. It is a much needed film for women and for everyone. It is beautiful to watch, the script is powerful and the acting brought the well-loved and well-acted characters a breath of fresh air. Performances were noticed due to the two nominations but sadly Greta Gerwig was not recognised for a project that she made happen. She wrote and directed it and put so much love and care into the story. This film moved me more than the other nominations and to see a film called Little Women with four female leads in a game that is usually about men is amazing. Many people say that equality between the genders has been achieved but as most of the nominations that are for both genders contain male nominees, this is not the case.

If Little Women did not win, I would not mind Jojo Rabbit or Ford vs Ferrari as both were enjoyable with so much hard work being put into them.

Actor in a Leading Role is not a particularly diverse category this year with many familiar players from other award shows present. It is great that Antonio Banderas has been included as he has not been recognised elsewhere. My pick would be Jonathan Pryce as I feel his role was more a stretch as an actor than Driver or DiCaprio. His role as the Pope brought such emotion and depth to the story (The Two Popes). He has also never won before and is such a talented actor that it would be a great ending to his career.

Actress in a Leading Role also contains people that have been picked out in other areas and again not much diversity with the exception of Cynthia Erivo for her role as titular Harriet. Considering this is only her third film role in 2 years and she has been nominated for an Oscar, she has done remarkably well. I loved her performance and the film Harriet really stayed with me hours after watching. I am disappointed it has only been picked up for 2 nominations as the film was so powerful. My pick for Actress in a Leading Role would be Saoirse Ronan. This is her 4th nomination and she is only in her mid 20s. She brought such independence, power, spirit and strength to her role as Jo March in Little Women. I love her as an actress and I hope that this will be her year.

Actor in a Supporting Role is tricky as all of these actors are established Hollywood greats. Brad Pitt has won the SAG, BAFTA and Golden Globe for this role so if he won this one it would be the set. I think however that his performance was not as inspiring as others we have seen this year. Tom Hanks also another great actor has been nominated but as I have not seen his film I cannot comment. My Pick would be Anthony Hopkins for his role as former Pope Benedict. Like Jonathan Pryce, his role brought such emotion to the film and I am not surprised that they have both been nominated.

Actress in a Supporting Role again doesn’t have any diversity other than nationality: American, British and Australian nominees. I am glad there is no double nomination for Margot Robbie as there was at the BAFTAs. I think nominating the same person twice in the same category is too much. I am not very happy with Scarlett Johansson’s double nomination either but at least she had seminal roles in both films whereas as Sharon Tate in Once Upon a Time in… Hollywood, Robbie barely had any lines. My pick would be Florence Pugh as this is her first nomination and she did an amazing job as Amy March in Little Women. She has only been acting on screen for 6 years and her progression to being nominated so early is amazing. Saoirse was also nominated early in her career so this could be the start for Florence.

For Animated Feature Film, I have only seen Klaus and Toy Story 4. Both very different films with different animation styles. My pick would be Toy Story 4 for nostalgia reasons. Watching the film, I felt a strong connection to my inner child and even shed a few tears near the end. Klaus was very moving and a beautiful story but it did not elicit the same response.

In the Cinematography category I have only seen two of the nominations and with both I did not particularly notice the cinematography. I would have to go with Once Upon a Time in Hollywood as some of the shots were interesting whereas with the Irishman, nothing noteworthy springs to mind.

Costume Design is a strange category this year. There are a few nominations that confuse me such as Joker and The Irishman. The other three are worthy nominees and my pick would be Little Women due to the detail Jacqueline Durran put into each characters costume. I’ve heard Greta Gerwig explain all her choices and I think so much thought and care went into the costumes that it is a worthy winner.

Directing again is all male nominees which is so disappointing as there were some amazing female led films this year such as Little Women, Harriet, Blinded by the Light, Honey Boy, Queen and Slim and Breakthrough. Out of the selection I would pick Bong Joon Ho even though I have not seen Parasite due to the fact that is not a white man. All the other directors have been recognised many times in their career.

For Film Editing, most of the nominations surprised me as the editing again was not particularly noteworthy apart from Ford vs Ferrari which I think would be a worthy winner. The editing of the Les Mans scenes made the film feel exciting and really highlighted the achievement of Ken Miles.

For the Make Up and Hairstyling award, I would like Bombshell to win as the three main actresses and John Lithgow looked very much the part. I have only seen one other nominee, Judy and while Renée Zellweger was made to look like Judy Garland, I think the effect in Bombshell was more impressive.

For the Original Score, I would like Joker to win as Hildur Guðnadóttir is making waves for female composers but as I have not seen the film, my pick would be Little Women as the score added so much to the film and Alexandre Desplat is an amazing composer.

For Original Song, I am pleased that Rocketman – (I’m Gonna) Love Me Again is nominated and I wold love if this song wins as represents such a pinnacle moment in the film and Elton John’s life. Stand Up from Harriet is also a worthy nominee but I did’t think the song was the best element of the film.

For Production Design I would chose Once Upon a Time in… Hollywood or Jojo Rabbit as both had amazing design that really contributed to the film. The 60s vibes of Tarantino’s Hollywood spectacle were the best part of the film. Jojo Rabbit was also a historical setting but with a more satirical view of Germany in the war.

Sound Editing is a tricky category for me as I am not much of an expert on sound editing but I would like Ford vs Ferrari to win as the sound very much added to the adrenaline of the racing. Star Wars: The Rise of Skywalker is also a worthy nominee as the sound is a big part of any Star Wars film.

Ad Astra would be my pick for Sound Mixing as I haven’t seen all the nominees but this film had beautiful sounds. The setting was also amazing but this is nominated for sound mixing not production design.

Visual Effects is a tie category for me as I think Avengers Endgame and The Lion King both had great visual effects. Avengers Endgame means more to me as a big fan of the Marvel Cinematic Universe. The Lion King looked amazing also but I prefer the 1994 original.

I would love if Greta Gerwig won Adapted Screenplay for Little Women as she has been snubbed in the Directing category. Her interpretation of Louisa May Alcott’s story was so different to other versions of the story. Starting with the girls when they were older was a great new idea. The lines were so strong and meant a lot to me as a woman. It was also relatable and funny in places.

My pick for Original Screenplay would be Knives Out as the script was very different to many of the films going around and a great take on the murder mystery film. I have seen this film twice and it was great to see all the hints and red herrings when you know the ending. Marriage Story was strong but didn’t impress me as much.

Thanks for reading and I hope everyone enjoys the Oscars this year.

Robyn

Little Women

After hearing the announcement of the cast featuring Saoirse Ronan, Timotheé Chalamet, Laura Dern, Emma Watson, Florence Pugh and Meryl Streep I became very excited. The director Greta Gerwig is one of the only female directors to be nominated for an Oscar for Lady Bird. That was a film I also absolutely loved and it also starred Saoirse and Timotheé. As Laurie and Jo, the pair were just stunning. Every little movement and look heightened the possibility of a love story between the two.

This film really means a lot to me for a number of reasons so this review was always going to be a love letter to Little Women but after seeing the film yesterday, I was truly moved and surprised by the version I saw. This will contain spoilers as it has been out for a while so turn back now if you want to watch in the future although the story has been around for 150 years.

Years ago I tried to read the book of Little Women but gave up due to the complex language. However, after seeing the BBC adaptation at Christmas, a couple of years ago starring Maya Hawke, Kathryn Newton and Michael Gambon, I fell in love with the story. The strength in all of the sisters living in the times they did but managing to be such strong characters was something I really cherished. The fact that it was published in the 1860s in a time when women were not particularly valued as authors really shows the power of the little women.

After hearing the announcement of the cast featuring Saoirse Ronan, Timothée Chalamet, Laura Dern, Emma Watson, Florence Pugh and Meryl Streep I became very excited. The director Greta Gerwig is one of only a few female directors to be nominated for an Oscar for Lady Bird. That was a film I also absolutely loved and it also starred Saoirse and Timothée. As Laurie and Jo, the pair were just stunning. Every little movement and look heightened the possibility of a love story between the two.

The story of Little Women follows four sisters: Meg, Jo, Amy and Beth March in 1850s America. The Civil War is raging during their childhood with their father away fighting. They live in a modest house in Concord, Massachusetts with their mother, Marmee (Dern) and their maid, Hannah (Jayne Houdyshell). They are restricted by society at the time of how a woman should present herself and do with her life i.e. get married and have children. They often lament at being poor compared to their friends and others but are soon put in their place after helping out a local family with 5 young children living in one room.

Each sister has their own story, Jo is boyish and doesn’t want to marry. She loves writing and is constantly writing plays for her sisters to act in. Jo is also the main character of the story as it is mainly told from her perspective. Jo’s dream is to live in New York and become a novelist.

The next sister is Amy. She is younger than Jo and Meg and is annoyed at being treated as a baby all the time. For example, she is not allowed to go with Meg and Jo to a dance. She has aspirations of becoming an artist as she loves to paint. She is also cultured and is in ways the smartest sister. She is picked to go to Paris with Aunt March as she knows French and is a good companion.

The sister with perhaps more humble aspirations is Meg (Watson). We hear from Jo of her dreams to be an actress and Jo even suggests running away together but Meg corrects her that she wants to be a wife and live a quiet, happy life. Meg is the oldest sister and often goes to balls or dances which is required to hopefully meet an eligible rich man to marry.

The youngest and most fragile of the sisters is Beth (Eliza Scanlen). She is not interested in finding anyone and her biggest dream is for all of them to be together. She has skills at the piano and Mr Laurence (Chris Cooper) is taken to Beth and even gives her his grand piano. Beth is the kindest and least selfish sister. She even gets scarlet fever visiting the poor family when her sisters keep forgetting.

Laurie played by Timothée Chalamet is a character that interacts with every sister in a way. He lives next door to the March Family with his grandfather. From meeting Jo and Meg at a dance he is enamoured with Jo. She is bold and fierce and cares deeply. They become best friends but Jo never sees him that way. He becomes more relaxed and even angry when he meets Amy in Paris after being rejected by Jo. His nature is a caring one but has a temper that can match Amy’s. Not having any women in his life draws him to the March family and their business. There are many scenes where the sisters are all talking at once but understanding each other. Timothée and Saoirse have great chemistry from playing love interests in Lady Bird so it is not hard to imagine them together as Jo and Laurie which is needed as the audience need to believe in the potential of Jo and Laurie ending up together.

Marmee is a a character that encompasses all the sisters. Greta Gerwig said in an interview that a part of Marmee’s character went to each sister. Her anger at life to Jo, her caring nature to Beth, her desire to be a wife and mother to Meg and her boldness to Amy. Laura Dern is a very dynamic actress and I loved her portrayal of Marmee.

Meryl Streep was brilliant as Aunt March, her comic timing and straight talking brought an authority to Aunt March who acted as a role model to the girls especially Amy and Jo who often sat with their aunt. She never held back any thoughts which was unusual for a woman of the time and she also never married which was even more unusual. There’s a great part where Jo is trying to sell her novel to her publisher and he insists that if the main character is a woman she must be married or dead by the end. That was how society saw a woman’s place in that part of the world.

Greta’s interpretation of the story surprised me as it was not told traditionally. We started with the girls in their adulthood, Jo in New York, Meg married with children, Beth sick and Amy in Paris. The film then went back and forth between the glow of their childhood and the coldness of their adulthood. A few moments that really moved me were Beth’s death, Jo rejecting Laurie, Jo seeing her book ‘Little Women’ being printed, Meg getting married, Laurie finally choosing Amy and the ending where the sisters are all together at Aunt March’s house now turned into a school.

All of the actors were very good at their roles and two have been nominated for Oscars – Florence Pugh for her fierce and bold portrayal of Amy and Saoirse Ronan for her feisty and tempestuous role as Jo.

I think this film will become a classic in the days to come and a masterclass in how to take a well-known, well-portrayed tale and weave it into an emotional, dramatic performance that leaves you feeling like you have lived as a March sister in their house in Concord. Overall I give this film 5/5.

September Cinema goings

This was initially going to just be a review of Once Upon a Time… In Hollywood but I decided to include a couple of others I saw in the cinema. A Rainy Day in New York was one I went to for the actors and even though the performances were good, Woody Allen’s direction and writing did not work. Animals, directed by Sophie Hyde, was a screening I attended on my shift at the small cinema I volunteer at. Bizarrely, no one turned up. Below, I’m going to examine why these films have not done so well. Plus what I think of the latest Tarantino.

Hello readers,

This was initially going to just be a review of Once Upon a Time… In Hollywood but I decided to include a couple of others I saw in the cinema this month. A Rainy Day in New York was one I went to for the actors and even though the performances were good, Woody Allen’s direction and writing did not work. Animals, directed by Sophie Hyde, was a screening I attended on my shift at the small cinema where I volunteer. Bizarrely, no-one turned up. Below, I’m going to examine why these films have not done so well. Plus what I think of the latest Tarantino.

A Rainy Day in New York

A Rainy Day in New York (2019)
A Rainy Day in New York Poster

As a fan of Timothée Chalamet and his Oscar nominated performance in ‘Call Me By Your Name’ (Now on Netflix) I wanted to see this film for his performance. I saw it in a cinema in Turkey on holiday this summer. It has yet to be released in the UK or US. The film has faced lots of controversy due to allegations against writer and director Woody Allen. I’m not here to debate his actions but let me just say that I do not agree with them and by watching the film I am in no way defending Woody Allen. Many of the cast have also tried to distance themselves from the film and have donated their salaries to the charity ‘Time’s Up’ which fights for fair treatment of men and women in many industries but specifically the Hollywood business.

Now on to the film. The basic premise involves college couple Gatsby (Chalamet) and Ashleigh (Elle Fanning) going to New York City for an interview Ashleigh has landed with a director. Gatsby wants to turn the weekend into showing her his favourite spots as a New York Native and meeting his family. They quickly get separated as Ashleigh gets involved in the dramas of the director (Liev Schreiber), his screenwriter (Jude Law)and hotshot actor Francisco Vega (Diego Luna). Gatsby connects with his ex-girlfriend’s younger sister, Chan (Selena Gomez) and ends up taking her to the activities.

The synopsis doesn’t sound so bad but the writing and many plot points turned this film into a sexist, unbelievable film. For starters, all the characters speak to each other as though they are doing a PhD in linguistics. The language is filled with metaphors and references that the target audience, 16-24, would not understand. I certainly did not understand it neither did the person I went with. As for the sexism, Ashleigh goes to do a one hour interview with a director and ends up having emotional and physical affairs with three different older men in one day. She is a smart young woman and seeing all these older men taking advantage of her is so remnant of the #MeToo movement that Allen is involved in its almost funny. Most people would not just abandon their boyfriends to go off with older men despite how clever or sexy they are. Ashleigh was also playing the part of the dumb blond. She could never remember which hotel she was staying in. She may never have been to New York except for once in her childhood but anyone can remember one name.

Ashleigh’s naivety and Gatsby’s pursuit of Chan despite once dating her sister and being in a relationship are some of the points of the film that really did not work for me. Also, the coincidences of people just happening to run into each other was too unbelievable. Once or twice for the rom com effect maybe but New York is not as small as it appeared to be in this film. The ending where Chan and Gatsby just know to meet in the same place was cute but too far-fetched. Another scene where Gatsby’s mother confesses to being an escort before she met his father didn’t add anything to the plot. This is practically the only scene we see them interact.

One other issue I had was that despite having smartphones, the film could have been set in the 80s/90s. The characters never went on social media which is an every day necessity of Generation Z or took any photos. They only used their phones for the occasional text or call. I think if you’re going to write a film in modern day New York you have to use the technology and environment of the present day. You could tell that it was written by someone who is not familiar with what the younger generation actually do or talk about.

Overall the actors did the best with what they had but it just felt like any other Woody Allen film from days gone by. I half expected Diane Keaton to pop up in a baggy suit. 2/5.

Once Upon a Time…In Hollywood

Brad Pitt, Leonardo DiCaprio, Al Pacino, Quentin Tarantino, Kurt Russell, Damon Herriman, Timothy Olyphant, Mike Moh, Margot Robbie, Margaret Qualley, and Julia Butters in Once Upon a Time... in Hollywood (2019)
Once Upon a Time… In Hollywood Poster

I finally got around to seeing the new Quentin Tarantino film. It was definitely not what I expected but after reflecting for a few weeks was typical of Tarantino’s personal style, elevated by the talented cast. I am not a huge fan of Tarantino having seen about half of his filmography which is not hard as he has only made nine films. My favourite is Inglorious Basterds but Once Upon a Time… In Hollywood is definitely up there. I really enjoyed the setting and aesthetic of the Golden Age of Hollywood.

The film revolves around several characters, many stars from the time. Rick Dalton (Leonardo DiCaprio), an action star is becoming edged out of the business and feels like his glory days are over. His friend and stunt man, Cliff Booth (Brad Pitt) is struggling with his own life being over and how he’s going to survive in his trailer.

Rick lives next door to Hollywood director Roman Polanski (Rafal Zawierucha) and his wife, Sharon Tate (Margot Robbie). They are rarely seen together as Roman is always away filming. Sharon is often seen with her ex, Jay Sebring (Emile Hirsch). Rick is trying to get more roles as the leading man but ends up doing many guest TV episodes as the one off villain. His agent, Marvin Schwarz (Al Pacino) suggests he find more leading man roles otherwise the public will start to see him as the villain.

Meanwhile, Cliff has his own plot going on as he meets Pussycat (Margaret Qualley) from a nearby cult run by ‘Charlie’ who is actually Charles Manson. I was aware that the story evolved around Sharon Tate and Charles Manson and thought it would show the famous murder but it had a more spectacular, fictonal ending. Anyway, Cliff visits the ranch where the cult live to check on an old friend, George Spahn (Bruce Dern).

Other highlights include Sharon going to the cinema to see her new film and not being recognised; Rick being told by his young co-star ‘that was some of the best acting I’ve ever seen’; a fight between Cliff and Bruce Lee and Brad Pitt shirtless on a roof. The ending was in true Tarantino style, violent and over the top. It involved members of the cult breaking into Rick’s house and ends with mauling, stabbing and one of the intruders being torched by Rick’s flame gun. Although the violence was over the top for the film, it was true to Tarantino’s style.

Overall I really enjoyed the film and the Hollywood setting really made it for me. The calibre of acting was amazing and it was great to see Leo and Brad vibing off each other. The script was great and all the shop fronts, cars, costumes and props really helped you believe it was 1969. 4/5.

Animals

Animals (2019)
Animals Poster

I had not heard much about this film other than seeing in it on the programme but I think it was a shame that no one turned up to see it. It had a quality that really drew you to the characters and I certainly became invested in their story. It centres on two women, Laura and Tyler, roommates and best friends living in Ireland. They party most nights but when Laura finds a connection with musician Jim, she tries to pull away from her life with Tyler.

The raw honesty in this film, based on a book by Emma Jane Unsworth, was one of the best parts about it. Female friendships are often shown as rock solid and always loving and supportive but the rockiness and co-dependency of Laura (Holliday Grainger) and Tyler’s (Alia Shawkat) friendship was really refreshing to see. We can see the world through both of their eyes. Laura is fed up of being told how great she is by Tyler despite not doing any work. She claims to be a writer but has only done 10 pages in the last decade. Tyler constantly tells her how talented she is but when it comes to actually writing Laura draws a blank and goes back to drinking and partying with Tyler.

Tyler meanwhile doesn’t seem to have many ambitions other than having a brilliant night every night. Her outfits are outrageous and cool. Clothes we all wish we could pull off before throwing on jeans and a nice top. She is very insecure about Laura’s whirlwind relationship with Jim and their engagement seems to be the catalyst to set off the divide between them. Tyler turns 30 but doesn’t feel like she should clean up her act until Laura moves out.

Laura seeing her wild little sister have a baby and settled into family life drives her to want to marry Jim but the pair don’t actually have that much in common. The hopelessness and pressure to write something good was greatly shown by Laura. She had a fear of never being brilliant so didn’t really try.

I think that no one turned up as it had not been greatly advertised and most of the cast and crew aren’t widely known. Marketing is so important in today’s era when there is so much choice.

Overall I enjoyed the film and was an honest portrait of women with no male gaze thanks to the female director, Sophie Hyde. An enjoyable watch that will make you feel better about your own failures. 3/5.

This concludes my three films for this post. No 5/5s for this week but not every film you see is going to be amazing. They all had their own qualities though.

Other films I have enjoyed recently are Dead in a Week… Or Your Money Back; The Back-Up Plan and Tall Girl. Now that I am back at university, I hope to start going to the cinema more often.

Happy Watching,

Robyn

Stranger Things 3 – A Masterpiece of 80s nostalgia

I think that the dynamics between all the different characters were very well balanced. There are more characters than ever this series with new additions of Robin, Alexei, Tom, Larry and Heather. The main cast are split into four gangs, if you will. There is Scoops Troop consisting of Steve, Robin, Dustin and Erica, Lucas’ younger sister who has a much bigger role in series 3. Their adventure below the Starcourt Mall trying to defeat Russians and become American heroes takes them away from the main action of the Mind Flayer and the Flayed.

Hello readers,

Another post so soon? What a shock. I have been travelling a lot recently so haven’t gone to the cinema too much until a week or so ago but now I have the whole summer to watch and review.

In this post I am talking about the new season/series of Stranger Things!

Image result for stranger things 3 promo pics
Stranger Things 3 promotional poster

Thought about posting this earlier but wanted to make sure I didn’t spoil the series for any one not as fast at bingeing as me. So if you haven’t seen all of Stranger Things 3 or are planning to watch it in the future, look away now!

The latest series had a different vibe to the previous: the kids are growing up; they’ve lost people; the stakes are becoming higher and the monsters harder to conquer.

The addition of the Starcourt Mall to Hawkins, Indiana was a great plot idea as it created the location for many of the adventures, shopping trips and final showdowns. Steve and Robin work at Scoops Ahoy for the summer, the group sneak into the cinema and Russians are building something underneath.

Starcourt Mall, Hawkins, IN

I think that the dynamics between all the different characters were very well balanced. There are more characters than ever this series with new additions of Robin, Alexei, Tom, Larry and Heather. The main cast are split into four gangs, if you will. There is Scoops Troop consisting of Steve, Robin, Dustin and Erica, Lucas’ younger sister who has a much bigger role in series 3. Their adventure below the Starcourt Mall trying to defeat Russians and become American heroes takes them away from the main action of the Mind Flayer and the Flayed.

Scoops Troop

Eleven has grown into her new home and place within the group, bonding with Max and having a summer of love with Mike. The kids group consists of Max, Lucas, Will, Mike and Eleven. They are soon joined by Jonathan and Nancy who get up to some investigating of their own involving rats and fertiliser.

Another character off on their own adventure is Billy, Max’s older step-brother and eye-candy of the community pool. Again his role has been expanded this series. Last series, Billy was an enemy, Steve’s school rival and Max’ gate keeper. This series there is so much more to his story. Also stemming from the last series is the relationship that Billy has built up with Karen, Nancy and Mike’s mother. Billy suggests they meet in motel for some private ‘swimming lessons’ and I bet Karen is glad she didn’t go through with it after Billy’s arc this series. Billy recruits Heather into his evil plots but he isn’t himself. The Mind Flayer is back and has taken over Billy’s mind.

Billy and Karen Wheeler
Heather

Our last group of Stranger Things characters are Joyce Byers and Jim Hopper, Will’s mother and Eleven’s adoptive father, Jopper. They team up to investigate mysterious goings on with a loss of magnetism in the town. Joyce also goes to Mr Clarke for help, the kid’s science teacher. They then kidnap Alexei and hold him hostage from a man who could be described as the Russian Terminator. They find Murray as he is the only Russian speaker for miles around.

It was really interesting to split up the characters into new and old gangs to work out what monsters are plaguing Hawkins and I think when they eventually all teamed up together which I was hoping for, they all gelled well with one another.

The setting and 80s culture played a big part in this series as always. The fashion of crazy prints, short shorts and block colours was great to explore and as this series is set around 4th July, the Duffer Brothers could explore what a summer in Hawkins looks like. Particular stand out outfits to me were Eleven’s. Max takes her shopping to the mall and they go to The Gap to get her a new look after she dumped Mike. The clash of patterns and bright colours were great for Eleven and showed some of her quirky personality.

Max and Eleven

Other 80s culture I loved was the films that were referenced. With the new multiplex cinema in Starcourt, the characters had many chances to go the cinema. At the beginning of the series, the group sneak into a showing of Day of the Dead and when Steve and Robin have been drugged by the Russians, on their escape Dustin and Erica try to get them to hide out in a screening of Back to the Future. Other films on the marquee at the front of the cinema are Fletch, D.A.R.Y.L., The Stuff and Return to Oz.

Image result for starcourt cinema stranger things
Starcourt Cinema

Other pop culture items mentioned are Ralph Macchio: Max’s apparent celebrity crush which prompts Lucas to wear a Karate Kid t-shirt; The Neverending Story theme tune: a duet between Dustin and his camp girlfriend, Suzie over radio; Cheers, a popular US TV show that Joyce and Hopper both watch and the New Coke that only Lucas likes.

The monsters were bigger and gorier than before with the Mind Flayer possessing Billy then getting him to kidnap others for the army. In the end almost thirty people end up as Mind Flayer goop. The monster that grows larger, the more it absorbs people is the most gruesome so far and hardest to destroy. Jonathan and Nancy in the hospital certainly try their hardest but don’t succeed. Of course it takes team work, powers and sheer cleverness to defeat the monsters… and the evil Russians.

The series was kept with Stranger Things’ theme and tone and made a brilliant new season. I cannot wait to see what they have in store next year.

Happy Watching,

Robyn

Films I’ve enjoyed recently are Chasing Happiness, Legend, Starter for 10, Rough Night and Wildlife.